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  • Digital Humanities and Cultural Heritage
  • 10. No inequality

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Weidman, Sean G.; O'Sullivan, James;

    The ongoing dispute in literary studies concerned with gender and writing style is wide and varied. Our preliminary analyses lend evidence to the claims that such gender differences are evident in writing across periods. While we follow in the methodological footsteps of such studies, particular those completed by Hoover (Textual analysis. In Price, K. M. and Siemens, R. (eds), Literary Studies in the Digital Age. Modern Language Association of America, 2013) and Rybicki (2016), we have shifted the focus of our investigation away from style, in the macro-analytical sense, to period and its relation to gender-differentiable terminology. Doing so recognizes the limitations of approaches like Zeta and Delta, while simultaneously benefiting from their affordances. Accepting that one can never have too large or robust a data set for this type of macro-analytic case study, we attempt to build on the foundations set down by Hoover and Rybicki, analyzing gender markers across a selection of male and female authors, and doing so crucially with a concern for the evolution of gender markers over specified canonical literary periods.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Cork Open Research A...arrow_drop_down
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Digital Scholarship in the Humanities
    Article . 2017 . Peer-reviewed
    License: OUP Terms of Use and Content Access Policy
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Cork Open Research A...arrow_drop_down
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Digital Scholarship in the Humanities
      Article . 2017 . Peer-reviewed
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  • Authors: Gadet, Françoise;

    L'A. s'interesse a la notion de variation, en tentant de ne pas limiter le debat au niveau purement sociolinguistique, mais de l'elargir a une reflexion de linguistique generale, faisant de la variation un primitif d'une theorie du langage. La notion de variation est alors abordee dans une reflexion de sociolinguistique generale, dans le cadre d'une (socio)linguistique du locuteur. L'A. tente non seulement de remettre en cause la diversite des classifications de la variation, mais aussi d'introduire la relation postulee entre facteurs sociaux et facteurs linguistiques. Il propose une sociolinguistique ou les phenomenes decrits ne sont reductibles ni au linguistique ni au social, mais bien a l'integration de ces deux parties.

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  • Authors: Jakšić, Milena;

    International audience; "How do the victims of human trafficking, seen as guilty of sexual soliciting or having irregular immigration status, become right-holders and ensure that the abuses they have suffered are acknowledged? The purpose of this paper is to understand this process by resituating the "areer" of the trafficking victims within the context of their relationship with the institutions that are supposed to protect and/or control them: police forces in charge of identifying them; support groups and NGOs providing social assistance to prostitutes; and courts where the most serious procuring cases are tried. By resituating the different steps composing a victimhood trajectory in its relationship with the above institutions, the paper also contributes to a sociological analysis of the legal-bureaucratic work of categorizing individuals deprived of the resources necessary to defend their rights."; Comment les victimes de la traite, appréhendées comme coupables d’infractions de racolage ou de séjour irrégulier, parviennent-elles à accéder au statut d’ayant droit et à faire reconnaître la réalité des violences qu’elles ont subies ? L’objet de cet article est de saisir ce passage en resituant la « carrière » des victimes de la traite dans leur rapport aux instances chargées de leur protection et/ou contrôle : services de police, chargés de leur identification ; associations d’aide et de soutien aux prostituées responsables de leur prise en charge sociale ; tribunaux où sont jugées les affaires de proxénétisme aggravé. En restituant les différentes étapes d’un parcours de victime dans son rapport aux institutions, cet article entend apporter sa contribution à la sociologie du travail juridico-bureaucratique de catégorisation des personnes dépourvues des ressources nécessaires pour défendre leurs droits.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Cocq, Coppélie; Ljuslinder, Karin;

    This article examines self-representations in a social media campaign against the discrimination of people with disabilities. We focus specifically on how these representations are related to various narratives and discourses, and in what ways the representations either adhere to or challenge normative discourses, or whether they offer counter-discourses. Considering that our cultural assumptions are influenced by the representations we are exposed to, we also discuss the possible potential of self-representations for the audience of the campaign. The empirical material consists of a digital activism campaign conducted on Instagram in Sweden that was constructed through self-representations (photos and short texts). The study combines discourse analysis and visual analysis with focus on how the persons present themselves in the campaign, how disability is mentioned and/or displayed, and how a presentation adheres to or challenges a model of understanding disability, such as the medical or social models. We found a diverse set of claims, all with the common goal of acknowledging discrimination, in order to make it visible and bring about change. The narratives identified indicate a variety of strategies for understanding disability and various styles that people adopt to relate to established discourses on disabilities. Through this campaign, the bloggers could find and provide support, but they also took the stage by requesting that the audience listen. The campaign examined in this study can be further understood as an effort and a step towards increased visibility and politicization of disability. DISMAW (2012.0141)

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    Other literature type . Article . 2020 . Peer-reviewed
    License: Elsevier TDM
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publikationer från U...arrow_drop_down
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      Other literature type . Article . 2020 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Troncone, Alda; Amorese, Terry; Cuciniello, Marialucia; Saturno, Raffaele; +4 Authors

