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  • Digital Humanities and Cultural Heritage
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  • Oxford University Research Archive

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Styring, AK; Jirdén, E; Lagerås, P; Larsson, M; +2 Authors

    Hazel (Corylus avellana) has been abundant in the vegetation of northern and central Europe since the early Holocene and has provided food and materials for humans ever since. Here we use stable carbon isotope (δ13C) values of hazelnut shells to infer woodland openness based on the premise of the “canopy effect”. It is well established that plants growing in dense, shaded forests have lower carbon isotope (δ13C) values than plants growing in open areas. By measuring δ13C values in hazelnuts collected from trees growing in different levels of light intensity, we show that the canopy effect is preserved in hazelnuts and that their δ13C values can be used to infer woodland openness in the past. We apply the method to hazelnuts recovered from sites dated to between the Mesolithic and Iron Age (c. 7000 BCE−1000 CE) in southern Sweden. Our results show that the nuts dated to the Mesolithic were harvested from hazels growing in a range of closed to open settings while nuts from subsequent periods were harvested from progressively more open environments. Given the abundance of hazelnuts recovered from many archaeological contexts, this method has the potential to reconstruct the microhabitats exploited by humans in the past and explore the impact of humans on their environment.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Frontiers in Environ...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Frontiers in Environmental Archaeology
    Article . 2024 . Peer-reviewed
    License: CC BY
    Data sources: Crossref
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Frontiers in Environ...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Frontiers in Environmental Archaeology
      Article . 2024 . Peer-reviewed
      License: CC BY
      Data sources: Crossref
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Clack, T; Pollard, T;

    This paper provides an introduction and progress report on the first season of fieldwork carried out by the Falklands War Mapping Project. In March and April 2022, a team including two Scots Guards veterans travelled to the Falkland Islands and surveyed field fortifications and artefacts related to the Battle of Tumbledown (13–14 June 1982). The focus was on the western and southern flanks of the feature, with a notable series of Argentine dugouts recorded on the low ground at the southern base of the mountain. The first five days were spent in COVID-19 quarantine in Stanley, followed by eight days dedicated to the Tumbledown survey and site visits – a further three days were spent on Pebble Island by two of the project team. This project marks the first occasion on which the veterans of a battle have been engaged in the archaeological survey of their own battlefield.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Oxford University Research Archive
    Article . 2024
    License: CC BY NC ND
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Journal of Conflict Archaeology
    Article . 2024 . Peer-reviewed
    License: CC BY NC ND
    Data sources: Crossref
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
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      Oxford University Research Archive
      Article . 2024
      License: CC BY NC ND
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Journal of Conflict Archaeology
      Article . 2024 . Peer-reviewed
      License: CC BY NC ND
      Data sources: Crossref
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Rood, T;

    This article analyses the development of the notion of ‘commonwealth’ within the Round Table group in relation to two books: Alfred Zimmern’s The Greek Commonwealth (1911) and Lionel Curtis’ The Commonwealth of Nations (1916). Modern historians of International Relations have argued that the title of Zimmern’s book alluded to conceptions of the British empire as a ‘commonwealth’. Drawing on previously unused archival sources and on detailed study of the different editions of The Greek Commonwealth, this article shows that Zimmern’s title did not refer to any form of political organization larger than the city-state and that IR historians have wrongly read into Zimmern’s book both the idea of commonwealth and the reading of the Athenian empire developed by Lionel Curtis. The article explores Curtis’ development of the concept of commonwealth and its reception by Zimmern and other members of the Round Table, and sets the historical narrative Curtis offers in The Commonwealth of Nations against The Greek Commonwealth. It shows that, even though Curtis used Zimmern’s work as a source, he took issue with its presentation of Athens precisely in relation to the questions of imperial organization that were the Round Table’s central concern.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Hamerow, HF; Leggett, S; Tinguely, C; Le Roux, P;

