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  • Digital Humanities and Cultural Heritage
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Gronek, Agnieszka;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Gronek, Agnieszka;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Gronek, Agnieszka;

    Artykuł dotyczy twórczości monogramisty C.Z., malarza ikon, działającego około połowy wieku XVII na terenach pogranicza polsko-słowackiego. Analiza dzieł zdradza ważne tajniki jego warsztatu. Ukazuje wyraźnie, jak różnymi środkami stylistycznymi posługiwał się, malując formy małe i duże. W tych pierwszych przeważają wartości graficzne: linie i plamy barwne kładzione są szybko, na ciemną podmalówkę, a silne kontrasty między cieniami i rozświetleniami nadają twarzom surowy wyraz. Postaci na ikonach dużych malowane są miękko, a plastyczność twarzy modelowana walorowo. I choć ciemny kontur zamyka tu każdy niemal element, to przewaga rysów malarskich jest zdecydowana. Dopiero analiza tej drugiej maniery pozwala odkryć prawdziwe umiejętności tego malarza i ocenić je stosunkowo wysoko, na tle innych pracujących w XVII wieku na Łemkowszczyźnie warsztatów. W wyniku badań monogramiście C.Z. można przypisać ikony: Matki Boskiej Hodegetrii, Chrystusa Pantokratora, Archanioła Michała oraz Dymitra Sołuńskiego w Muzeum Parafialnym w Grybowie, ikony świąteczne z Berestu i grupę Ukrzyżowania w Bereście, grupę Ukrzyżowania i Chrystusa Pantokratora z Bielanki, Ostatnią Wieczerzę z Czyrnej, carskie wrota z Matysowej i być może Matki Boskiej Hodegetrii z Klimkówki. The article describes the icons of an artist identified only by the monogram C.Z. – a painter, who worked around the mid-17th century in the Polish-Slovak border areas. An analysis of his works shows the important details of his painting techniques. One can see very clearly how he used various stylistic means to paint small forms and large forms. The former are dominated by graphical values: lines and patches of colour are quickly laid on the dark underpain, and a strong contrast between shadows and highlights produces the strict expressions of the faces. Big forms on large icons are painted softly, and the plasticity of the face is modelled with hight-contrast light. Although almost every element here is enclosed in the dark outline, painting features dominate. Only an analysis of the latter elements of the painting style of the artist allow us to discover the real skills of this painter and assess them relatively well, in comparison with another painters working in the 17th century in the Lemko region. As a result of the research one can say, that monographer, C.Z. was the author of the following icons: The Mother of God Hodegetria, Christ Pantocrator, the Archangel Michael and Demetrios of Thessalonike in the Parish Museum in Grybow, Feast Days from Berest and a Group of the Crucifixion in Berest, a Group of the Crucifixion and Christ Pantocrator from Bielanka, The Last Supper from Czyrna, the Royal Doors from Matysowa and maybe The Mother of God Hodegetria from Klimkówka.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
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    Jagiellonian University Repository
    Part of book or chapter of book . 2018
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
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      Jagiellonian University Repository
      Part of book or chapter of book . 2018
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Janeczek, Stanisław; Starościc, Anna;

