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  • Digital Humanities and Cultural Heritage

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Dominique VINCK;

    Definitional work is never neutral. On the contrary, it is full of issues. The definition of digital humanities is no exception to the rule. The article thus shows that the definition consisting in circumscribing a set of entities that will be included and distinguishing between them and what is excluded, also leads to the configuration of the included vs. excluded collectives, their identity, belonging and the distribution of resources. The definitional work observed in the digital humanities arenas thus appears to be loaded with issues, which is documented in relation to research collectives and professional circles in culture, heritage and the humanities and social sciences. The article also shows that the definitional work puts the included entities on an equal footing, but that internal differentiations and relationships of hegemony between the collectives involved persist. Finally, it also shows that the definitional work is linked to the production of promises and the enunciation of risks associated with the deployment of digital technology, which must be included or excluded.

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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Agosti, Maristella;
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio istituziona...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio istituziona...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Authors: Schöch, Christof; Dallas, Costis; Munson, Matt; Tasovac, Toma; +5 Authors

    DARIAH (Digital Research Infrastructure for the Arts in Humanities — http://dariah.eu) is a large-scale, long-term, pan-European endeavor aiming to enhance and support digitally-enabled research across the arts and humanities. DARIAH aims to develop and maintain an infrastructure in support of ICT-based research practices. It will explore and apply ICT-based methods and tools to enable new research, improve research opportunities through linking distributed digital source materials and tools, and exchange expertise, methodologies and practices across domains and disciplines. The aim of this poster is to present one of the four primary contact points of DARIAH, the Virtual Competency Center Research and Education Liaison (VCC2). We would like to inform the DH community of our aims and encourage researchers to contact us and explore cooperation opportunities. The VCC is led by Susan Schreibman (Trinity College Dublin, Ireland) and Erik Champion (DIGHUMLAB, Denmark). The VCC’s activities fall into four areas, each of which has a coordinator who serves as the primary contact point.

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    Ostseite vom Hauptplatz bei Nacht

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    Blick zum ehemaligen Anna Kinderspital

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    Authors: Hausmann, Frank-Rutger;
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    Authors: Straub, Wolfgang; Dürr, Claudia; Raunig, Elisabeth;

    Erik Jan Hanussen (1889–1933), österr. Trickkünstler, Hellseher, Hochstapler, der trotz jüdischer Herkunft die NSDAP bei ihrem Aufstieg unterstützte; die Umstände seines Todes nach der Verhaftung durch ein SA-Kommando sind nicht restlos geklärt, womöglich wurde ihm seine – bis dahin verborgen gehaltene jüdische Herkunft zum Verhängnis. »1933 töteten SA-Männer den populären Hochstapler Hanussen, der die Nazis gefördert und mit ihnen Orgien gefeiert hatte« (vgl. Schnelle 2018).

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    Authors: Hurch, Bernhard;
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    Wolfgang Kraus (1924–1998), Germanist, Kulturjournalist, gründete 1961 die Österreichische Gesellschaft für Literatur, deren Leiter er bis 1994 war. Kraus war in vielen Literaturjurys Mitglied und als Konsulent für Verlage tätig, 1975–1981 Leitung der „kulturellen Kontaktstelle“ im Außenministerium, Betreuung von Literatursendungen in Rundfunk und Fernsehen.

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    GAMS
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Dominique VINCK;

    Definitional work is never neutral. On the contrary, it is full of issues. The definition of digital humanities is no exception to the rule. The article thus shows that the definition consisting in circumscribing a set of entities that will be included and distinguishing between them and what is excluded, also leads to the configuration of the included vs. excluded collectives, their identity, belonging and the distribution of resources. The definitional work observed in the digital humanities arenas thus appears to be loaded with issues, which is documented in relation to research collectives and professional circles in culture, heritage and the humanities and social sciences. The article also shows that the definitional work puts the included entities on an equal footing, but that internal differentiations and relationships of hegemony between the collectives involved persist. Finally, it also shows that the definitional work is linked to the production of promises and the enunciation of risks associated with the deployment of digital technology, which must be included or excluded.

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    Authors: Agosti, Maristella;
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    Authors: Schöch, Christof; Dallas, Costis; Munson, Matt; Tasovac, Toma; +5 Authors

    DARIAH (Digital Research Infrastructure for the Arts in Humanities — http://dariah.eu) is a large-scale, long-term, pan-European endeavor aiming to enhance and support digitally-enabled research across the arts and humanities. DARIAH aims to develop and maintain an infrastructure in support of ICT-based research practices. It will explore and apply ICT-based methods and tools to enable new research, improve research opportunities through linking distributed digital source materials and tools, and exchange expertise, methodologies and practices across domains and disciplines. The aim of this poster is to present one of the four primary contact points of DARIAH, the Virtual Competency Center Research and Education Liaison (VCC2). We would like to inform the DH community of our aims and encourage researchers to contact us and explore cooperation opportunities. The VCC is led by Susan Schreibman (Trinity College Dublin, Ireland) and Erik Champion (DIGHUMLAB, Denmark). The VCC’s activities fall into four areas, each of which has a coordinator who serves as the primary contact point.

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    Ostseite vom Hauptplatz bei Nacht

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    Blick zum ehemaligen Anna Kinderspital

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    Authors: Hausmann, Frank-Rutger;
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    Authors: Straub, Wolfgang; Dürr, Claudia; Raunig, Elisabeth;

    Erik Jan Hanussen (1889–1933), österr. Trickkünstler, Hellseher, Hochstapler, der trotz jüdischer Herkunft die NSDAP bei ihrem Aufstieg unterstützte; die Umstände seines Todes nach der Verhaftung durch ein SA-Kommando sind nicht restlos geklärt, womöglich wurde ihm seine – bis dahin verborgen gehaltene jüdische Herkunft zum Verhängnis. »1933 töteten SA-Männer den populären Hochstapler Hanussen, der die Nazis gefördert und mit ihnen Orgien gefeiert hatte« (vgl. Schnelle 2018).

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    Authors: Hurch, Bernhard;
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    Wolfgang Kraus (1924–1998), Germanist, Kulturjournalist, gründete 1961 die Österreichische Gesellschaft für Literatur, deren Leiter er bis 1994 war. Kraus war in vielen Literaturjurys Mitglied und als Konsulent für Verlage tätig, 1975–1981 Leitung der „kulturellen Kontaktstelle“ im Außenministerium, Betreuung von Literatursendungen in Rundfunk und Fernsehen.

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    Other literature type . 2018
    License: CC BY
    Data sources: GAMS
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ GAMSarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      GAMS
      Other literature type . 2018
      License: CC BY
      Data sources: GAMS
      addClaim

      This Research product is the result of merged Research products in OpenAIRE.

      You have already added works in your ORCID record related to the merged Research product.