    ABSTRACT Exogamous marriage alliances involving royal women played a prominent role in the conversion of the Anglo-Saxon kingdoms to Christianity in the seventh century AD. Yet the large number of well-furnished female burials from this period suggests a broader change in the role of women. The authors present the results of isotopic analysis of seventh-century burials, comparing male and female mobility and the mobility of females from well-furnished versus poorly/unfurnished burials. Results suggest increased mobility during the Conversion Period that is, paradoxically, most noticeable among women buried in poorly furnished graves; their well-furnished contemporaries were more likely to have grown up near to their place of burial.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Edinburgh Research E...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Oxford University Research Archive
    Article . 2023
    License: CC BY NC ND
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Antiquity
    Article . 2024 . Peer-reviewed
    License: CC BY NC ND
    Data sources: Crossref
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Edinburgh Research E...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Oxford University Research Archive
      Article . 2023
      License: CC BY NC ND
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Antiquity
      Article . 2024 . Peer-reviewed
      License: CC BY NC ND
      Data sources: Crossref
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Francesca Southerden;

    AbstractThis article analyses ‘Via: 48 Dante Variations’ by Caroline Bergvall (1962-) and considers the kind of Dante it performs. ‘Via,’ composed of the first tercet of Dante’s Inferno, accompanied by 47 (or 48) English translations of the tercet ordered alphabetically, was first divulged as a sonic piece and was then published in diverse textual iterations, with variants among the several written forms and between the spoken and written. I explore the links between Bergvall’s project and medieval textual practices and textualities, particularly the creative instability of works that exhibit mouvance and variance within a hybrid aural/textual culture. Engaging with recent critical work on queer philology and with Ovid’s myth of Echo, I consider how Bergvall’s ‘Via’ can be said to perform error, extending the predicament of the Dantean ‘I’ at the opening of Inferno, and how that performance of error may be a source of queer pleasure.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    postmedieval a journal of medieval cultural studies
    Article . 2024 . Peer-reviewed
    License: CC BY
    Data sources: Crossref
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
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      postmedieval a journal of medieval cultural studies
      Article . 2024 . Peer-reviewed
      License: CC BY
      Data sources: Crossref
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    Authors: Irving-Pease, Evan K; Refoyo-Martínez, Alba; Barrie, William; Ingason, Andrés; +30 Authors

    AbstractThe Holocene (beginning around 12,000 years ago) encompassed some of the most significant changes in human evolution, with far-reaching consequences for the dietary, physical and mental health of present-day populations. Using a dataset of more than 1,600 imputed ancient genomes1, we modelled the selection landscape during the transition from hunting and gathering, to farming and pastoralism across West Eurasia. We identify key selection signals related to metabolism, including that selection at the FADS cluster began earlier than previously reported and that selection near the LCT locus predates the emergence of the lactase persistence allele by thousands of years. We also find strong selection in the HLA region, possibly due to increased exposure to pathogens during the Bronze Age. Using ancient individuals to infer local ancestry tracts in over 400,000 samples from the UK Biobank, we identify widespread differences in the distribution of Mesolithic, Neolithic and Bronze Age ancestries across Eurasia. By calculating ancestry-specific polygenic risk scores, we show that height differences between Northern and Southern Europe are associated with differential Steppe ancestry, rather than selection, and that risk alleles for mood-related phenotypes are enriched for Neolithic farmer ancestry, whereas risk alleles for diabetes and Alzheimer’s disease are enriched for Western hunter-gatherer ancestry. Our results indicate that ancient selection and migration were large contributors to the distribution of phenotypic diversity in present-day Europeans.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Apolloarrow_drop_down
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    Apollo
    Article . 2024
    License: CC BY
    Data sources: Apollo
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Apollo
    Article . 2024
    Data sources: Apollo
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Apollo
    Article . 2023
    License: CC BY
    Data sources: Datacite
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Apollo
    Article . 2024
    License: CC BY
    Data sources: Apollo
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Apollo
    Article . 2024
    License: CC BY
    Data sources: Apollo
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    UCL Discovery
    Article . 2024
    Data sources: UCL Discovery
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Access Routes
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      Apollo
      Article . 2024
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      Apollo
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      Apollo
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      Apollo
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      UCL Discovery
      Article . 2024
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    Authors: New, K;

