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69 Research products

  • Digital Humanities and Cultural Heritage
  • 2014-2023
  • Dataset
  • AU

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Colley, Sarah;

    This dataset is part of Sarah Colley's research project Mediated Messages: Archaeology Communication and Digital Technology (2010-2015) which investigates philosophical and ethical questions raised by using digital communication technology in archaeology and cultural heritage practice (e.g. Colley 2013, 2015). In 2011 Colley interviewed thirty Australian-based archaeologists and cultural heritage professionals about their use of digital technology and their communication with professional peers; television, radio and newspaper journalists; public relations and online media practitioners; public and government organisations; businesses; and members of the wider public including Indigenous community members and traditional owners. The research provides insights into e.g. remediation political economy, technology design, representation, authenticity and digital literacy. Changing communication technologies impact on peoples' understanding of and reactions to physical remains of the human past in ways that have broader social political and economic implications.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Sydney eScholarshiparrow_drop_down
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  • Authors: University, Griffith;

    Indigenous people worldwide continue to struggle to repatriate the remains of their ancestors held by national and international organisations. After European settlement of Australia in 1788, Aboriginal Australian remains were deposited in museums worldwide. Many of these remains have no known provenance, making their return to Indigenous custodians difficult. Hence, we sequenced ten nuclear genomes and 27 mitogenomes from ancient pre-European Aboriginal Australians (up to 1,540 yr BP) and compared them to 100 high-coverage contemporary Aboriginal Australian genomes from 12 geographic locations. We report substantial ancient genetic structure showing strong affinities between ancient and contemporary individuals from the same geographic locations. Our findings demonstrate the feasibility of identifying the origins of unprovenanced ancestral remains using nuclear DNA, thereby enabling their return to their rightful communities.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Colley, Sarah;

    This dataset is part of Sarah Colley's research project Mediated Messages: Archaeology Communication and Digital Technology (2010-2015) which investigates philosophical and ethical questions raised by using digital communication technology in archaeology and cultural heritage practice (e.g. Colley 2013, 2015). In 2011 Colley interviewed thirty Australian-based archaeologists and cultural heritage professionals about their use of digital technology and their communication with professional peers; television, radio and newspaper journalists; public relations and online media practitioners; public and government organisations; businesses; and members of the wider public including Indigenous community members and traditional owners. The research provides insights into e.g. remediation political economy, technology design, representation, authenticity and digital literacy. Changing communication technologies impact on peoples' understanding of and reactions to physical remains of the human past in ways that have broader social political and economic implications.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Sydney eScholarshiparrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Sydney eScholarshiparrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Grealy, Alicia; Douglass, Kristina; Haile, James; Bruwer, Chriselle; +2 Authors

    Taxonomic identification of archaeological fish bones provides important insights into the subsistence practices of ancient coastal peoples. However, it can be difficult to execute robust morphological identification of fish bones from species-rich fossil assemblages, especially from post-cranial material with few distinguishing features. Fragmentation, weathering and burning further impede taxonomic identification, resulting in large numbers of unidentifiable bones from archaeological sites. This limitation can be somewhat mitigated by taking an ancient DNA (aDNA) bulk-bone metabarcoding (BBM) approach to faunal identification, where DNA from non-diagnostic bone fragments is extracted and sequenced in parallel. However, a large proportion of fishing communities (both past and present) live in tropical regions that have sub-optimal conditions for long-term aDNA preservation. To date, the BBM method has never been applied to fish bones before, or to fossils excavated from an exposed context within a tropical climate. Here, we demonstrate that morphologically indistinct bulk fish bone from the tropics can be identified by sequencing aDNA extracted from 100 to 300 ya archaeological midden material in southwest Madagascar. Despite the biases of the approach, we rapidly obtained family, genus, and species-level assemblage information, and used this to describe a subset of the ichthyofauna exploited by an 18th century fishing community. We identified 23 families of fish, including benthic, pelagic, and coral-dwelling fishes, suggesting a reliance on a variety of marine and brackish habitats. When possible, BBM should be used alongside osteological approaches to address the limitations of both; however, this study highlights how genetic methods can nevertheless be a valuable tool for helping resolve faunal assemblages when morphological identification is hindered by taphonomic processes, lack of adequate comparative collections, and time constraints, and can provide a temporal perspective on fish biodiversity in the context of accelerated exploitation of the marine environment. Metabarcoding_DataTrimmed, quality filtered, chimera filtered, abundance filtered, and unique 12SrRNA metabarcoding reads for each DNA extract (including controls) sequenced.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ DRYAD; NARCISarrow_drop_down
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    DRYAD; NARCIS
    Dataset . 2017
    License: CC 0
    Data sources: Datacite; NARCIS
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    DANS-EASY
    Dataset . 2016
    Data sources: B2FIND
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Dataset . 2017
    License: CC 0
    Data sources: ZENODO
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ DRYAD; NARCISarrow_drop_down
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      DRYAD; NARCIS
      Dataset . 2017
      License: CC 0
      Data sources: Datacite; NARCIS
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      DANS-EASY
      Dataset . 2016
      Data sources: B2FIND
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Dataset . 2017
      License: CC 0
      Data sources: ZENODO
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Colley, Sarah;