    Wprowadzenie Tom Filozofia kultury, wydany w ramach serii Dydaktyka Filozofii, ukazuje człowieka jako twórcę kultury, choć wprost podejmuje wątki należące do wszystkich jej wymiarów, czyli nauki, sztuki, moralności i religii. Akcent postawiono na odsłonięcie istoty samego zjawiska kultury, jej społecznych uwarunkowań, a także jej relacji do cywilizacji, a nade wszystko jej współczesnych przemian. Równie istotnym elementem obecnego tomu jest ukazanie specyfiki działalności artystycznej, a także – choćby tylko skromnie – zjawiska techniki. Część druga omawia tytułowe „meandry współczesnej kultury i sztuki”, począwszy od wskazania ich historycznego, a następnie społecznego fundamentu, pokazując także znaczenie kultur lokalnych, w tym kultury ludowej i narodowej. Wskazuje na potrzebę internalizacji kultury w procesie kształcenia i wychowania oraz dostrzeżenia aspektywnej nieprzekładalności poszczególnych kultur, a w tym kontekście dialogu, którego model można odnaleźć w Ewangelii, wymagającego m.in. wyjścia poza ramy eurocentryzmu, z jego konsekwencjami społecznymi i politycznymi. Omawiając szeroko „tendencje w kulturze współczesnej”, których jest wiele, często się ze sobą łączą, wskazuje na takie wybrane, ale ważne zjawiska jak globalizacja kultury, fenomen kultury popularnej. Ukazuje nie tylko rolę kultury we wszechobecnych mediach, prowadzących do „cywilizacji informacji”, ale także jej nowy paradygmat, jakim jest cyberkultura, rozwijająca się zwłaszcza za sprawą internetu. Istotnym elementem tej części jest problematyka zaliczana w różnych tradycjach bądź to do filozofii sztuki, bądź do estetyki, odkrywając swoistość sfery estetycznej czy piękna, jako kategorii ważnej przynajmniej dla sztuki tradycyjnej, a w końcu zwracając uwagę na relacje sztuki do natury, którą bądź to naśladuje, bądź też akcentuje autonomią twórczą. Szerzej omówiono zagadnienie specyfiki sztuki religijnej, przez wieki mającej fundamentalne znaczenie w dziejach sztuki, pytając o możliwość jej urzeczywistnienia w sztukach plastycznych czy literaturze, a w końcu ukazując dylematy związane z wolnością twórczą i ochroną przed jej wynaturzeniami w aspekcie moralnym i religijnym The volume Philosophy of Culture, published as part of the Didactic of Philosophy series, shows man as the creator of culture, although it directly takes up threads belonging to all its dimensions, i.e. science, art, morality and religion. The emphasis was placed on revealing the essence of the phenomenon of culture itself, its social determinants, as well as its relation to civilization, and above all to its contemporary transformations. An equally important element of the present volume is the presentation of the specificity of artistic activity, as well as - even if only modestly - the phenomena of technology. The second part discusses the eponymous "meanders of contemporary culture and art", starting from indicating their historical and then social foundation, also showing the importance of local cultures, including folk and national culture. It points to the need to internalize culture in the process of education and upbringing, and to notice the aspective untranslatability of individual cultures, and in this context, a dialogue, the model of which can be found in the Gospel, requiring, inter alia, going beyond the framework of Eurocentrism, with its social and political consequences. By broadly discussing "trends in contemporary culture", which are many and often intertwined, he points to such selected but important phenomena as the globalization of culture, the phenomenon of popular culture. It shows not only the role of culture in the ubiquitous media, leading to the "civilization of information", but also on its new paradigm, which is cyberculture, developing especially thanks to the Internet. An important element of this part is the issues classified in various traditions, either to the philosophy of art or to aesthetics, discovering the specificity of the aesthetic or beauty sphere as a category that is at least important for traditional art, and finally paying attention to the relationship between art and nature, which it either imitates, or it emphasizes creative autonomy. The issue of the specificity of religious art, which for centuries had a fundamental meaning in the history of art, was discussed in more detail, asking about the possibility of its implementation in the visual arts or literature, and finally showing the dilemmas related to creative freedom and protection against its moral and religious deviations.

