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description Publicationkeyboard_double_arrow_right Article 2016 Poland PolishAuthors: Wiąckiewicz, Justyna;Wiąckiewicz, Justyna;Composed by Hildegard of Bingen in the Rhine-Hessen region in the middle of the 12th century, the liturgical drama Ordo Virtutum depicts a symbolic internal struggle for the fate of the soul between the virtues and the devil and is originally transposed into the language of low-relief found in the church owned by the Canonesses Nuns convent in Strzelno, a little town situated on the border of Kujawy and Wielkopolska regions in Poland. The aim of this article is to present how two visions of the same concept complement each other in an intriguing way, although they are expressed by two separate, yet merging languages of music linked with the text and low relief. Most of the musical and literary personifications of both Ordo Virtutum and low reliefs featuring figures in Strzelno are still comprehensible,despite being created eight centuries ago. They introduce the audienceto the world of medieval sermons, theological treatises, lectureson ethics and moral theology. Both works show a holistic vision of theworld, held by people of the medieval era. In that vision what is spiritual,mystical and elusive for the outward physical senses intertwines andis closely linked with what is tangible, material and directly perceptible.Hildegard’s music praised not only the works of God but also the virtuesas deeply human attributes, linked with effort and choices of a freehuman being, capable of establishing a relationship with God. The columnof virtues in Strzelno introduces to the sacred sphere a multitudeof figures that become an icon of widely accessible perfection. It seemsthat both artists aimed at educating their audience as beauty was supposedto ennoble by giving the strength to the truth so that it could leadto good, also the ultimate good - God.
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For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Book 2020 Poland PolishPublisher:Muzeum Narodowe w Krakowie Authors: Horzela, Dobrosława;Horzela, Dobrosława;Katalog towarzyszący wystawie poświęconej sztuce średniowiecznego witrażu w Polsce jest pierwszą, tak obszerną prezentacją najważniejszych symboli „wieków średnich” ściśle wpisanych w kompozycję architektoniczną obiektów sakralnych. Witraże były przede wszystkim dziełami rzemieślników, którzy poza artystyczną formą nie mogli zapominać o technologii szklanych obrazów. Były fenomenem łączącym ludzkie rzemiosło z naturą; synergią tego, co powstawało cierpliwie z rąk ludzkich i tego, co „żyje” tylko dzięki sile światła. I to właśnie światło, po dzień dzisiejszy nadaje moc uwięzionym kawałkom szkła, wciąż opowiadającym nam swe historie. Publikacja oprowadza nas po wystawie o tej samej nazwie i jest próbą kompleksowego wprowadzenia do tematyki witrażu. To fascynująca historia o burzliwych losach sztuki, która po okresie swojej świetności zdążyła być zapomniana w następnych epokach. Publikacja dostarcza czytelnikowi bogatą literaturę podmiotu wraz z dokumentacją prac konserwatorskich. Dzięki czemu katalog jest bezcennym źródłem wiedzy dotyczącym polskiego witrażu średniowiecznego.
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For further information contact us at helpdesk@openaire.eu0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od______3647::2fa7e8b8b2921aedc3ea5e6851b93681&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Part of book or chapter of book 2020 Poland PolishPublisher:Wydawnictwo Naukowe Akademii Ignatianum Authors: Horzela, Dobrosława; Walczak, Marek;Horzela, Dobrosława; Walczak, Marek;Jagiellonian Univers... arrow_drop_down Jagiellonian University RepositoryPart of book or chapter of book . 2020Data sources: Jagiellonian University RepositoryAll Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od______3647::c7a778e17e89ba280b77df95b3546c10&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eu0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert Jagiellonian Univers... arrow_drop_down Jagiellonian University RepositoryPart of book or chapter of book . 2020Data sources: Jagiellonian University RepositoryAll Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od______3647::c7a778e17e89ba280b77df95b3546c10&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Part of book or chapter of book 2020 Poland PolishPublisher:Zamek Królewski na Wawelu Authors: Walczak, Marek;Walczak, Marek;Jagiellonian Univers... arrow_drop_down Jagiellonian University RepositoryPart of book or chapter of book . 2020Data sources: Jagiellonian University RepositoryAll Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od______3647::c7b1976c061764adad099738df27c9f9&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eu0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert Jagiellonian Univers... arrow_drop_down Jagiellonian University RepositoryPart of book or chapter of book . 2020Data sources: Jagiellonian University RepositoryAll Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od______3647::c7b1976c061764adad099738df27c9f9&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 1993 Poland PolishAuthors: Tytko, Marek Mariusz;Tytko, Marek Mariusz;The paper is on the Porczynskis' art collection in Warsaw.. Artykuł na temat kolekcji sztuki Porczyńskich w Warszawie.
