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  • Digital Humanities and Cultural Heritage
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  • Authors: Malcolm Thurlby;

    The Medieval Art, Architecture and History of Bristol Cathedral: An Enigma Explored. Edited by Jon Cannon and Beth Williamson. [Bristol Studies in Medieval Cultures.] (Rochester, NY: Boydell 8c Brewer. 2011. Pp. xviii, 350. $95.00. ISBN 978-1-84383-680-3.)The ten essays in this beautifully produced book evolve from a conference held at Bristol Cathedral (the medieval St. Augustine's Abbey) in September 2008. The approach is interdisciplinary and provides important new insights on the topic, not least in the last essays in the volume that address "The Monastic Community in the Late Middle Ages"; "The Conversion of St Augustine's, Bristol, to a Cathedral"; and "Secreta mea mihi: The Wall Paintings from the Old Deanery of Bristol Cathedral." Yet not everything is covered; ideally, the book should be read alongside 1Almost the Richest City": Bristol in the Middle Ages, ed. Laurence Keen (Leeds, 1997). Beth Williamson and Jon Cannon articulate the "enigma" in the introduction, and Williamson returns with some new observations and questions in the epilogue. Roger Leech examines the early-medieval landscape setting of St. Augustine's, whereas John McNeill in "The Romanesque Fabric" provides the most complete study of the twelfth-century work to date. He presents unequivocal evidence for a high rib vault in the south transept and concludes that the presbytery must have been vaulted. He associates aspects of design variety with the work of Roger, bishop of Salisbury (1102-39), and Henry of Blois, abbot of Glastonbury (1126- 71) and bishop of Winchester (1129-71). Such analogues could have been taken further. For instance, the Romanesque nave aisle vault responds, with their paired half shafts to carry the transverse arch flanked by recessed nook shafts for the diagonal ribs, are paralleled in the chancels of the churches of St. John and St. Mary, Devizes (Wiltshire). Both of these may be products of Bishop Roger's patronage. Discussion of the place of the Bristol work in the so-called West Country School would have been welcome, with reference to such works as Worcester Cathedral chapter house for the segmental backs to the dado arcades, a feature also recorded at St. Philip and St. James, Bristol. Ideally, the influence of St. Augustine's on the nave doorways at Llandaff Cathedral and aspects of local parish churches should have been included. In Sarah Jane Foot's essay, she explores Marian symbolism of the Elder Lady Chapel and the documentation associated with it.A large part of the volume is devoted to Christopher Wilson's examination of the eastern arm of St. Augustine's. Wilson's essay is better read after the contributions by Paul Crossley and Jon Cannon. Crossley's "Bristol Cathedral and Nikolaus Pevsner: Sondergotik in the West Country" provides a concise historiography of the place of the eastern arm of St. Augustine's, Bristol, in the context of European architecture. In "Berkeley Patronage and the Fourteenth-Century Choir," Cannon presents a carefully researched and even-handed assessment of the documentation associated with the building. …

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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: S. H. V. Argent;
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao The Journal of Eccle...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    The Journal of Ecclesiastical History
    Article . 1962 . Peer-reviewed
    License: Cambridge Core User Agreement
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao The Journal of Eccle...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      The Journal of Ecclesiastical History
      Article . 1962 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Star, Jacob;

    What impact can architecture have on the theology of and worship in church architecture? What is their relationship? How could I combine my lifelong Christian faith and my soon to be profession, so that I might use it to worship and honor God with my architecture? Also, what places might religion have in our society, now that we are becoming more multicultural and perhaps more religious as well. These were questions I wanted to study this semester, and a conversation with my friend gave me a real life example to base my work on, namely to design a church building for his growing church Husbykyrkan.

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    Authors: Ashish Thakur; Amit Saxena;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ International Journa...arrow_drop_down
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  • Authors: Robert Branner;
    Speculumarrow_drop_down
    Speculum
    Article . 1974 . Peer-reviewed
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      Speculum
      Article . 1974 . Peer-reviewed
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  • Authors: Carl D. Sheppard;
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    Speculum
    Article . 1961 . Peer-reviewed
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      Speculum
      Article . 1961 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Janina Jiang; Guangchao Liu; Valerie A. Kickhoefer; Leonard H. Rome; +3 Authors