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repozytorium Instytu...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Walczak, Marek;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
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    Authors: Gronek, Agnieszka;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
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    Authors: Zapart, Jarosław; Piskorska, Anna;
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    Jagiellonian University Repository
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      Jagiellonian University Repository
      Part of book or chapter of book . 2018
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    Authors: de Bończa Bukowski, Piotr; Jurczyszyn, Artur;
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    Authors: de Bończa Bukowski, Piotr;
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    Jagiellonian University Repository
    Part of book or chapter of book . 2022
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      Jagiellonian University Repository
      Part of book or chapter of book . 2022
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Gronek, Agnieszka;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Gronek, Agnieszka;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Gronek, Agnieszka;

    Artykuł dotyczy twórczości monogramisty C.Z., malarza ikon, działającego około połowy wieku XVII na terenach pogranicza polsko-słowackiego. Analiza dzieł zdradza ważne tajniki jego warsztatu. Ukazuje wyraźnie, jak różnymi środkami stylistycznymi posługiwał się, malując formy małe i duże. W tych pierwszych przeważają wartości graficzne: linie i plamy barwne kładzione są szybko, na ciemną podmalówkę, a silne kontrasty między cieniami i rozświetleniami nadają twarzom surowy wyraz. Postaci na ikonach dużych malowane są miękko, a plastyczność twarzy modelowana walorowo. I choć ciemny kontur zamyka tu każdy niemal element, to przewaga rysów malarskich jest zdecydowana. Dopiero analiza tej drugiej maniery pozwala odkryć prawdziwe umiejętności tego malarza i ocenić je stosunkowo wysoko, na tle innych pracujących w XVII wieku na Łemkowszczyźnie warsztatów. W wyniku badań monogramiście C.Z. można przypisać ikony: Matki Boskiej Hodegetrii, Chrystusa Pantokratora, Archanioła Michała oraz Dymitra Sołuńskiego w Muzeum Parafialnym w Grybowie, ikony świąteczne z Berestu i grupę Ukrzyżowania w Bereście, grupę Ukrzyżowania i Chrystusa Pantokratora z Bielanki, Ostatnią Wieczerzę z Czyrnej, carskie wrota z Matysowej i być może Matki Boskiej Hodegetrii z Klimkówki. The article describes the icons of an artist identified only by the monogram C.Z. – a painter, who worked around the mid-17th century in the Polish-Slovak border areas. An analysis of his works shows the important details of his painting techniques. One can see very clearly how he used various stylistic means to paint small forms and large forms. The former are dominated by graphical values: lines and patches of colour are quickly laid on the dark underpain, and a strong contrast between shadows and highlights produces the strict expressions of the faces. Big forms on large icons are painted softly, and the plasticity of the face is modelled with hight-contrast light. Although almost every element here is enclosed in the dark outline, painting features dominate. Only an analysis of the latter elements of the painting style of the artist allow us to discover the real skills of this painter and assess them relatively well, in comparison with another painters working in the 17th century in the Lemko region. As a result of the research one can say, that monographer, C.Z. was the author of the following icons: The Mother of God Hodegetria, Christ Pantocrator, the Archangel Michael and Demetrios of Thessalonike in the Parish Museum in Grybow, Feast Days from Berest and a Group of the Crucifixion in Berest, a Group of the Crucifixion and Christ Pantocrator from Bielanka, The Last Supper from Czyrna, the Royal Doors from Matysowa and maybe The Mother of God Hodegetria from Klimkówka.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Jagiellonian University Repository
    Part of book or chapter of book . 2018
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Jagiellonian University Repository
      Part of book or chapter of book . 2018
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Janeczek, Stanisław; Starościc, Anna;