    This dataset is part of Sarah Colley's research project Mediated Messages: Archaeology Communication and Digital Technology (2010-2015) which investigates philosophical and ethical questions raised by using digital communication technology in archaeology and cultural heritage practice (e.g. Colley 2013, 2015). In 2011 Colley interviewed thirty Australian-based archaeologists and cultural heritage professionals about their use of digital technology and their communication with professional peers; television, radio and newspaper journalists; public relations and online media practitioners; public and government organisations; businesses; and members of the wider public including Indigenous community members and traditional owners. The research provides insights into e.g. remediation political economy, technology design, representation, authenticity and digital literacy. Changing communication technologies impact on peoples' understanding of and reactions to physical remains of the human past in ways that have broader social political and economic implications.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Sydney eScholarshiparrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Colley, Sarah;

    This dataset is part of Sarah Colley's research project Mediated Messages: Archaeology Communication and Digital Technology (2010-2015) which investigates philosophical and ethical questions raised by using digital communication technology in archaeology and cultural heritage practice (e.g. Colley 2013, 2015). In 2011 Colley interviewed thirty Australian-based archaeologists and cultural heritage professionals about their use of digital technology and their communication with professional peers; television, radio and newspaper journalists; public relations and online media practitioners; public and government organisations; businesses; and members of the wider public including Indigenous community members and traditional owners. The research provides insights into e.g. remediation political economy, technology design, representation, authenticity and digital literacy. Changing communication technologies impact on peoples' understanding of and reactions to physical remains of the human past in ways that have broader social political and economic implications.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Sydney eScholarshiparrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Colley, Sarah;

    This dataset is part of Sarah Colley's research project Mediated Messages: Archaeology Communication and Digital Technology (2010-2015) which investigates philosophical and ethical questions raised by using digital communication technology in archaeology and cultural heritage practice (e.g. Colley 2013, 2015). In 2011 Colley interviewed thirty Australian-based archaeologists and cultural heritage professionals about their use of digital technology and their communication with professional peers; television, radio and newspaper journalists; public relations and online media practitioners; public and government organisations; businesses; and members of the wider public including Indigenous community members and traditional owners. The research provides insights into e.g. remediation political economy, technology design, representation, authenticity and digital literacy. Changing communication technologies impact on peoples' understanding of and reactions to physical remains of the human past in ways that have broader social political and economic implications.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Sydney eScholarshiparrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Colley, Sarah;

