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24 Research products (1 rule applied)

  • Digital Humanities and Cultural Heritage
  • 11. Sustainability

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Hedges, Mark; Stuart, David; Tzedopoulos, George; Bassett, Sheena; +3 Authors

    In recent years there has been rapid growth both in the development of digital methods and tools and in their application across a wide range of disciplines within humanities and cultural heritage studies. The future development of this landscape depends on a complex and dynamic ecosystem of interactions between a range of factors: changing scholarly priorities, questions and methods; technological advances and new tool development; and the broader social, cultural and economic contexts within which both scholars and infrastructures are situated. This foresight study investigates how digital research methods, technologies and infrastructures in digital humanities and cultural heritage may develop over the next 5-10 years, and provides some recommendations for future interventions to optimize this development. For a summary see: PARTHENOS Foresight - Executive Summary (DOI: 10.5281/zenodo.3460653). All PARTHENOS deliverables are available at: http://www.parthenos-project.eu/resources/projects-deliverables

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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    ZENODO
    Other literature type . 2019
    License: CC BY
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Project deliverable . 2019
    License: CC BY
    Data sources: Datacite
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Other literature type . 2019
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      Project deliverable . 2019
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Maglio, Emma;

    International audience; The Trevisan villa, an example of rural built heritage in Crete dating back to the Venetian period, was the object of an architectural and archaeological survey in order to study its typology and plan transformations. Considering its ruined conditions and the difficulties in ensuring its protection, a first reflection was started on possible strategies of digitalization, in the perspective of a digital Humanities policy: a 3D modeling and simulation and a digital archive on a GIS framework to make information accessible.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publications Open Re...arrow_drop_down
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    https://doi.org/10.1109/digita...
    Conference object . 2013 . Peer-reviewed
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    Authors: Bridget Almas;

    The Perseids project provides a platform for creating, publishing, and sharing research data, in the form of textual transcriptions, annotations and analyses. An offshoot and collaborator of the Perseus Digital Library (PDL), Perseids is also an experiment in reusing and extending existing infrastructure, tools, and services. This paper discusses infrastructure in the domain of digital humanities (DH). It outlines some general approaches to facilitating data sharing in this domain, and the specific choices we made in developing Perseids to serve that goal. It concludes by identifying lessons we have learned about sustainability in the process of building Perseids, noting some critical gaps in infrastructure for the digital humanities, and suggesting some implications for the wider community.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Data Science Journalarrow_drop_down
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    Data Science Journal
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    Data Science Journal
    Article . 2017
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Data Science Journal
    Article . 2017 . Peer-reviewed
    License: CC BY
    Data sources: Crossref
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Data Science Journalarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Data Science Journal
      Article
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Data Science Journal
      Article . 2017
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Data Science Journal
      Article . 2017 . Peer-reviewed
      License: CC BY
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  • Authors: Frédéric Kaplan;

    In 2012, the Ecole Polytechnique Federale de Lausanne (EPFL) and the University Ca'Foscari launched a program called the Venice Time Machine, whose goal was to develop a large-scale digitisation program to transform Venice's heritage into 'Big Data of the Past'. Millions of register pages and photographs have been scanned at the State Archive in Venice and at the Fondazione Giorgio Cini. These documents were analysed using the deep-learning artificial-intelligence methods developed at EPFL's Digital Humanities Laboratory in order to extract their textual and iconographic content and to make the data accessible via a search engine. The project has now expand to a European scale, including more than 500 institutions and 20 new cities jointly constructing a distributed digital information system mapping the social, cultural and geographical evolution of Europe. The project build upon existing platforms such as Europeana, and accelerate their development. While Europeana drives transformation throughout the cultural heritage sector with innovative standards, infrastructure and networks, Time Machine aims to design and implement advanced new digitisation and artificial intelligence technologies to mine Europe's vast cultural heritage, providing fair and free access to information that will support future scientific and technological developments in Europe.