    Wprowadzenie Tom Filozofia kultury, wydany w ramach serii Dydaktyka Filozofii, ukazuje człowieka jako twórcę kultury, choć wprost podejmuje wątki należące do wszystkich jej wymiarów, czyli nauki, sztuki, moralności i religii. Akcent postawiono na odsłonięcie istoty samego zjawiska kultury, jej społecznych uwarunkowań, a także jej relacji do cywilizacji, a nade wszystko jej współczesnych przemian. Równie istotnym elementem obecnego tomu jest ukazanie specyfiki działalności artystycznej, a także – choćby tylko skromnie – zjawiska techniki. Część druga omawia tytułowe „meandry współczesnej kultury i sztuki”, począwszy od wskazania ich historycznego, a następnie społecznego fundamentu, pokazując także znaczenie kultur lokalnych, w tym kultury ludowej i narodowej. Wskazuje na potrzebę internalizacji kultury w procesie kształcenia i wychowania oraz dostrzeżenia aspektywnej nieprzekładalności poszczególnych kultur, a w tym kontekście dialogu, którego model można odnaleźć w Ewangelii, wymagającego m.in. wyjścia poza ramy eurocentryzmu, z jego konsekwencjami społecznymi i politycznymi. Omawiając szeroko „tendencje w kulturze współczesnej”, których jest wiele, często się ze sobą łączą, wskazuje na takie wybrane, ale ważne zjawiska jak globalizacja kultury, fenomen kultury popularnej. Ukazuje nie tylko rolę kultury we wszechobecnych mediach, prowadzących do „cywilizacji informacji”, ale także jej nowy paradygmat, jakim jest cyberkultura, rozwijająca się zwłaszcza za sprawą internetu. Istotnym elementem tej części jest problematyka zaliczana w różnych tradycjach bądź to do filozofii sztuki, bądź do estetyki, odkrywając swoistość sfery estetycznej czy piękna, jako kategorii ważnej przynajmniej dla sztuki tradycyjnej, a w końcu zwracając uwagę na relacje sztuki do natury, którą bądź to naśladuje, bądź też akcentuje autonomią twórczą. Szerzej omówiono zagadnienie specyfiki sztuki religijnej, przez wieki mającej fundamentalne znaczenie w dziejach sztuki, pytając o możliwość jej urzeczywistnienia w sztukach plastycznych czy literaturze, a w końcu ukazując dylematy związane z wolnością twórczą i ochroną przed jej wynaturzeniami w aspekcie moralnym i religijnym The volume Philosophy of Culture, published as part of the Didactic of Philosophy series, shows man as the creator of culture, although it directly takes up threads belonging to all its dimensions, i.e. science, art, morality and religion. The emphasis was placed on revealing the essence of the phenomenon of culture itself, its social determinants, as well as its relation to civilization, and above all to its contemporary transformations. An equally important element of the present volume is the presentation of the specificity of artistic activity, as well as - even if only modestly - the phenomena of technology. The second part discusses the eponymous "meanders of contemporary culture and art", starting from indicating their historical and then social foundation, also showing the importance of local cultures, including folk and national culture. It points to the need to internalize culture in the process of education and upbringing, and to notice the aspective untranslatability of individual cultures, and in this context, a dialogue, the model of which can be found in the Gospel, requiring, inter alia, going beyond the framework of Eurocentrism, with its social and political consequences. By broadly discussing "trends in contemporary culture", which are many and often intertwined, he points to such selected but important phenomena as the globalization of culture, the phenomenon of popular culture. It shows not only the role of culture in the ubiquitous media, leading to the "civilization of information", but also on its new paradigm, which is cyberculture, developing especially thanks to the Internet. An important element of this part is the issues classified in various traditions, either to the philosophy of art or to aesthetics, discovering the specificity of the aesthetic or beauty sphere as a category that is at least important for traditional art, and finally paying attention to the relationship between art and nature, which it either imitates, or it emphasizes creative autonomy. The issue of the specificity of religious art, which for centuries had a fundamental meaning in the history of art, was discussed in more detail, asking about the possibility of its implementation in the visual arts or literature, and finally showing the dilemmas related to creative freedom and protection against its moral and religious deviations.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repozytorium Instytu...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repozytorium Instytu...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Walczak, Marek;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Gronek, Agnieszka;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Zapart, Jarosław; Piskorska, Anna;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Jagiellonian University Repository
    Part of book or chapter of book . 2018
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Jagiellonian University Repository
      Part of book or chapter of book . 2018
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    Authors: de Bończa Bukowski, Piotr; Jurczyszyn, Artur;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Authors: de Bończa Bukowski, Piotr;
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Jagiellonian University Repository
      Part of book or chapter of book . 2022
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