    PUBLISHED This paper provides an overview of the literature concerning Seniors? psychological perspective in exploiting assistive robots and the embodied conversational agents. The main theoretical models devoted to assess user?s technology acceptance are briefly reviewed along with a description of the main factors empirically found to be positively/negatively associated with Seniors? acceptance level. Special attention is reserved to barriers generated by Seniors? representations of social assistive technologies, such as, a stigma or threat to their autonomy, infantilization, privacy interferences, fear of dehumanization and isolation.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Trinity's Access to ...arrow_drop_down
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    Acta Polytechnica Hungarica
    Other literature type . Article . 2020 . Peer-reviewed
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      Acta Polytechnica Hungarica
      Other literature type . Article . 2020 . Peer-reviewed
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ribeiro Lopes, Milena; Vogel, Carl;

    Growing interest in the impact of gender on technology includes concerns with regard to gender bias and its implication in the user experience. Past explorations of gender and design revealed significant differences between female and male users with regard to the perception and the acceptance of dating apps. A novel study was designed to investigate whether gender differences in the user experience could be caused by gender bias in mobile app development. Significant differences in the definition of design priorities emerged with regard to the participants' gender and the persona's perceived gender.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ http://www.tara.tcd....arrow_drop_down
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    Trinity's Access to Research Archive
    Conference object . 2020 . Peer-reviewed
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    https://doi.org/10.1109/ichms4...
    Conference object . 2020 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ http://www.tara.tcd....arrow_drop_down
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      Trinity's Access to Research Archive
      Conference object . 2020 . Peer-reviewed
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      https://doi.org/10.1109/ichms4...
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    Authors: Keane, Mark T.; Pine, Emilie; Leavy, Susan;

    Industrial Memories is a digital humanities initiative to supplement close readings of a government report with new distant readings, using text analytics techniques. The Ryan Report (2009), the official report of the Commission to Inquire into Child Abuse (CICA), details the systematic abuse of thousands of children 15 from 1936 to 1999 in residential institutions run by religious orders and funded and overseen by the Irish State. Arguably, the sheer size of the Ryan Report—over 1 million words— warrants a new approach that blends close readings to witness its findings, with distant readings that help surface system-wide findings embedded in the Report. Although CICA has been lauded internationally for 20 its work, many have critiqued the narrative form of the Ryan Report, for obfuscating key findings and providing poor systemic, statistical summaries that are crucial to evaluating the political and cultural context in which the abuse took place (Keenan, 2013, Child Sexual Abuse and the Catholic Church: Gender, Power, and Organizational Culture. Oxford University Press). In this article, we concentrate on describing the distant reading methodology we adopted, using machine learning and text-analytic methods and report on what they surfaced from the 2 Report. The contribution of this work is threefold: (i) it shows how text analytics can be used to surface new patterns, summaries and results that were not apparent via close reading, (ii) it demonstrates how machine learning can be used to annotate text by using word embedding to compile domain-specific semantic lexicons for feature extraction and (iii) it demonstrates how digital humanities methods can be applied to an official state inquiry with social justice impact. Science Foundation Ireland Insight Research Centre

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    Digital Scholarship in the Humanities
    Article . 2019 . Peer-reviewed
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      Digital Scholarship in the Humanities
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Esposito, Anna; Esposito, Antonietta M.; Cordasco, Gennaro; Maldonato, Mauro; +2 Authors

    This work investigates disparities between children and middle aged adults in their ability to decode the six primary facial expressions of emotions when portrayed by contemporary children and adult faces. The analyses were conducted on a sample of 40 (20 females) very closely aged children (mean age=7.4; SD=±0.2), and 40 middle aged (mean age=54.3; SD=±2.9) adults (20 females). Four different experimental conditions were assessed: a) 20 children and 20 middle aged adults assessing child faces; b) 20 children and 20 middle aged adults assessing adult faces; c) 20 children assessing adult faces and 20 children assessing child faces; d) 20 middle aged adults assessing adult faces and 20 middle aged adults assessing child faces. The analyses do not show significant differences between children and adults for conditions a), and b). Children performances on condition c) did not support the peers-prejudice theory, since no significant differences were found among children on their ability to decode either facial expressions of adults or children. Middle aged adults were significantly more accurate in decoding adult rather than children faces. No significant gender differences were found in the four conditions, even though significant interactions were found between emotional categories and gender of stimuli. In particular, the gender of stimuli had a significant effect in condition a) where emotional faces portrayed by male children are more accurately decoded than those portrayed by female children. Several significant interactions were observed between emotional categories, participants' age, and gender of stimuli. Details are discussed in the text.