    AbstractThe present article focuses on the tension arising from Pavel Katenin’s aesthetic and literary vision for the reception of Antiquity in Russian mythological drama: his avid support of Classical purism and his denunciation of dramatists, for whom ancient myths served merely as a resource of historical parallels, is challenging to reconcile with the revolutionary conception of his play Andromache. The paper argues that Katenin regarded antiquity as an idealized universe from which numerous motifs could be drawn for inspiration. Semantic and structural means employed in the tragedy are analyzed as shedding light on the extent of Katenin’s transformation of the ancient myth to reflect the ideology of his time. The paper suggests that Classical antiquity served as a “mask,” allowing contemporary Decembrist circles to apply ancient models and situational resolutions to their own political crises. The dramatist’s conflation of masked political ideology with extreme innovation and intricate intertextual allusion is put forward as a cause of the brevity of the stage life that Katenin’s Andromache was allowed in St. Petersburg’s Bolshoi Theater.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ The Russian Reviewarrow_drop_down
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    The Russian Review
    Article . 2024 . Peer-reviewed
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      The Russian Review
      Article . 2024 . Peer-reviewed
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    Authors: Hein, A; Stilborg, O;

    AbstractThis paper presents a study of ceramics from Northwest China from the Neolithic and Bronze Age (c. 3300–600 BCE), providing insights into variations in human–ceramic interactions over time and space. Based on macroscopic and petrographic analysis of ceramics from 10 sites, this paper shows that there is much more complexity in ceramic technology than previously thought. It identifies a development from a bi‐modal distinction between painted fine ware and rusticated coarse wares shared among communities across Northwest China to strongly localised ceramic traditions with new fabrics, vessel shapes, and decorations, some of them potentially of outside origin, reflecting considerable societal change.

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    Oxford University Research Archive; Archaeometry
    Article . 2024 . 2023 . Peer-reviewed
    License: CC BY NC
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      Oxford University Research Archive; Archaeometry
      Article . 2024 . 2023 . Peer-reviewed
      License: CC BY NC
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    Authors: Leah Lazar;

    Abstract In this article, jumping off from Geoffrey de Ste. Croix’s treatment of Aristophanes and the Megarian Decree, I argue that Old Comedy is an underutilised category of evidence for the study of the popular intellectual history of Athens. My particular focus here is the Athenian empire: how does Old Comedy present Athenian power and what does this comic presentation tell us about how at least some ordinary Athenians understood it? Can one popular Athenian imaginary of the empire be constructed through analysis of Aristophanes and his contemporaries? I will argue that Old Comedy, taken as a corpus, presents a very Athenian empire, that is to say one focused on Athens and its exploitation of others. The comic poets, therefore, likely assumed parochialism and myopia on the part of their audience, but also significant topical interest in the mechanisms of Athenian power, particularly those which brought revenue to Athens. This impression of highly topical engagement with the empire is corroborated by bringing Comedy into dialogue with other sources, in particular the epigraphic record.

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    Polis The Journal for Ancient Greek and Roman Political Thought
    Article . 2024 . Peer-reviewed
    License: CC BY
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      Polis The Journal for Ancient Greek and Roman Political Thought
      Article . 2024 . Peer-reviewed
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    Authors: Kerry, M;

    Abstract Banging together pots and pans has become established as a common protest technique in Spain and across the world. Pot-banging can be linked to charivari: a centuries-old, Europe-wide, nuptial practice that subjected a marrying couple to mocking moral critique, which was also adapted for political ends. This article, however, distinguishes between nuptial charivari (the cencerrada) and recent political pot-banging (the cacerolada). The former suffered a process decline and disappearance while the latter, separately, was imported into Spain from Latin America in the late 1980s. The lack of connection between the two is reflected in different terms, but can be further established through close attention to their respective staging, gendered nature, meaning and sound. The case of Spanish pot-banging sheds light on the fate of ‘traditions’ during the Transition from the Francoist dictatorship to democracy, particularly in terms of changing notions of individual rights, civility and gender relations, and has implications for how historians approach the history of collective action. Historians should pay greater attention to how techniques are transmitted and learned within and across borders. The history of modern protest is perhaps more disjointed than modernizing approaches suggest.