    This dataset is part of Sarah Colley's research project Mediated Messages: Archaeology Communication and Digital Technology (2010-2015) which investigates philosophical and ethical questions raised by using digital communication technology in archaeology and cultural heritage practice (e.g. Colley 2013, 2015). In 2011 Colley interviewed thirty Australian-based archaeologists and cultural heritage professionals about their use of digital technology and their communication with professional peers; television, radio and newspaper journalists; public relations and online media practitioners; public and government organisations; businesses; and members of the wider public including Indigenous community members and traditional owners. The research provides insights into e.g. remediation political economy, technology design, representation, authenticity and digital literacy. Changing communication technologies impact on peoples' understanding of and reactions to physical remains of the human past in ways that have broader social political and economic implications.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Sydney eScholarshiparrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Colley, Sarah;

    This dataset is part of Sarah Colley's research project Mediated Messages: Archaeology Communication and Digital Technology (2010-2015) which investigates philosophical and ethical questions raised by using digital communication technology in archaeology and cultural heritage practice (e.g. Colley 2013, 2015). In 2011 Colley interviewed thirty Australian-based archaeologists and cultural heritage professionals about their use of digital technology and their communication with professional peers; television, radio and newspaper journalists; public relations and online media practitioners; public and government organisations; businesses; and members of the wider public including Indigenous community members and traditional owners. The research provides insights into e.g. remediation political economy, technology design, representation, authenticity and digital literacy. Changing communication technologies impact on peoples' understanding of and reactions to physical remains of the human past in ways that have broader social political and economic implications.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Sydney eScholarshiparrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Colley, Sarah;

    This dataset is part of Sarah Colley's research project Mediated Messages: Archaeology Communication and Digital Technology (2010-2015) which investigates philosophical and ethical questions raised by using digital communication technology in archaeology and cultural heritage practice (e.g. Colley 2013, 2015). In 2011 Colley interviewed thirty Australian-based archaeologists and cultural heritage professionals about their use of digital technology and their communication with professional peers; television, radio and newspaper journalists; public relations and online media practitioners; public and government organisations; businesses; and members of the wider public including Indigenous community members and traditional owners. The research provides insights into e.g. remediation political economy, technology design, representation, authenticity and digital literacy. Changing communication technologies impact on peoples' understanding of and reactions to physical remains of the human past in ways that have broader social political and economic implications.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Sydney eScholarshiparrow_drop_down
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69 Research products
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Colley, Sarah;

    This dataset is part of Sarah Colley's research project Mediated Messages: Archaeology Communication and Digital Technology (2010-2015) which investigates philosophical and ethical questions raised by using digital communication technology in archaeology and cultural heritage practice (e.g. Colley 2013, 2015). In 2011 Colley interviewed thirty Australian-based archaeologists and cultural heritage professionals about their use of digital technology and their communication with professional peers; television, radio and newspaper journalists; public relations and online media practitioners; public and government organisations; businesses; and members of the wider public including Indigenous community members and traditional owners. The research provides insights into e.g. remediation political economy, technology design, representation, authenticity and digital literacy. Changing communication technologies impact on peoples' understanding of and reactions to physical remains of the human past in ways that have broader social political and economic implications.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Sydney eScholarshiparrow_drop_down
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  • Authors: University, Griffith;

    Indigenous people worldwide continue to struggle to repatriate the remains of their ancestors held by national and international organisations. After European settlement of Australia in 1788, Aboriginal Australian remains were deposited in museums worldwide. Many of these remains have no known provenance, making their return to Indigenous custodians difficult. Hence, we sequenced ten nuclear genomes and 27 mitogenomes from ancient pre-European Aboriginal Australians (up to 1,540 yr BP) and compared them to 100 high-coverage contemporary Aboriginal Australian genomes from 12 geographic locations. We report substantial ancient genetic structure showing strong affinities between ancient and contemporary individuals from the same geographic locations. Our findings demonstrate the feasibility of identifying the origins of unprovenanced ancestral remains using nuclear DNA, thereby enabling their return to their rightful communities.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Colley, Sarah;