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For further information contact us at helpdesk@openaire.eu0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od______3647::6c6aa4501e7eb199d66ec4ccfee9f61e&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 1998 Poland PolishAuthors: Tytko, Marek Mariusz;Tytko, Marek Mariusz;The text concerns symbolism of the frog in the Augustinian Polyptych painted by Nicholas Haberschrack of Nowa Wies (New Village) near Cracow, in the 15th Century. The picture was created in 1468. It was founded by a prior of the monastery and the abbey of the Augustinian Convent in Cracow. The Cracow Augustinians were the creators of idea program in this polyptych. The biblical, theological and historical contexts for the picture have been described in the text. The author of the study comes to the hypothesis that frogs have the symbolic meaning in the picture. The frogs may mean (alternatively): 1) the earthly vale, the sinn, or 2) satan and demonic power, or 3) heretics (Hussites), or 4) faithful Augustinians. Tekst dotyczy symboliki żaby w Poliptyku Augustiańskim namalowanym przez Mikołaja Haberschracka z Nowej Wsi koło Krakowa w XV w. Obraz powstał w 1468 r. Ufundowany był przez przeora klasztoru i konwent zakonu augustianów w Krakowie. Augustianie krakowscy byli twórcami programu ideowego tego poliptyku. W tekście opisano konteksty biblijne, teologiczne i historyczne dla tego obrazu. Autor artykułu stawia hipotezę o symbolicznym znaczeniu żab w obrazie. Żaby oznaczać mogą tam (alternatywnie): 1) ziemski padół, grzech, albo 2) szatana i demoniczne moce, albo 3) heretyków (husytów), albo 4) wiernych augustianów.
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description Publicationkeyboard_double_arrow_right Article 2016 Poland PolishAuthors: Wiąckiewicz, Justyna;Wiąckiewicz, Justyna;Composed by Hildegard of Bingen in the Rhine-Hessen region in the middle of the 12th century, the liturgical drama Ordo Virtutum depicts a symbolic internal struggle for the fate of the soul between the virtues and the devil and is originally transposed into the language of low-relief found in the church owned by the Canonesses Nuns convent in Strzelno, a little town situated on the border of Kujawy and Wielkopolska regions in Poland. The aim of this article is to present how two visions of the same concept complement each other in an intriguing way, although they are expressed by two separate, yet merging languages of music linked with the text and low relief. Most of the musical and literary personifications of both Ordo Virtutum and low reliefs featuring figures in Strzelno are still comprehensible,despite being created eight centuries ago. They introduce the audienceto the world of medieval sermons, theological treatises, lectureson ethics and moral theology. Both works show a holistic vision of theworld, held by people of the medieval era. In that vision what is spiritual,mystical and elusive for the outward physical senses intertwines andis closely linked with what is tangible, material and directly perceptible.Hildegard’s music praised not only the works of God but also the virtuesas deeply human attributes, linked with effort and choices of a freehuman being, capable of establishing a relationship with God. The columnof virtues in Strzelno introduces to the sacred sphere a multitudeof figures that become an icon of widely accessible perfection. It seemsthat both artists aimed at educating their audience as beauty was supposedto ennoble by giving the strength to the truth so that it could leadto good, also the ultimate good - God.
All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od______3647::0bb7ff8a328c90ba8158e1166e72fa22&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eu0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od______3647::0bb7ff8a328c90ba8158e1166e72fa22&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Book 2020 Poland PolishPublisher:Muzeum Narodowe w Krakowie Authors: Horzela, Dobrosława;Horzela, Dobrosława;Katalog towarzyszący wystawie poświęconej sztuce średniowiecznego witrażu w Polsce jest pierwszą, tak obszerną prezentacją najważniejszych symboli „wieków średnich” ściśle wpisanych w kompozycję architektoniczną obiektów sakralnych. Witraże były przede wszystkim dziełami rzemieślników, którzy poza artystyczną formą nie mogli zapominać o technologii szklanych obrazów. Były fenomenem łączącym ludzkie rzemiosło z naturą; synergią tego, co powstawało cierpliwie z rąk ludzkich i tego, co „żyje” tylko dzięki sile światła. I to właśnie światło, po dzień dzisiejszy nadaje moc uwięzionym kawałkom szkła, wciąż opowiadającym nam swe historie. Publikacja oprowadza nas po wystawie o tej samej nazwie i jest próbą kompleksowego wprowadzenia do tematyki witrażu. To fascynująca historia o burzliwych losach sztuki, która po okresie swojej świetności zdążyła być zapomniana w następnych epokach. Publikacja dostarcza czytelnikowi bogatą literaturę podmiotu wraz z dokumentacją prac konserwatorskich. Dzięki czemu katalog jest bezcennym źródłem wiedzy dotyczącym polskiego witrażu średniowiecznego.