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    Oxford University Research Archive; Past & Present
    Article . 2024 . 2023 . Peer-reviewed
    License: CC BY NC ND
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      Oxford University Research Archive; Past & Present
      Article . 2024 . 2023 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Styring, AK; Jirdén, E; Lagerås, P; Larsson, M; +2 Authors

    Hazel (Corylus avellana) has been abundant in the vegetation of northern and central Europe since the early Holocene and has provided food and materials for humans ever since. Here we use stable carbon isotope (δ13C) values of hazelnut shells to infer woodland openness based on the premise of the “canopy effect”. It is well established that plants growing in dense, shaded forests have lower carbon isotope (δ13C) values than plants growing in open areas. By measuring δ13C values in hazelnuts collected from trees growing in different levels of light intensity, we show that the canopy effect is preserved in hazelnuts and that their δ13C values can be used to infer woodland openness in the past. We apply the method to hazelnuts recovered from sites dated to between the Mesolithic and Iron Age (c. 7000 BCE−1000 CE) in southern Sweden. Our results show that the nuts dated to the Mesolithic were harvested from hazels growing in a range of closed to open settings while nuts from subsequent periods were harvested from progressively more open environments. Given the abundance of hazelnuts recovered from many archaeological contexts, this method has the potential to reconstruct the microhabitats exploited by humans in the past and explore the impact of humans on their environment.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Frontiers in Environ...arrow_drop_down
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    Frontiers in Environmental Archaeology
    Article . 2024 . Peer-reviewed
    License: CC BY
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Frontiers in Environ...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Frontiers in Environmental Archaeology
      Article . 2024 . Peer-reviewed
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Authors: Clack, T; Pollard, T;

    This paper provides an introduction and progress report on the first season of fieldwork carried out by the Falklands War Mapping Project. In March and April 2022, a team including two Scots Guards veterans travelled to the Falkland Islands and surveyed field fortifications and artefacts related to the Battle of Tumbledown (13–14 June 1982). The focus was on the western and southern flanks of the feature, with a notable series of Argentine dugouts recorded on the low ground at the southern base of the mountain. The first five days were spent in COVID-19 quarantine in Stanley, followed by eight days dedicated to the Tumbledown survey and site visits – a further three days were spent on Pebble Island by two of the project team. This project marks the first occasion on which the veterans of a battle have been engaged in the archaeological survey of their own battlefield.

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    Oxford University Research Archive
    Article . 2024
    License: CC BY NC ND
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    Journal of Conflict Archaeology
    Article . 2024 . Peer-reviewed
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      Oxford University Research Archive
      Article . 2024
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      Journal of Conflict Archaeology
      Article . 2024 . Peer-reviewed
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    Authors: Rood, T;

    This article analyses the development of the notion of ‘commonwealth’ within the Round Table group in relation to two books: Alfred Zimmern’s The Greek Commonwealth (1911) and Lionel Curtis’ The Commonwealth of Nations (1916). Modern historians of International Relations have argued that the title of Zimmern’s book alluded to conceptions of the British empire as a ‘commonwealth’. Drawing on previously unused archival sources and on detailed study of the different editions of The Greek Commonwealth, this article shows that Zimmern’s title did not refer to any form of political organization larger than the city-state and that IR historians have wrongly read into Zimmern’s book both the idea of commonwealth and the reading of the Athenian empire developed by Lionel Curtis. The article explores Curtis’ development of the concept of commonwealth and its reception by Zimmern and other members of the Round Table, and sets the historical narrative Curtis offers in The Commonwealth of Nations against The Greek Commonwealth. It shows that, even though Curtis used Zimmern’s work as a source, he took issue with its presentation of Athens precisely in relation to the questions of imperial organization that were the Round Table’s central concern.