    This dataset is part of Sarah Colley's research project Mediated Messages: Archaeology Communication and Digital Technology (2010-2015) which investigates philosophical and ethical questions raised by using digital communication technology in archaeology and cultural heritage practice (e.g. Colley 2013, 2015). In 2011 Colley interviewed thirty Australian-based archaeologists and cultural heritage professionals about their use of digital technology and their communication with professional peers; television, radio and newspaper journalists; public relations and online media practitioners; public and government organisations; businesses; and members of the wider public including Indigenous community members and traditional owners. The research provides insights into e.g. remediation political economy, technology design, representation, authenticity and digital literacy. Changing communication technologies impact on peoples' understanding of and reactions to physical remains of the human past in ways that have broader social political and economic implications.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Sydney eScholarshiparrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Grealy, Alicia; Douglass, Kristina; Haile, James; Bruwer, Chriselle; +2 Authors

    Taxonomic identification of archaeological fish bones provides important insights into the subsistence practices of ancient coastal peoples. However, it can be difficult to execute robust morphological identification of fish bones from species-rich fossil assemblages, especially from post-cranial material with few distinguishing features. Fragmentation, weathering and burning further impede taxonomic identification, resulting in large numbers of unidentifiable bones from archaeological sites. This limitation can be somewhat mitigated by taking an ancient DNA (aDNA) bulk-bone metabarcoding (BBM) approach to faunal identification, where DNA from non-diagnostic bone fragments is extracted and sequenced in parallel. However, a large proportion of fishing communities (both past and present) live in tropical regions that have sub-optimal conditions for long-term aDNA preservation. To date, the BBM method has never been applied to fish bones before, or to fossils excavated from an exposed context within a tropical climate. Here, we demonstrate that morphologically indistinct bulk fish bone from the tropics can be identified by sequencing aDNA extracted from 100 to 300 ya archaeological midden material in southwest Madagascar. Despite the biases of the approach, we rapidly obtained family, genus, and species-level assemblage information, and used this to describe a subset of the ichthyofauna exploited by an 18th century fishing community. We identified 23 families of fish, including benthic, pelagic, and coral-dwelling fishes, suggesting a reliance on a variety of marine and brackish habitats. When possible, BBM should be used alongside osteological approaches to address the limitations of both; however, this study highlights how genetic methods can nevertheless be a valuable tool for helping resolve faunal assemblages when morphological identification is hindered by taphonomic processes, lack of adequate comparative collections, and time constraints, and can provide a temporal perspective on fish biodiversity in the context of accelerated exploitation of the marine environment. Metabarcoding_DataTrimmed, quality filtered, chimera filtered, abundance filtered, and unique 12SrRNA metabarcoding reads for each DNA extract (including controls) sequenced.

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    DRYAD; NARCIS
    Dataset . 2017
    License: CC 0
    Data sources: Datacite; NARCIS
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    DANS-EASY
    Dataset . 2016
    Data sources: B2FIND
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Dataset . 2017
    License: CC 0
    Data sources: ZENODO
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ DRYAD; NARCISarrow_drop_down
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      DRYAD; NARCIS
      Dataset . 2017
      License: CC 0
      Data sources: Datacite; NARCIS
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      DANS-EASY
      Dataset . 2016
      Data sources: B2FIND
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Dataset . 2017
      License: CC 0
      Data sources: ZENODO
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Colley, Sarah;

    This dataset is part of Sarah Colley's research project Mediated Messages: Archaeology Communication and Digital Technology (2010-2015) which investigates philosophical and ethical questions raised by using digital communication technology in archaeology and cultural heritage practice (e.g. Colley 2013, 2015). In 2011 Colley interviewed thirty Australian-based archaeologists and cultural heritage professionals about their use of digital technology and their communication with professional peers; television, radio and newspaper journalists; public relations and online media practitioners; public and government organisations; businesses; and members of the wider public including Indigenous community members and traditional owners. The research provides insights into e.g. remediation political economy, technology design, representation, authenticity and digital literacy. Changing communication technologies impact on peoples' understanding of and reactions to physical remains of the human past in ways that have broader social political and economic implications.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Sydney eScholarshiparrow_drop_down
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