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8 Research products (1 rule applied)
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Weidman, Sean G.; O'Sullivan, James;

    The ongoing dispute in literary studies concerned with gender and writing style is wide and varied. Our preliminary analyses lend evidence to the claims that such gender differences are evident in writing across periods. While we follow in the methodological footsteps of such studies, particular those completed by Hoover (Textual analysis. In Price, K. M. and Siemens, R. (eds), Literary Studies in the Digital Age. Modern Language Association of America, 2013) and Rybicki (2016), we have shifted the focus of our investigation away from style, in the macro-analytical sense, to period and its relation to gender-differentiable terminology. Doing so recognizes the limitations of approaches like Zeta and Delta, while simultaneously benefiting from their affordances. Accepting that one can never have too large or robust a data set for this type of macro-analytic case study, we attempt to build on the foundations set down by Hoover and Rybicki, analyzing gender markers across a selection of male and female authors, and doing so crucially with a concern for the evolution of gender markers over specified canonical literary periods.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Cork Open Research A...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Digital Scholarship in the Humanities
    Article . 2017 . Peer-reviewed
    License: OUP Terms of Use and Content Access Policy
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Cork Open Research A...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Digital Scholarship in the Humanities
      Article . 2017 . Peer-reviewed
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  • Authors: Gadet, Françoise;

    L'A. s'interesse a la notion de variation, en tentant de ne pas limiter le debat au niveau purement sociolinguistique, mais de l'elargir a une reflexion de linguistique generale, faisant de la variation un primitif d'une theorie du langage. La notion de variation est alors abordee dans une reflexion de sociolinguistique generale, dans le cadre d'une (socio)linguistique du locuteur. L'A. tente non seulement de remettre en cause la diversite des classifications de la variation, mais aussi d'introduire la relation postulee entre facteurs sociaux et facteurs linguistiques. Il propose une sociolinguistique ou les phenomenes decrits ne sont reductibles ni au linguistique ni au social, mais bien a l'integration de ces deux parties.

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  • Authors: Jakšić, Milena;

    International audience; "How do the victims of human trafficking, seen as guilty of sexual soliciting or having irregular immigration status, become right-holders and ensure that the abuses they have suffered are acknowledged? The purpose of this paper is to understand this process by resituating the "areer" of the trafficking victims within the context of their relationship with the institutions that are supposed to protect and/or control them: police forces in charge of identifying them; support groups and NGOs providing social assistance to prostitutes; and courts where the most serious procuring cases are tried. By resituating the different steps composing a victimhood trajectory in its relationship with the above institutions, the paper also contributes to a sociological analysis of the legal-bureaucratic work of categorizing individuals deprived of the resources necessary to defend their rights."; Comment les victimes de la traite, appréhendées comme coupables d’infractions de racolage ou de séjour irrégulier, parviennent-elles à accéder au statut d’ayant droit et à faire reconnaître la réalité des violences qu’elles ont subies ? L’objet de cet article est de saisir ce passage en resituant la « carrière » des victimes de la traite dans leur rapport aux instances chargées de leur protection et/ou contrôle : services de police, chargés de leur identification ; associations d’aide et de soutien aux prostituées responsables de leur prise en charge sociale ; tribunaux où sont jugées les affaires de proxénétisme aggravé. En restituant les différentes étapes d’un parcours de victime dans son rapport aux institutions, cet article entend apporter sa contribution à la sociologie du travail juridico-bureaucratique de catégorisation des personnes dépourvues des ressources nécessaires pour défendre leurs droits.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Cocq, Coppélie; Ljuslinder, Karin;

    This article examines self-representations in a social media campaign against the discrimination of people with disabilities. We focus specifically on how these representations are related to various narratives and discourses, and in what ways the representations either adhere to or challenge normative discourses, or whether they offer counter-discourses. Considering that our cultural assumptions are influenced by the representations we are exposed to, we also discuss the possible potential of self-representations for the audience of the campaign. The empirical material consists of a digital activism campaign conducted on Instagram in Sweden that was constructed through self-representations (photos and short texts). The study combines discourse analysis and visual analysis with focus on how the persons present themselves in the campaign, how disability is mentioned and/or displayed, and how a presentation adheres to or challenges a model of understanding disability, such as the medical or social models. We found a diverse set of claims, all with the common goal of acknowledging discrimination, in order to make it visible and bring about change. The narratives identified indicate a variety of strategies for understanding disability and various styles that people adopt to relate to established discourses on disabilities. Through this campaign, the bloggers could find and provide support, but they also took the stage by requesting that the audience listen. The campaign examined in this study can be further understood as an effort and a step towards increased visibility and politicization of disability. DISMAW (2012.0141)

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publikationer från U...arrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Other literature type . Article . 2020 . Peer-reviewed
    License: Elsevier TDM
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publikationer från U...arrow_drop_down
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      Other literature type . Article . 2020 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Troncone, Alda; Amorese, Terry; Cuciniello, Marialucia; Saturno, Raffaele; +4 Authors

    PUBLISHED This paper provides an overview of the literature concerning Seniors? psychological perspective in exploiting assistive robots and the embodied conversational agents. The main theoretical models devoted to assess user?s technology acceptance are briefly reviewed along with a description of the main factors empirically found to be positively/negatively associated with Seniors? acceptance level. Special attention is reserved to barriers generated by Seniors? representations of social assistive technologies, such as, a stigma or threat to their autonomy, infantilization, privacy interferences, fear of dehumanization and isolation.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Trinity's Access to ...arrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Acta Polytechnica Hungarica
    Other literature type . Article . 2020 . Peer-reviewed
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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