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For further information contact us at helpdesk@openaire.eu0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od______3647::2fa7e8b8b2921aedc3ea5e6851b93681&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Part of book or chapter of book 2020 Poland PolishPublisher:Wydawnictwo Naukowe Akademii Ignatianum Authors: Horzela, Dobrosława; Walczak, Marek;Horzela, Dobrosława; Walczak, Marek;Jagiellonian Univers... arrow_drop_down Jagiellonian University RepositoryPart of book or chapter of book . 2020Data sources: Jagiellonian University RepositoryAll Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od______3647::c7a778e17e89ba280b77df95b3546c10&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eu0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert Jagiellonian Univers... arrow_drop_down Jagiellonian University RepositoryPart of book or chapter of book . 2020Data sources: Jagiellonian University RepositoryAll Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od______3647::c7a778e17e89ba280b77df95b3546c10&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Part of book or chapter of book 2020 Poland PolishPublisher:Zamek Królewski na Wawelu Authors: Walczak, Marek;Walczak, Marek;Jagiellonian Univers... arrow_drop_down Jagiellonian University RepositoryPart of book or chapter of book . 2020Data sources: Jagiellonian University RepositoryAll Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od______3647::c7b1976c061764adad099738df27c9f9&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eu0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert Jagiellonian Univers... arrow_drop_down Jagiellonian University RepositoryPart of book or chapter of book . 2020Data sources: Jagiellonian University RepositoryAll Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od______3647::c7b1976c061764adad099738df27c9f9&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 1993 Poland PolishAuthors: Tytko, Marek Mariusz;Tytko, Marek Mariusz;The paper is on the Porczynskis' art collection in Warsaw.. Artykuł na temat kolekcji sztuki Porczyńskich w Warszawie.
All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od______3647::6c6aa4501e7eb199d66ec4ccfee9f61e&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eu0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od______3647::6c6aa4501e7eb199d66ec4ccfee9f61e&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 1998 Poland PolishAuthors: Tytko, Marek Mariusz;Tytko, Marek Mariusz;The text concerns symbolism of the frog in the Augustinian Polyptych painted by Nicholas Haberschrack of Nowa Wies (New Village) near Cracow, in the 15th Century. The picture was created in 1468. It was founded by a prior of the monastery and the abbey of the Augustinian Convent in Cracow. The Cracow Augustinians were the creators of idea program in this polyptych. The biblical, theological and historical contexts for the picture have been described in the text. The author of the study comes to the hypothesis that frogs have the symbolic meaning in the picture. The frogs may mean (alternatively): 1) the earthly vale, the sinn, or 2) satan and demonic power, or 3) heretics (Hussites), or 4) faithful Augustinians. Tekst dotyczy symboliki żaby w Poliptyku Augustiańskim namalowanym przez Mikołaja Haberschracka z Nowej Wsi koło Krakowa w XV w. Obraz powstał w 1468 r. Ufundowany był przez przeora klasztoru i konwent zakonu augustianów w Krakowie. Augustianie krakowscy byli twórcami programu ideowego tego poliptyku. W tekście opisano konteksty biblijne, teologiczne i historyczne dla tego obrazu. Autor artykułu stawia hipotezę o symbolicznym znaczeniu żab w obrazie. Żaby oznaczać mogą tam (alternatywnie): 1) ziemski padół, grzech, albo 2) szatana i demoniczne moce, albo 3) heretyków (husytów), albo 4) wiernych augustianów.
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For further information contact us at helpdesk@openaire.eu0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od______3647::08248e8ac88b5210aad939212df622e9&type=result"></script>'); --> </script>
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