    Chlamydia trachomatis genital infection is the most common sexually transmitted bacterial disease, causing a significant burden to females due to reproductive dysfunction. Intensive screening and antibiotic treatment are unable to completely prevent female reproductive dysfunction, thus, efforts have become focused on developing a vaccine. A major impediment is identifying a safe and effective adjuvant which induces cluster of differentiation 4 (CD4) cells with attributes capable of halting genital infection and inflammation. Previously, we described a natural nanocapsule called the vault which was engineered to contain major outer membrane protein (MOMP) and was an effective vaccine which significantly reduced early infection and favored development of a cellular immune response in a mouse model. In the current study, we used another chlamydial antigen, a polymorphic membrane protein G-1 (PmpG) peptide, to track antigen-specific cells and evaluate, in depth, the vault vaccine for its protective capacity in the absence of an added adjuvant. We found PmpG-vault immunized mice significantly reduced the genital bacterial burden and histopathologic parameters of inflammation following a C. muridarum challenge. Immunization boosted antigen-specific CD4 cells with a multiple cytokine secretion pattern and reduced the number of inflammatory cells in the genital tract making the vault vaccine platform safe and effective for chlamydial genital infection. We conclude that vaccination with a Chlamydia-vault vaccine boosts antigen-specific immunities that are effective at eradicating infection and preventing reproductive tract inflammation.

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    Vaccines
    Other literature type . Article . 2017 . Peer-reviewed
    License: CC BY
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    Europe PubMed Central
    Article . 2017
    Data sources: PubMed Central
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    Vaccines
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    DOAJ-Articles
    Article . 2017
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      Vaccines
      Other literature type . Article . 2017 . Peer-reviewed
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      Europe PubMed Central
      Article . 2017
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      Vaccines
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      Article . 2017
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Brian Collins;

    This chapter looks at Robert Eisler’s first work in the history of religions, 1910’s World Cloak and Sky Canopy: Religious-Historical Investigations on the Prehistory of the Ancient Worldview, a two-volume history of cosmology, that argues that two distinct and incompatible cosmological systems spread from the Near East, one that pictured the vault of heaven held up over the flat earth by a tree or pillar, and another that pictured the cosmos as spherical. The chapter also examines Eisler’s difficult relationships as a Baptized Jew with his fellow Jewish intellectuals, especially Gershom Scholem, the scholar of Jewish mysticism whose early work on Kabbalah was published by Eisler, and Walter Benjamin, who visited Eisler with Scholem in Paris when he was working with the League of Nations.

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    https://doi.org/10.1007/978-3-...
    Part of book or chapter of book . 2021 . Peer-reviewed
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      https://doi.org/10.1007/978-3-...
      Part of book or chapter of book . 2021 . Peer-reviewed
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  • Authors: Amy Neff;

    The Deesis vault has justly been called the key and culmination of the entire conceptual program of the Upper Church of San Francesco at Assisi. For the primary images of Christ at Assisi, the Deesis and Christ on the cross, were adapted from Byzantine art, a fact that is often noted but which still raises fundamental questions about the Franciscans' appreciation, understanding, and refashioning of models imported from the east. "Imported" Byzantine images of Christ effectively modify the dynamics of the western, basilican architectural space in a way that alters the meaning of the Byzantine image and subtly, yet clearly, suggests the dynamics of Bonaventure's theology of prayer and salvation. The result is a Franciscan sacred space, expressive of Franciscan theology, and fostering Franciscan prayer. Like the Christus patiens, the Deesis vault is patterned on Byzantine iconography, reformulating the fundamental Byzantine image of prayer and intercession.Keywords: basilican architectural space; Byzantine iconography; Byzantine image; Christus patiens; Deesis vault; Franciscan prayer; San Francesco

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    https://doi.org/10.1163/ej.978...
    Part of book or chapter of book . 2007 . Peer-reviewed
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      Part of book or chapter of book . 2007 . Peer-reviewed
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  • Authors: Philip Gavitt;

    On Sunday, March 12, 1564, the coffin containing the body of Michelangelo, recently spirited out of Rome, was surreptitiously placed in the vault of the Florentine church of San Piero Maggiore, behind the altar that served as a meeting place for the Confraternity of the Assumption of the Virgin Mary. After dark, a small group of Michelangelo’s most devoted followers once again carried the coffin through the streets of Florence. Although this small group of followers made every attempt to keep the preliminary funeral rites a secret, a crowd materialized around the pallbearers and torchbearers carrying the coffin to its destination, the Franciscan basilica of Santa Croce. By the time the coffin had been placed inside and the monks had blessed the body, such a crowd had suddenly found its way to the basilica that only with difficulty did the official mourners bring the coffin to the sacristy. There, as the crowd pressed around Don Vincenzio Borghini, forty-nine years old, known as the good prior of the foundling hospital of the Innocenti, he tentatively opened up Michelangelo’s coffin. In Vasari’s account:

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  • Authors: Malcolm Thurlby;

    The Medieval Art, Architecture and History of Bristol Cathedral: An Enigma Explored. Edited by Jon Cannon and Beth Williamson. [Bristol Studies in Medieval Cultures.] (Rochester, NY: Boydell 8c Brewer. 2011. Pp. xviii, 350. $95.00. ISBN 978-1-84383-680-3.)The ten essays in this beautifully produced book evolve from a conference held at Bristol Cathedral (the medieval St. Augustine's Abbey) in September 2008. The approach is interdisciplinary and provides important new insights on the topic, not least in the last essays in the volume that address "The Monastic Community in the Late Middle Ages"; "The Conversion of St Augustine's, Bristol, to a Cathedral"; and "Secreta mea mihi: The Wall Paintings from the Old Deanery of Bristol Cathedral." Yet not everything is covered; ideally, the book should be read alongside 1Almost the Richest City": Bristol in the Middle Ages, ed. Laurence Keen (Leeds, 1997). Beth Williamson and Jon Cannon articulate the "enigma" in the introduction, and Williamson returns with some new observations and questions in the epilogue. Roger Leech examines the early-medieval landscape setting of St. Augustine's, whereas John McNeill in "The Romanesque Fabric" provides the most complete study of the twelfth-century work to date. He presents unequivocal evidence for a high rib vault in the south transept and concludes that the presbytery must have been vaulted. He associates aspects of design variety with the work of Roger, bishop of Salisbury (1102-39), and Henry of Blois, abbot of Glastonbury (1126- 71) and bishop of Winchester (1129-71). Such analogues could have been taken further. For instance, the Romanesque nave aisle vault responds, with their paired half shafts to carry the transverse arch flanked by recessed nook shafts for the diagonal ribs, are paralleled in the chancels of the churches of St. John and St. Mary, Devizes (Wiltshire). Both of these may be products of Bishop Roger's patronage. Discussion of the place of the Bristol work in the so-called West Country School would have been welcome, with reference to such works as Worcester Cathedral chapter house for the segmental backs to the dado arcades, a feature also recorded at St. Philip and St. James, Bristol. Ideally, the influence of St. Augustine's on the nave doorways at Llandaff Cathedral and aspects of local parish churches should have been included. In Sarah Jane Foot's essay, she explores Marian symbolism of the Elder Lady Chapel and the documentation associated with it.A large part of the volume is devoted to Christopher Wilson's examination of the eastern arm of St. Augustine's. Wilson's essay is better read after the contributions by Paul Crossley and Jon Cannon. Crossley's "Bristol Cathedral and Nikolaus Pevsner: Sondergotik in the West Country" provides a concise historiography of the place of the eastern arm of St. Augustine's, Bristol, in the context of European architecture. In "Berkeley Patronage and the Fourteenth-Century Choir," Cannon presents a carefully researched and even-handed assessment of the documentation associated with the building. …

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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: S. H. V. Argent;
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao The Journal of Eccle...arrow_drop_down
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    The Journal of Ecclesiastical History
    Article . 1962 . Peer-reviewed
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao The Journal of Eccle...arrow_drop_down
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      The Journal of Ecclesiastical History
      Article . 1962 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Star, Jacob;

    What impact can architecture have on the theology of and worship in church architecture? What is their relationship? How could I combine my lifelong Christian faith and my soon to be profession, so that I might use it to worship and honor God with my architecture? Also, what places might religion have in our society, now that we are becoming more multicultural and perhaps more religious as well. These were questions I wanted to study this semester, and a conversation with my friend gave me a real life example to base my work on, namely to design a church building for his growing church Husbykyrkan.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publikationer från K...arrow_drop_down
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    Authors: Ashish Thakur; Amit Saxena;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ International Journa...arrow_drop_down
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  • Authors: Robert Branner;
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    Article . 1974 . Peer-reviewed
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      Article . 1974 . Peer-reviewed
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  • Authors: Carl D. Sheppard;
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    Article . 1961 . Peer-reviewed
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