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  • Digital Humanities and Cultural Heritage
  • Fundação para a Ciência e a Tecnologia, I.P.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Casimiro, Tânia Manuel; Vintém Henriques, João Pedro; Filipe, Vanessa; Boavida, Carlos;

    UID/HIS/04209/2013 The first documents referring to lead glaze ware production in Lisbon go back to the 16th century with the reference to green glazed pots, mentioned the Lisbon Potter's Regulation. Although no kiln site producing exclusively lead glaze wares was actually found in Lisbon some evidence suggest that these objects may share the same kilns with redware production. The most frequent shapes are large flared bowls, cooking pots, jars, plates and chamber pots, in green and/or yellow, among other forms used in domestic activities. This paper aims to present the types of objects produced by Lisbon potters, discussing production techniques, shapes and function as well as other glazed objects used in Lisbon households based on vessels found in two archaeological excavations in Lisbon, in Carnide and Rossio, reflecting domestic activities from approximately 1580 to 1755. publishersversion published

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repositório da Unive...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Casimiro, Tânia Manuel; Henriques, José Pedro; Filipe, Vanessa; Simões, Sara;

    UID/HIS/04209/2019 DL 57/2016/CP1453/CT0084 Archaeological excavations conducted in Lisbon and nearby cities have yielded a significant amount of a type of pottery from seventeenth- and eighteenth-century contexts not made in Europe. These bear characteristics allowing them to be associated with African or Brazilian productions and probably used by African populations. Although generally absent from the archaeological record, accounts from the mid-fifteenth century onwards note the presence of African people in Portugal, most as slaves. Materially speaking, however, it has always been assumed that they adapted to using local material culture, hence the lack of archaeological evidence marking them as distinct groups. However, the non-European pots discussed here reveal extensive wear marks and are found associated with domestic contexts. Most slaves worked in such contexts, as borne out by the historical evidence. The purpose of this paper is to start a discussion on the ways which these objects could have been used by non-Europeans in Portugal and how they reflect the presence of African populations with a specific identity and distinct social practices. authorsversion published

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Taylor, Ruth; Garcia-Rivero, Daniel; Gonçalves, Célia; Cascalheira, João; +1 Authors

    This article, on the Early Neolithic pottery from the Cabeco da Amoreira shellmidden in the Muge region of central Portugal, presents a detailed review of the evidence to date and a systematic analysis of the decorative and mineralogical characteristics of the stratified and radiocarbon-dated ceramic assemblage. A homogenous pottery manufacturing tradition seems to be present right from the beginning, including both local and non-local ceramics. The authors formulate a working hypothesis on the geographic origin of the exogenous pottery, which contributes to the discussion of the dynamics of mobility and social networks in the Neolithization of south-western Europe. Spanish Ministry of Science, Innovation and Universities [PGC2018-096943-A-C22]

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Sapientia Repositóri...arrow_drop_down
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  • Authors: Molina-Cardín, A.; S. A. Campuzano; M. L. Osete; M. Rivero-Montero; +16 Authors
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Arruda, Ana Margarida; Sousa, Elisa de; Dorado, Alberto;

    A cerâmica pintada de tipo Medellín, sendo rara no território actualmente português, encontra-se muito documentada em Santarém. Neste sítio do estuário do Tejo, registaram-se raros exemplares em níveis datados das últimas décadas do século VIII a.n.e., mas as taças hemisféricas com esta decoração são particularmente abundantes durante as duas centúrias seguintes, quando correspondem a 11% da cerâmica manual. Nos motivos, geométricos e vegetalistas, sobre-pintados sobre vermelho, utilizou-se a cor branca e amarela. As análises laboratoriais realizadas sobre estes vasos provaram que a grande maioria foi fabricada localmente, havendo, contudo, alguns fragmentos que podem ter sido importados. A cerâmica pintada de tipo Medellín de Santarém evidencia a profunda relação entre o estuário do Tejo e os territórios do Guadiana Médio e da Meseta Sul, relação que se iniciou no Bronze Final e que não se perde durante a 1ª Idade do Ferro. The Medellin style handmade wares, being rare in the Portuguese territory, are well documented in Santarém. In this site, located in the Tagus estuary, a few of these fragments were identified in levels dating from the last decades of the 8th century BCE, but the hemispherical cups with these painted decorations are particularly abundant during the VII and VI centuries, representing 11% of the hand made productions. Its motifs, geometric and vegetal, over-painted in red, had white and yellow tones. Laboratory analyzes made upon these vessels proved that the vast majority were locally manufactured, but there were some fragments that may have been imported. The Medellin style handmade wares of Santarém show the deep relation between the Tagus estuary and the innermost territories of the Middle Guadiana and the Southern Meseta, which began in the Late Bronze Age and was not lost during the Iron Age.