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  • Authors: Orillard, Clément;

    Planning of the Paris Region has a long history that began a century ago in conjunction with the global development of metropolitan planning policies. In 2013, a group of scholars working on the pl...

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Kontiza, Kalliopi; Antoniou, Angeliki; Daif, Abdullah; Reboreda-Morillo, Susana; +8 Authors

    Sustainability in Cultural Heritage (CH) is a complex question that needs to be addressed by a group of experts tackling the different issues. In this light, the present work wishes to provide a multi-level analysis of the sustainability in CH, using as an example a recent European H2020 project (CrossCult) and the lessons learnt from its design, implementation and evaluation. The sustainability of CH has qualitatively changed over the last few years, under the developments in digital technology that seems to affect the very nature of the cultural experience. We discuss sustainability in venues using digital technologies, covering a span of needs of small/unknown and large/popular venues, which try to enhance the visitor experience, attract visitors, form venue networks, etc. Moreover, we explore issues of sustainability of digital content and its re usability through holistic design. Aspects of technology, human networks and data sustainability are also presented, and we conclude with the arguments concerning the sustainability of visitor reflection, the interpretation of social and historical phenomena and the creation of meaning. This research was funded by the European Union’s Horizon 2020 research and innovation programme under grant agreement No 693150. The authors from the University of Vigo got further support from the European Regional Development Fund (ERDF) and the Galician Regional Government under agreement for funding the AtlantTIC Research Center for Information and Communication Technologies, as well as the Ministerio de Educación y Ciencia (Gobierno de España) research project TIN2017-87604-R.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Sustainabilityarrow_drop_down
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    Sustainability
    Other literature type . Article . 2020 . Peer-reviewed
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    Other literature type . 2020
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    Article . 2020
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      Article . 2020
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      Article . 2020
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Toscano, Maurizio;

    Muchos proyectos y grupos de investigación han llegado a acumular a lo largo de los años grandes cantidades de datos en bruto, por regla general acumulados y almacenados localmente, a veces en servidores locales o, más a menudo, en ordenadores personales. Los datos locales representan una oportunidad perdida para los proyectos de investigación, en particular en el campo del patrimonio cultural. La gran mayoría de estos conjuntos de datos, incluso aquellos que ya están en formato digital, permanecen ocultos, subutilizados e incompletos porque están vinculados al esfuerzo y los recursos limitados de un solo investigador o grupo de investigación específico. Esta contribución propone de pasar desde Datos Locales a Plataformas Abiertas, desde datos accesibles solo a un número restringido de investigadores a conjuntos de datos accesibles, editables y compartibles a distancia. Las plataformas en línea se ajustan perfectamente a las necesidades de un grupo de investigación que experimenta los límites de la recopilación y verificación directa de los datos o tiene la intención de ampliar el área potencial de la recopilación de fuentes. Para concretar esta propuesta, se describirán tres diferentes casos de estudio. Todos han sido desarrollados recientemente y son el resultado de la colaboración del autor con diferentes grupos de investigación en humanidades. Incluso si todos están relacionados con el patrimonio cultural, son muy diferentes con respecto al objeto de estudio. El núcleo principal de este documento reside en la discusión, donde se analizan las lecciones aprendidas al aplicar este enfoque, destacando sus beneficios y los problemas intrínsecos en el proceso. Departamento de Historia Medieval y Ciencias y Técnicas Historiográficas de la Universidad de Granada Medialab UGR

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    ZENODO
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      ZENODO
      Part of book or chapter of book . 2020
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      ZENODO
      Part of book or chapter of book . 2020
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Meyer, Camille; Boivin, Pierre;