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    Authors: Hamerow, HF; Leggett, S; Tinguely, C; Le Roux, P;

    ABSTRACT Exogamous marriage alliances involving royal women played a prominent role in the conversion of the Anglo-Saxon kingdoms to Christianity in the seventh century AD. Yet the large number of well-furnished female burials from this period suggests a broader change in the role of women. The authors present the results of isotopic analysis of seventh-century burials, comparing male and female mobility and the mobility of females from well-furnished versus poorly/unfurnished burials. Results suggest increased mobility during the Conversion Period that is, paradoxically, most noticeable among women buried in poorly furnished graves; their well-furnished contemporaries were more likely to have grown up near to their place of burial.

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    Oxford University Research Archive
    Article . 2023
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    Antiquity
    Article . 2024 . Peer-reviewed
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      Oxford University Research Archive
      Article . 2023
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      Antiquity
      Article . 2024 . Peer-reviewed
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    Authors: Francesca Southerden;

    AbstractThis article analyses ‘Via: 48 Dante Variations’ by Caroline Bergvall (1962-) and considers the kind of Dante it performs. ‘Via,’ composed of the first tercet of Dante’s Inferno, accompanied by 47 (or 48) English translations of the tercet ordered alphabetically, was first divulged as a sonic piece and was then published in diverse textual iterations, with variants among the several written forms and between the spoken and written. I explore the links between Bergvall’s project and medieval textual practices and textualities, particularly the creative instability of works that exhibit mouvance and variance within a hybrid aural/textual culture. Engaging with recent critical work on queer philology and with Ovid’s myth of Echo, I consider how Bergvall’s ‘Via’ can be said to perform error, extending the predicament of the Dantean ‘I’ at the opening of Inferno, and how that performance of error may be a source of queer pleasure.

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    postmedieval a journal of medieval cultural studies
    Article . 2024 . Peer-reviewed
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      postmedieval a journal of medieval cultural studies
      Article . 2024 . Peer-reviewed
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    Authors: Irving-Pease, Evan K; Refoyo-Martínez, Alba; Barrie, William; Ingason, Andrés; +30 Authors

    AbstractThe Holocene (beginning around 12,000 years ago) encompassed some of the most significant changes in human evolution, with far-reaching consequences for the dietary, physical and mental health of present-day populations. Using a dataset of more than 1,600 imputed ancient genomes1, we modelled the selection landscape during the transition from hunting and gathering, to farming and pastoralism across West Eurasia. We identify key selection signals related to metabolism, including that selection at the FADS cluster began earlier than previously reported and that selection near the LCT locus predates the emergence of the lactase persistence allele by thousands of years. We also find strong selection in the HLA region, possibly due to increased exposure to pathogens during the Bronze Age. Using ancient individuals to infer local ancestry tracts in over 400,000 samples from the UK Biobank, we identify widespread differences in the distribution of Mesolithic, Neolithic and Bronze Age ancestries across Eurasia. By calculating ancestry-specific polygenic risk scores, we show that height differences between Northern and Southern Europe are associated with differential Steppe ancestry, rather than selection, and that risk alleles for mood-related phenotypes are enriched for Neolithic farmer ancestry, whereas risk alleles for diabetes and Alzheimer’s disease are enriched for Western hunter-gatherer ancestry. Our results indicate that ancient selection and migration were large contributors to the distribution of phenotypic diversity in present-day Europeans.

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    Apollo
    Article . 2024
    License: CC BY
    Data sources: Apollo
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    Apollo
    Article . 2024
    Data sources: Apollo
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    Apollo
    Article . 2023
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    Data sources: Datacite
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    Apollo
    Article . 2024
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    Apollo
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    UCL Discovery
    Article . 2024
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      Apollo
      Article . 2024
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      Apollo
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      Apollo
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      UCL Discovery
      Article . 2024
      Data sources: UCL Discovery
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    Authors: New, K;