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Universidade de Lisb...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Darko Stojanovski; Mélanie Roffet-Salque; Emmanuelle Casanova; Timothy D J Knowles; +5 Authors

    Abstract This article presents the results of the first dedicated study of organic residues in Portugal, extracted from pottery excavated from Anta 1 de Val da Laje passage grave. We fully exploit the organic residue extract, to obtain information regarding the diet of the people and their relationship with the environment, the socio-economic aspects of an otherwise elusive society, and we also used a new methodology to obtain direct absolute dates for the pottery, the residue extract being the only datable organic material from the site. Our results suggest a community with diet based on terrestrial resources, that was fully benefitting from a range of domestic animals including their secondary products. We present the first direct evidence of not only meat consumption, but also milk and dairy production in Iberia. The compound-specific radiocarbon dating methodology, opens a door to possibilities for investigating otherwise poorly dated archaeological phenomena in the Iberian Peninsula.

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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Quaternary International
    Article . 2020 . Peer-reviewed
    License: Elsevier TDM
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio istituziona...arrow_drop_down
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Quaternary International
      Article . 2020 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Guàrdia, Jordi; Carreras, Cèsar; de Soto, Pau;

    info:eu-repo/grantAgreement/EC/H2020/706260/EU UID/HIS/04209/2013 706260 Marie Sklodowska-Curie individual Fellowships European [CA] Les darreres excavacions en la ciutat romana de Iulia Lybica (Llívia) des del 2013 al 2015 van proporcionar noves dades sobre el forum de la ciutat. La major part de les excavacacions recents combinades amb la geofísica defineixen quasi completament la distribució del fòrum excepte en la part sud. A més a més, aquestes excavacions han subministrat bons conjunts ceràmics i marbre que ens permeten entendre l’evolució comercial de la ciutat. Aquest article pretén analitzar aquesta evidència material en certs detalls per detectar pautes de consum i d’aprovisionament d’aquest municipi romà. És especialment interessant l’aprovisionament de marbre donat que la majoria del material trobat procedeix de les pedreres del sud de la Gàl·lia amb dificultat de comunicació amb Iulia Lybica. De la mateixa manera, el conjunt ceràmic revela uns forts contactes amb centres productors gals de ceràmica fina i comuna. Aquesta dependència de l’aprovisionament gal ens ha obligat a analitzar les infraestructures de transport d’aquesta àrea central dels Pirineus i com els costos podien modelar l’accés a determinats productes. [EN] The latest archaeological excavations at the Roman city of Iulia Lybia (Llívia) between 2013 and 2015 offer new insight its forum. The recent excavations combined with geophysical surveys yielded most of the forum’s floorplan (except in the southern part). Furthermore, the excavations uncovered assemblages of pottery and marble that offer information toward understanding the commercial evolution of the city. The current study attempts to analyse this material evidence in detail in order to identify patterns of consumption and supply of this Roman municipium. The source of the marble is particularly interesting since most comes from quarries in Southern Gaul, a region poorly communicated with Iulia Lybica. Likewise, the pottery assemblage reveals intense contacts with Gallic fine and coarseware workshops. The dependence on Gaul as a source of products lead us to analyse the infrastructure of transport through this central area of the Pyrenees and how costs could influence the access to particular products. publishersversion published

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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Nelson Almeida; Enrique Cerrillo Cuenca; Palmira Saladié;

    Abstract Late Neolithic archaeological records are scarce in the Tagus basin, especially in the inland Iberian Peninsula. Whilst several contexts have been documented at the mouth of the river, fewer sites dated in the 4th millennium cal BC are known in the interior, with the exception of a few megalithic contexts. For the Middle Tagus, Los Barruecos (Malpartida de Caceres, Spain) presents a Neolithic sequence spanning the Early to Late Neolithic. Besides pottery and lithic industry, faunal remains were also recovered. The Los Barruecos Late Neolithic fauna assemblage has been analysed and a new absolute date obtained, thus framing the results chronologically. A predominance of swine, probably mainly wild boar as opposed to pig, followed by caprines and cattle, was identified. The assemblage is clearly of an anthropic nature with a secondary access by a large canid. Palynological data for the site indicates the existence of agropastoral practices further strengthening a picture of cattle and caprine herding. Complementary hunting of wild boar, red deer and occasionally leporids points to a mixed economic pattern with similarities further west in the Portuguese regions of Estremadura and Alentejo. The difference between the Western Iberia Late Neolithic faunal assemblages and the preceding Middle Neolithic, when hunting was comparatively more important, further supports the notion of agricultural intensification that is seen from the Late Neolithic onwards, also inland in the Tagus Basin.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of Archaeolo...arrow_drop_down
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    Journal of Archaeological Science Reports
    Article . 2021 . Peer-reviewed
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of Archaeolo...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Journal of Archaeological Science Reports
      Article . 2021 . Peer-reviewed
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    Authors: Peñin, Raquel Martínez;

