Composed by Hildegard of Bingen in the Rhine-Hessen region in the middle of the 12th century, the liturgical drama Ordo Virtutum depicts a symbolic internal struggle for the fate of the soul between the virtues and the devil and is originally transposed into the languag...

International audience; This paper explores new research paths about visual culture of Western Middle ages, and proposes to read the tituli of medieval images as visual and semantic devices that make new meaning appear, engaging the artist and viewer’s imagination in th...

The frescoes in the narthex of the Church of the Transfiguration at the Zrze Monastery near Prilep (1368/1369) depict several unusual themes, as well as a very rare iconography. The holy monks painted in the lower zone of frescoes can be interpreted as the three categor...

International audience; This article aims to put the notion of “bimediality” in perspective with the visual documentation of the Western Middle Ages, especially with Romanesque sculpture, to show the intellectual and aesthetics implications of the gathering of different...

The paper sheds light on the development of the theoretical and methodological layer in Serbian texts about the art created during the nineteenth century and recognises the gradual change in the system of values, which was the precondition for the interpretation of medi...

Studies on medieval images of the life of Jesus Christ have so far focused either on the narrative perspective of the Christological cycle, presenting in a holistic and synthetic way the life and work of the Saviour, or isolated the Passion cycle revealing the suffering...

The article discusses each of the phases of christening depicted in medieval images of the sacrament in Poland.

nonPeerReviewed

Посебна издања / Српска академија наука и уметности, Музиколошки институт ; књ. 549. Одељење ликовне и музичке уметности ; књ. 4