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762 Research products (1 rule applied)

  • Digital Humanities and Cultural Heritage
  • Recolector de Ciencia Abierta, RECOLECTA

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Busto Zapico, Miguel; Gutiérrez González, José Avelino; Estrada García, Rogelio;

    The faience set that is going to be studied here comes from a closed group that was found in archaeological excavations in 2009 in the Carbajal Solís’s house, located at the number 10 of La Rúa Street, the city of Oviedo (Asturias, Spain). Its chronology covers the last time of the Middle Age Period and Early Modern period. By applying a comprehensive methodology, we have tried for the one hand not only to create several typologies aimed at providing forms or tables of ceramic chronologies but we have tried to trace their historical importance. 'is helps us to clarify a number of issues related to the origin of the pieces. At the same time, it allowed us to obtain comprehensive information about the ceramic productions of the Iberian Peninsula and Europe between the late Middle Age and Early Modern period. 'erefore, this set is con&gured as a meeting point between di-erent realities as the purely Iberian tradition, the Mediterranean tradition and the north European tradition. La cerámica objeto de estudio procede de un conjunto cerrado hallado en las excavaciones arqueológicas del año 2009 en la casa Carbajal Solís, sita en el nº 10 de la calle de la Rúa de la ciudad de Oviedo (Asturias, España). Su cronología abarcaría los últimos momentos del medievo y los inicios de la modernidad. Aplicando una metodología exhaustiva, lo que se ha pretendido es, no solo crear una serie de tipologías orientadas a proporcionar tablas de formas o de cronologías cerámicas, sino que se ha tratado de rastrear la importancia histórica de las mismas. Ello permite aclarar una serie de cuestiones relacionadas con la procedencia de las piezas. Al mismo tiempo, obtener una información amplia sobre las producciones cerámicas peninsulares y europeas, entre la Baja Edad Media y la primera Edad Moderna. Este lote, queda así configurado, como un punto de encuentro entre diferentes realidades como son la puramente ibérica, la Mediterránea y la del norte de Europea. Investigación subvencionada por el Gobierno del Principado de Asturias a través del Programa “Severo Ochoa” de Ayudas Predoctorales para la investigación y docencia del Principado de Asturias. Congresso Internacional A Ceramica Medieval no Mediterraneo

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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      Other literature type . 2012
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    Authors: Navarro Ciurana, Dídac; Garcia Vallès, Maite; Martínez Manent, Salvador;

    El objeto de este estudio es la caracterización arqueométrica de dos fragmentos cerámicos hallados alrededor de Gaoua, ciudad capital de la provincia de Poni (Burkina Faso). Aproximadamente en el medio del triangulo formado por los pueblos de Dimolo, Dipeò y Niantana, donde se encontraron restos de un poblado Lobi. Geológicamente, la región es de edad precámbrica, constituida por migmatitas y granitos con materiales volcanosedimentarios, meta-vulcanitas neutras y acidas, así como metasedimentos arcillosos (Hottin y Oueadraogo, 1976)

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Estarellas Ordinas, Maria; Torres Orell, Francesca;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Biblioteca Digital d...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Biblioteca Digital d...arrow_drop_down
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    Authors: Córdoba de la Llave, Ricardo;

    El presente trabajo está dedicado al análisis de las técnicas para el vidriado de la cerámica que aparecen documentadas en diversos tratados y recetarios de época medieval. Se trata de textos procedentes, en su mayor parte, de la Península Italiana, que incluyen recetas dedicadas al vidriado de la cerámica al plomo y al estaño, con particular referencia a la realización de la loza dorada. El estudio comenta los textos donde dichas recetas se insertan, las técnicas de trabajo que mencionan y concluye con un apéndice documental en el que se incluye la traducción al castellano de las recetas estudiadas. This work is dedicated to the analysis of techniques for glazing ceramics that are documented in some treatises and recipe books of medieval times. These are texts from, for the most part, the Italian Peninsula, including recipes dedicated to the glazed ceramic with lead and tin, with particular reference to the making of the so-called, golden ceramic. The study discusses the texts in which these recipes are inserted, the techniques of work mentioned and it concludes with an appendix which includes the translation into Castilian language of the prescriptions studied.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Rosselló Bordoy, Guillem;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Biblioteca Digital d...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Biblioteca Digital d...arrow_drop_down
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    Authors: Sintes Olives, Elena; Ramon Torres, Joan;

    [cat] L’excavació arqueològica realitzada a l’interior de l’església de Santa Eulàlia d’Alaior va permetre la recuperació d’una sèrie d’unitats estratigràfiques que s’emmarquen a l’època posttalaiòtica. L’aportació de les mateixes és l’augment de les bases materials que permeten afirmar l’existència d’un establiment d’aquesta època en el lloc que actualment ocupa aquest poble menorquí i, per altra banda, l’oportunitat de presentar alguns conjunts vasculars, amb materials excepcionals, dels segles III i II aC, on destaca la forta presència de ceràmiques de producció ebusitana, fet que referma el pes del factor púnic en la Menorca posttalaiòtica. [eng] The archaeological excavation carried out inside the church of Santa Eulalia in Alaior allowed the recovery of a series of stratigraphic units that are framed in the post-Talayotic period. The contribution of these units is the increase of the material bases that allow to affirm the existence of a settlement of this time in the place that this Menorcan town currently occupies. On the other hand, we could present a set of exceptional materials, of the 3rd and 2nd centuries B. C., which highlights the strong presence of Ebusitan production ceramics, which reaffirms the weight of the Punic factor in post-Talayotic Menorca.