    International audience; This communication intends to question the contribution of digital humanities in the valorization of geological heritage. By returning to the choices that have led to the creation and launching of the Geological notebooks of Philippe Glangeaud website, we'll show that, beyond the access to digitized documents, the consultation of the online corpus is the vector of a new understanding of the geologist's scientific method. In this beginning of the twentieth century, Philippe Glangeaud attests the change of practices that moves Geology from the realm of naturalistic description to the one of modern science, with its requirements of quantification and publications.If the placing of this research data online reveals an invaluable scientific heritage, and gives the keys of a modern epistemology of discovery in geology, it also highlights territory as a heritage to reconsider. Through geolocalisation, the website reveals Auvergne as a place, by updating its strata and its rocks, and invites to a both real and virtual journey in the Massif Central. Philippe Glangeaud himself had perfectly understood the wealth of these territories and many of his writings seem to be written today, deliberately to support the candidacy of the Chaîne des Puys for inclusion on the UNESCO World Heritage. Digital humanities, understood here as provision and geolocalisation of online corpus, opens a fertile field of research on the relationship between places and works, which is the thread of the LIDO project of the MSH of Clermont. Through this prism, digital humanities give heritage new dimensions. Whether scientific, literary or historical, heritage shapes places. And the vision of this place via digital tools reveals in return heritage as an interdisciplinary construction.; Cette communication entend interroger l'apport des humanités numériques dans la valorisation du patrimoine géologique. En revenant sur les choix qui ont présidé à la mise en ligne des carnets géologiques de Philippe Glangeaud nous montrerons que par-delà l'accès aux documents numérisés, la consultation du corpus en ligne est le vecteur d'une compréhension nouvelle de la démarche scientifique du géologue auvergnat. En ce début de XXe siècle, Philippe Glangeaud témoigne du changement des pratiques qui font passer la géologie du domaine de la description naturaliste à celui de la science moderne, avec ses exigences de quantification et de publications. Si l'éditorialisation de ces sources de la recherche révèle un patrimoine scientifique inestimable, et donne les clés d'une épistémologie moderne de la découverte en géologie, elle met également en exergue le territoire comme patrimoine à reconsidérer. Par le truchement de la géolocalisation, le site Internet révèle l'Auvergne comme lieu, par la mise au jour de ses strates et de ses roches, et invite à un cheminement à la fois virtuel et réel dans le Massif Central. Philippe Glangeaud avait lui-même parfaitement compris la richesse de ces territoires et plusieurs de ses écrits semblent avoir été rédigés délibérément pour soutenir la candidature actuelle de la Chaîne des Puys à l’inscription au Patrimoine Mondial de l’UNESCO…Les humanités numériques, entendues ici comme mise à disposition et géolocalisation des corpus en ligne, ouvrent un champ de recherche fertile sur la mise en relation des lieux et des œuvres, fil conducteur du projet LIDO de la MSH de Clermont-Ferrand. À travers ce prisme, les humanités numériques donnent au patrimoine de nouvelles dimensions. Qu'il soit scientifique, littéraire ou historique, le patrimoine façonne les lieux. Et la vision de ces derniers via l'outil numérique fait apparaître en retour le patrimoine comme construction interdisciplinaire.

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    https://hal.uca.fr/hal-0121673...
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    https://doi.org/10.17184/eac.3...
    Part of book or chapter of book . 2020 . Peer-reviewed
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    Authors: Séamus Lawless; Maristella Agosti; Owen Conlan; Paul Clough;

    On August 1st, 2013 the First Workshop on the Exploration, Navigation and Retrieval of Information in Cultural Heritage (ENRICH 2013) was held as part of the SIGIR 2013 conference in Dublin, Ireland. An invited talk was given by Prof. Jaap Kamps. There were 3 full papers and 3 short papers presented in addition to a poster and demonstration session. Finally, there was a lively discussion on determining the research roadmap for this specialist area of IR research. This contribution discusses the events of the workshop and outlines future directions for the community.