    AbstractThe present article focuses on the tension arising from Pavel Katenin’s aesthetic and literary vision for the reception of Antiquity in Russian mythological drama: his avid support of Classical purism and his denunciation of dramatists, for whom ancient myths served merely as a resource of historical parallels, is challenging to reconcile with the revolutionary conception of his play Andromache. The paper argues that Katenin regarded antiquity as an idealized universe from which numerous motifs could be drawn for inspiration. Semantic and structural means employed in the tragedy are analyzed as shedding light on the extent of Katenin’s transformation of the ancient myth to reflect the ideology of his time. The paper suggests that Classical antiquity served as a “mask,” allowing contemporary Decembrist circles to apply ancient models and situational resolutions to their own political crises. The dramatist’s conflation of masked political ideology with extreme innovation and intricate intertextual allusion is put forward as a cause of the brevity of the stage life that Katenin’s Andromache was allowed in St. Petersburg’s Bolshoi Theater.

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    The Russian Review
    Article . 2024 . Peer-reviewed
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      The Russian Review
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Authors: Hein, A; Stilborg, O;

    AbstractThis paper presents a study of ceramics from Northwest China from the Neolithic and Bronze Age (c. 3300–600 BCE), providing insights into variations in human–ceramic interactions over time and space. Based on macroscopic and petrographic analysis of ceramics from 10 sites, this paper shows that there is much more complexity in ceramic technology than previously thought. It identifies a development from a bi‐modal distinction between painted fine ware and rusticated coarse wares shared among communities across Northwest China to strongly localised ceramic traditions with new fabrics, vessel shapes, and decorations, some of them potentially of outside origin, reflecting considerable societal change.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
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    Oxford University Research Archive; Archaeometry
    Article . 2024 . 2023 . Peer-reviewed
    License: CC BY NC
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      Oxford University Research Archive; Archaeometry
      Article . 2024 . 2023 . Peer-reviewed
      License: CC BY NC
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    Authors: Leah Lazar;

    Abstract In this article, jumping off from Geoffrey de Ste. Croix’s treatment of Aristophanes and the Megarian Decree, I argue that Old Comedy is an underutilised category of evidence for the study of the popular intellectual history of Athens. My particular focus here is the Athenian empire: how does Old Comedy present Athenian power and what does this comic presentation tell us about how at least some ordinary Athenians understood it? Can one popular Athenian imaginary of the empire be constructed through analysis of Aristophanes and his contemporaries? I will argue that Old Comedy, taken as a corpus, presents a very Athenian empire, that is to say one focused on Athens and its exploitation of others. The comic poets, therefore, likely assumed parochialism and myopia on the part of their audience, but also significant topical interest in the mechanisms of Athenian power, particularly those which brought revenue to Athens. This impression of highly topical engagement with the empire is corroborated by bringing Comedy into dialogue with other sources, in particular the epigraphic record.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
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    Polis The Journal for Ancient Greek and Roman Political Thought
    Article . 2024 . Peer-reviewed
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      Polis The Journal for Ancient Greek and Roman Political Thought
      Article . 2024 . Peer-reviewed
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    Authors: Kerry, M;

    Abstract Banging together pots and pans has become established as a common protest technique in Spain and across the world. Pot-banging can be linked to charivari: a centuries-old, Europe-wide, nuptial practice that subjected a marrying couple to mocking moral critique, which was also adapted for political ends. This article, however, distinguishes between nuptial charivari (the cencerrada) and recent political pot-banging (the cacerolada). The former suffered a process decline and disappearance while the latter, separately, was imported into Spain from Latin America in the late 1980s. The lack of connection between the two is reflected in different terms, but can be further established through close attention to their respective staging, gendered nature, meaning and sound. The case of Spanish pot-banging sheds light on the fate of ‘traditions’ during the Transition from the Francoist dictatorship to democracy, particularly in terms of changing notions of individual rights, civility and gender relations, and has implications for how historians approach the history of collective action. Historians should pay greater attention to how techniques are transmitted and learned within and across borders. The history of modern protest is perhaps more disjointed than modernizing approaches suggest.

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    Oxford University Research Archive; Past & Present
    Article . 2024 . 2023 . Peer-reviewed
    License: CC BY NC ND
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      Oxford University Research Archive; Past & Present
      Article . 2024 . 2023 . Peer-reviewed
      License: CC BY NC ND
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