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    Authors: Topp, Celia; Plantalamor Massanet, Lluís;
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    Authors: Riu, Manuel, 1929-2011; Bolòs i Masclans, Jordi;

    Hom sol considerar, en el camp de i'arqueologia, els fragments de ceràmica com a elements essencials -quan en manquen de més explícits (com els epigràfics datats o bé la moneda)- per a la datació dels successius estrats o fases. Hi ha èpoques, com la Prehistòria, o bé bona part de l'Edat Antiga, per a les quals la ceràmica és de fet l'únic element de datació prou precís, car els estudis d'aquest tipus de material arqueològic han avançat prou durant els darrers vuitanta anys per a fer possible l'estructuració i classificació de diversos tipus de ceràmica, mitjançant taules de formes, motius decoratius, anàlisis de pastes, etc., i, fins i tot, les peculiaritats tècniques i la distribució geogràfica dels tallers de producció, i dels àmbits d'expansió dels productes, són ben coneguts i llur cronologia és segura. Així hom pot datar els estrats arqueològics pels fragments ceràmics que hi ha trobat, i no sols la ceràmica sinó tota mena d'artefactes que l'acompanyen.

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    Authors: López Cachero, F. Javier, 1972-; Espejo Blanco , J.M.;

    [cas] Si bien los conceptos de «clasificación» y «tipología» han estado vinculados a la Arqueología desde las primeras seriaciones de materiales puramente descriptivas de los primeros anticuarios y diletantes de los siglos XVII-XVIII, no es menos cierto que su desarrollo ulterior durante los siglos XIX y XX madurado al abrigo del marco cientificista del positivismo decimonónico se ha visto estimulado fundamentalmente por dos factores necesarios. En primer lugar, por el permanente debate librado por las diferentes corrientes teórico-metodológicas que incansablemente han ido sacudiendo uno tras otro, en un imparable proceso dialéctico, los sucesivos paradigmas preexistentes. Y en segundo lugar, por el progreso de la tecnología informática, que permitió el procesamiento más rápido y objetivo del cada vez más numeroso y abrumador conjunto de datos generado por la investigación. [eng] The concepts of"classification" and"typology" have been linked to archaeology since the first purely descriptive seriations of the early antiquarians and dilettantes of the seventeenth and eighteenth century. The development of these approaches during the nineteenth and twentieth century ripened within the scientific frame of nineteenth century positivism -- was essentially stimulated by two crucial factors. Firstly, the continuous debate generated by different methodological schools of thought ensured a constant dialogue concerning these frameworks. Secondly, the progress of information technology led to a more rapid and objective processing of an increasingly copious and overwhelming amount of research-generated data.

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    Authors: López-Cachero, F. Javier, 1972-; Espejo Blanco, José Manuel;

    [cas] Si bien los conceptos de «clasificación» y «tipología» han estado vinculados a la Arqueología desde las primeras seriaciones de materiales puramente descriptivas de los primeros anticuarios y diletantes de los siglos XVII-XVIII, no es menos cierto que su desarrollo ulterior durante los siglos XIX y XX madurado al abrigo del marco cientificista del positivismo decimonónico se ha visto estimulado fundamentalmente por dos factores necesarios. En primer lugar, por el permanente debate librado por las diferentes corrientes teórico-metodológicas que incansablemente han ido sacudiendo uno tras otro, en un imparable proceso dialéctico, los sucesivos paradigmas preexistentes. Y en segundo lugar, por el progreso de la tecnología informática, que permitió el procesamiento más rápido y objetivo del cada vez más numeroso y abrumador conjunto de datos generado por la investigación. [eng] The concepts of"classification" and"typology" have been linked to archaeology since the first purely descriptive seriations of the early antiquarians and dilettantes of the seventeenth and eighteenth century. The development of these approaches during the nineteenth and twentieth century ripened within the scientific frame of nineteenth century positivism -- was essentially stimulated by two crucial factors. Firstly, the continuous debate generated by different methodological schools of thought ensured a constant dialogue concerning these frameworks. Secondly, the progress of information technology led to a more rapid and objective processing of an increasingly copious and overwhelming amount of research-generated data.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Busto Zapico, Miguel; Gutiérrez González, José Avelino; Estrada García, Rogelio;