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    ACM SIGIR Forum
    Article . 2013 . Peer-reviewed
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      ACM SIGIR Forum
      Article . 2013 . Peer-reviewed
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    Authors: Lecat, Paul; Blettery, Émile; Delavoipière, Lætitia; Saly-Giocanti, Frédéric; +5 Authors

    Au milieu des années 1950 surgissent à Nanterre les premières cabanes de fortune abritant des travailleurs algériens. Bientôt, ces baraques informelles s’agrègent et finissent par former des ensembles urbains, présentés et administrés comme des bidonvilles, et la ville de Nanterre y est alors durablement associée. Cet article se propose de revenir sur une expérience de recherche interdisciplinaire autour de cet objet d’étude. Des chercheurs en histoire et en sociologie urbaine ont collaboré avec des informaticiens de l’IGN afin d’utiliser et d’enrichir une plateforme de spatialisation et de visualisation de données hétérogènes pour documenter l’histoire de ces bidonvilles et comprendre la formation et la permanence de ces lieux dans la mémoire collective actuelle. In the mid-1950s, the first improvised huts for Algerian workers appeared in Nanterre. Soon, these informal shacks grew together and ended up forming urban complexes, presented and administered as shantytowns, and the city of Nanterre was then durably associated with them. This article proposes to review an interdisciplinary research experience around this object of study. Researchers in urban history and sociology collaborated with computer scientists from the IGN in order to use and enrich a platform for spatialisation and visualisation of heterogeneous data to document the history of these shantytowns and to understand the formation and permanence of these places in the current collective memory.

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    Humanités Numériques
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    Humanités Numériques
    Article . 2021 . Peer-reviewed
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      Humanités Numériques
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      Humanités Numériques
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Hedges, Mark; Stuart, David; Tzedopoulos, George; Bassett, Sheena; +3 Authors

    In recent years there has been rapid growth both in the development of digital methods and tools and in their application across a wide range of disciplines within humanities and cultural heritage studies. The future development of this landscape depends on a complex and dynamic ecosystem of interactions between a range of factors: changing scholarly priorities, questions and methods; technological advances and new tool development; and the broader social, cultural and economic contexts within which both scholars and infrastructures are situated. This foresight study investigates how digital research methods, technologies and infrastructures in digital humanities and cultural heritage may develop over the next 5-10 years, and provides some recommendations for future interventions to optimize this development. For a summary see: PARTHENOS Foresight - Executive Summary (DOI: 10.5281/zenodo.3460653). All PARTHENOS deliverables are available at: http://www.parthenos-project.eu/resources/projects-deliverables

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    Other literature type . 2019
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Project deliverable . 2019
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      Other literature type . 2019
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Maglio, Emma;

    International audience; The Trevisan villa, an example of rural built heritage in Crete dating back to the Venetian period, was the object of an architectural and archaeological survey in order to study its typology and plan transformations. Considering its ruined conditions and the difficulties in ensuring its protection, a first reflection was started on possible strategies of digitalization, in the perspective of a digital Humanities policy: a 3D modeling and simulation and a digital archive on a GIS framework to make information accessible.

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    https://halshs.archives-ouvert...
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    https://doi.org/10.1109/digita...
    Conference object . 2013 . Peer-reviewed
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    Authors: Bridget Almas;

    The Perseids project provides a platform for creating, publishing, and sharing research data, in the form of textual transcriptions, annotations and analyses. An offshoot and collaborator of the Perseus Digital Library (PDL), Perseids is also an experiment in reusing and extending existing infrastructure, tools, and services. This paper discusses infrastructure in the domain of digital humanities (DH). It outlines some general approaches to facilitating data sharing in this domain, and the specific choices we made in developing Perseids to serve that goal. It concludes by identifying lessons we have learned about sustainability in the process of building Perseids, noting some critical gaps in infrastructure for the digital humanities, and suggesting some implications for the wider community.

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    Data Science Journal
    Article
    License: CC BY
    Data sources: UnpayWall
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    Data Science Journal
    Article . 2017
    Data sources: DOAJ-Articles
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Data Science Journal
    Article . 2017 . Peer-reviewed
    License: CC BY
    Data sources: Crossref
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