    Este trabajo se centra en el estudio de las cerámicas de producción local ardoantiguas y altomedievales localizadas en un ámbito muy concreto del noroeste peninsular: la ciudad de Braga. En este espacio se constata la presencia de una producción propia adscrita a momentos tardíos y que comúnmente se han denominado cerámicas «cinzentas tardías». Nuestro objetivo se focalizará en el análisis de los aspectos técnicos, morfológicos y ornamentales de esas producciones, tomando como base los recipientes hallados en diferentes intervenciones arqueológicas practicadas en la urbe bracarense. This work focuses on the study of locally produced ceramics late antiquity and early medieval located in a very specific area of the northwest peninsula: the city of Braga. In this space, notes the presence of a self-produced and attached to late now commonly called «cerámica cinzenta». Our goal will focus on the analysis of the technical, morphological and ornamental of these productions, based on containers found in different archaeological interventions practiced in bracarense environment. FCT (2011) referencia: SFRH/BPD/78538/2011

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    Authors: Bente Philippsen; John Meadows;

    The Ertebølle culture is a late Mesolithic hunter-gatherer-fisher culture in southern Scandinavia, northern Germany and Poland. Archaeological finds as well as scientific analyses of humans and their artefacts indicate the great importance of aquatic resources, both marine and freshwater, to Ertebølle subsistence. In northern Germany, modern freshwater fish samples can have very high apparent radiocarbon ages (up to 3000 years). If such dramatic 'freshwater reservoir effects' also existed during the late Mesolithic, they could lead to artificially old radiocarbon dates for the bones of Ertebølle humans and domestic dogs, and for carbonised food crusts on cooking pots. Conversely, if we can demonstrate radiocarbon age 'offsets' in such samples, we can often attribute them to the exploitation of freshwater food resources. This article discusses methods of identifying freshwater resources in prehistoric pottery, including radiocarbon reservoir effects. We consider the results of radiocarbon, stable isotope and elemental analyses of food crusts on prehistoric pottery from four sites in the Alster and Trave valleys: Kayhude, Schlamersdorf, Bebensee and Seedorf.

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    Internet Archaeology
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    Internet Archaeology
    Article . 2014 . Peer-reviewed
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    Internet Archaeology
    Article . 2014
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      Internet Archaeology
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      Internet Archaeology
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      Internet Archaeology
      Article . 2014
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Casimiro, Tânia Manuel; Vintém Henriques, João Pedro; Filipe, Vanessa; Boavida, Carlos;

    UID/HIS/04209/2013 The first documents referring to lead glaze ware production in Lisbon go back to the 16th century with the reference to green glazed pots, mentioned the Lisbon Potter's Regulation. Although no kiln site producing exclusively lead glaze wares was actually found in Lisbon some evidence suggest that these objects may share the same kilns with redware production. The most frequent shapes are large flared bowls, cooking pots, jars, plates and chamber pots, in green and/or yellow, among other forms used in domestic activities. This paper aims to present the types of objects produced by Lisbon potters, discussing production techniques, shapes and function as well as other glazed objects used in Lisbon households based on vessels found in two archaeological excavations in Lisbon, in Carnide and Rossio, reflecting domestic activities from approximately 1580 to 1755. publishersversion published

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repositório da Unive...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repositório da Unive...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Casimiro, Tânia Manuel; Henriques, José Pedro; Filipe, Vanessa; Simões, Sara;

    UID/HIS/04209/2019 DL 57/2016/CP1453/CT0084 Archaeological excavations conducted in Lisbon and nearby cities have yielded a significant amount of a type of pottery from seventeenth- and eighteenth-century contexts not made in Europe. These bear characteristics allowing them to be associated with African or Brazilian productions and probably used by African populations. Although generally absent from the archaeological record, accounts from the mid-fifteenth century onwards note the presence of African people in Portugal, most as slaves. Materially speaking, however, it has always been assumed that they adapted to using local material culture, hence the lack of archaeological evidence marking them as distinct groups. However, the non-European pots discussed here reveal extensive wear marks and are found associated with domestic contexts. Most slaves worked in such contexts, as borne out by the historical evidence. The purpose of this paper is to start a discussion on the ways which these objects could have been used by non-Europeans in Portugal and how they reflect the presence of African populations with a specific identity and distinct social practices. authorsversion published

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Taylor, Ruth; Garcia-Rivero, Daniel; Gonçalves, Célia; Cascalheira, João; +1 Authors

    This article, on the Early Neolithic pottery from the Cabeco da Amoreira shellmidden in the Muge region of central Portugal, presents a detailed review of the evidence to date and a systematic analysis of the decorative and mineralogical characteristics of the stratified and radiocarbon-dated ceramic assemblage. A homogenous pottery manufacturing tradition seems to be present right from the beginning, including both local and non-local ceramics. The authors formulate a working hypothesis on the geographic origin of the exogenous pottery, which contributes to the discussion of the dynamics of mobility and social networks in the Neolithization of south-western Europe. Spanish Ministry of Science, Innovation and Universities [PGC2018-096943-A-C22]

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Sapientia Repositóri...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Sapientia Repositóri...arrow_drop_down
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  • Authors: Molina-Cardín, A.; S. A. Campuzano; M. L. Osete; M. Rivero-Montero; +16 Authors
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/