    The faience set that is going to be studied here comes from a closed group that was found in archaeological excavations in 2009 in the Carbajal Solís’s house, located at the number 10 of La Rúa Street, the city of Oviedo (Asturias, Spain). Its chronology covers the last time of the Middle Age Period and Early Modern period. By applying a comprehensive methodology, we have tried for the one hand not only to create several typologies aimed at providing forms or tables of ceramic chronologies but we have tried to trace their historical importance. 'is helps us to clarify a number of issues related to the origin of the pieces. At the same time, it allowed us to obtain comprehensive information about the ceramic productions of the Iberian Peninsula and Europe between the late Middle Age and Early Modern period. 'erefore, this set is con&gured as a meeting point between di-erent realities as the purely Iberian tradition, the Mediterranean tradition and the north European tradition. La cerámica objeto de estudio procede de un conjunto cerrado hallado en las excavaciones arqueológicas del año 2009 en la casa Carbajal Solís, sita en el nº 10 de la calle de la Rúa de la ciudad de Oviedo (Asturias, España). Su cronología abarcaría los últimos momentos del medievo y los inicios de la modernidad. Aplicando una metodología exhaustiva, lo que se ha pretendido es, no solo crear una serie de tipologías orientadas a proporcionar tablas de formas o de cronologías cerámicas, sino que se ha tratado de rastrear la importancia histórica de las mismas. Ello permite aclarar una serie de cuestiones relacionadas con la procedencia de las piezas. Al mismo tiempo, obtener una información amplia sobre las producciones cerámicas peninsulares y europeas, entre la Baja Edad Media y la primera Edad Moderna. Este lote, queda así configurado, como un punto de encuentro entre diferentes realidades como son la puramente ibérica, la Mediterránea y la del norte de Europea. Investigación subvencionada por el Gobierno del Principado de Asturias a través del Programa “Severo Ochoa” de Ayudas Predoctorales para la investigación y docencia del Principado de Asturias. Congresso Internacional A Ceramica Medieval no Mediterraneo

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    Conference object . 2012
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      Other literature type . 2012
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Navarro Ciurana, Dídac; Garcia Vallès, Maite; Martínez Manent, Salvador;

    El objeto de este estudio es la caracterización arqueométrica de dos fragmentos cerámicos hallados alrededor de Gaoua, ciudad capital de la provincia de Poni (Burkina Faso). Aproximadamente en el medio del triangulo formado por los pueblos de Dimolo, Dipeò y Niantana, donde se encontraron restos de un poblado Lobi. Geológicamente, la región es de edad precámbrica, constituida por migmatitas y granitos con materiales volcanosedimentarios, meta-vulcanitas neutras y acidas, así como metasedimentos arcillosos (Hottin y Oueadraogo, 1976)

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Estarellas Ordinas, Maria; Torres Orell, Francesca;
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Biblioteca Digital d...arrow_drop_down
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    Authors: Córdoba de la Llave, Ricardo;

    El presente trabajo está dedicado al análisis de las técnicas para el vidriado de la cerámica que aparecen documentadas en diversos tratados y recetarios de época medieval. Se trata de textos procedentes, en su mayor parte, de la Península Italiana, que incluyen recetas dedicadas al vidriado de la cerámica al plomo y al estaño, con particular referencia a la realización de la loza dorada. El estudio comenta los textos donde dichas recetas se insertan, las técnicas de trabajo que mencionan y concluye con un apéndice documental en el que se incluye la traducción al castellano de las recetas estudiadas. This work is dedicated to the analysis of techniques for glazing ceramics that are documented in some treatises and recipe books of medieval times. These are texts from, for the most part, the Italian Peninsula, including recipes dedicated to the glazed ceramic with lead and tin, with particular reference to the making of the so-called, golden ceramic. The study discusses the texts in which these recipes are inserted, the techniques of work mentioned and it concludes with an appendix which includes the translation into Castilian language of the prescriptions studied.

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    Authors: Rosselló Bordoy, Guillem;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Biblioteca Digital d...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Biblioteca Digital d...arrow_drop_down
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    Authors: Sintes Olives, Elena; Ramon Torres, Joan;

    [cat] L’excavació arqueològica realitzada a l’interior de l’església de Santa Eulàlia d’Alaior va permetre la recuperació d’una sèrie d’unitats estratigràfiques que s’emmarquen a l’època posttalaiòtica. L’aportació de les mateixes és l’augment de les bases materials que permeten afirmar l’existència d’un establiment d’aquesta època en el lloc que actualment ocupa aquest poble menorquí i, per altra banda, l’oportunitat de presentar alguns conjunts vasculars, amb materials excepcionals, dels segles III i II aC, on destaca la forta presència de ceràmiques de producció ebusitana, fet que referma el pes del factor púnic en la Menorca posttalaiòtica. [eng] The archaeological excavation carried out inside the church of Santa Eulalia in Alaior allowed the recovery of a series of stratigraphic units that are framed in the post-Talayotic period. The contribution of these units is the increase of the material bases that allow to affirm the existence of a settlement of this time in the place that this Menorcan town currently occupies. On the other hand, we could present a set of exceptional materials, of the 3rd and 2nd centuries B. C., which highlights the strong presence of Ebusitan production ceramics, which reaffirms the weight of the Punic factor in post-Talayotic Menorca.

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    Authors: Topp, Celia; Plantalamor Massanet, Lluís;
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