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description Publicationkeyboard_double_arrow_right Article 2019 France, BelgiumPublisher:Elsevier BV Authors: Groenen, Marc; Groenen, Marie-Christine;Groenen, Marc; Groenen, Marie-Christine;The iconographic, formal and technical analysis of the decoration elements of El Castillo and La Pasiega (Cantabria) highlights a heterogeneous distribution of the main themes, with distribution logics that are very different in each of the caves. In El Castillo, the main themes appear in distinct sectors, each one containing a central area with a high density of motifs and an end that sets its limit. Consequently, the decoration appears as a mosaic formed of small sets of motifs. In contrast, using the same analysis criteria for the cave of La Pasiega shows that, besides motifs of the same type spread in the network space, there are more structured decorated sets. The set of Gallery A shows an increasing number of motifs from the beginning to the end of the sector, with a maximum density at the level of the back areas. In turn, the set of Gallery B comprises animal figures that stood out all the more to the viewers that they were illuminated by natural light. Whereas the decoration of Gallery A is organised in the manner of deep sanctuaries, the ornamentation of the Salle du Mégacéros of Gallery B falls rather in the logic of open-air sanctuaries. info:eu-repo/semantics/published SCOPUS: ar.j
DI-fusion arrow_drop_down Journal of Archaeological Science ReportsArticle . 2019 . Peer-reviewedLicense: Elsevier TDMData sources: CrossrefMémoires en Sciences de l'Information et de la CommunicationArticle . 2019Full-Text: https://hal.science/hal-02612311/documentadd ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.1016/j.jasrep.2019.102055&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eu2 citations 2 popularity Average influence Average impulse Average Powered by BIP!more_vert DI-fusion arrow_drop_down Journal of Archaeological Science ReportsArticle . 2019 . Peer-reviewedLicense: Elsevier TDMData sources: CrossrefMémoires en Sciences de l'Information et de la CommunicationArticle . 2019Full-Text: https://hal.science/hal-02612311/documentadd ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.1016/j.jasrep.2019.102055&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 2019 FrenchPublisher:Ministère de la Culture et de la Communication Authors: Bartette, Titien; Rosso, Emmanuelle;Bartette, Titien; Rosso, Emmanuelle;International audience; The Augustan Theatre of the Roman city of Arausio (Orange, France) is the only one in the Roman West to have preserved its entire stage building; however, it is now completely stripped of the rich marble decoration that originally adorned it. While thousands of fragments of this decoration have survived, it is paradoxically difficult to propose a global restitution, due to the conservation conditions, the presence of ancient restorations and the extreme fragmentation of the remains. As a step of the new researches on the theatre undertaken in 2000, the use of digital imaging to study the figurative set has made it possible to overcome some of these obstacles: the digitisation and gathering of fragments of certain friezes in the same virtual space thanks to the development of a dedicated software tool has considerably facilitated observations, comparisons and restitution proposals. In a second step, the integration of these friezes into the orders of the scaenae fronscould be considered. Whether based on technical criteria (tool traces, fixing mortices, etc.), iconographic or stylistic criteria (determination of characteristic rhythms, volumetric comparisons, restoration of figurative sequences, etc.), the application of these technologies has not only provided an unparalleled visualization tool to date, but also allowed the multiplication of restitution hypotheses and their validation.; Le théâtre augustéen d’Orange est le seul dans l’Occident romain à avoir conservé l’intégralité de son bâtiment de scène ; il est cependant aujourd’hui entièrement dépouillé du riche décor de marbre qui le parait à l’origine. Alors que des milliers de fragments de cette parure nous sont parvenus, il est paradoxalement difficile d’en proposer une restitution complète, du fait des conditions de conservation, de la présence de restaurations anciennes et de l’état de fragmentation extrême des vestiges. Dans la continuité de la nouvelle étude du théâtre entreprise en 2000, le recours à l’imagerie numérique pour l’étude du décor figuré a permis de dépasser une partie de ces obstacles : la numérisation et la réunion des fragments de certaines frises dans un même espace virtuel grâce à la mise au point d’un outil logiciel dédié a facilité considérablement observations, comparaisons, rapprochements et propositions de restitution. Dans un second temps, l’intégration de ces frises aux ordres du mur de scène a pu être envisagée. Qu’elle se soit fondée sur des critères techniques (relevé des traces d’outil, des mortaises de fixation, etc.), iconographiques ou stylistiques (détermination de rythmes et d’alternances caractéristiques, comparaisons volumétriques, restaurations de séquences figuratives, etc.), l’application de ces technologies aura non seulement fourni un outil de visualisation sans équivalent jusqu’à présent, mais aussi permis la multiplication des hypothèses de restitution et leur validation sans avoir à manipuler ou à déplacer les fragments.
OpenEdition; In Situ... arrow_drop_down All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=doajarticles::03da7dc6e433bd534d355a319d5fd70c&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eu0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert OpenEdition; In Situ... arrow_drop_down All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=doajarticles::03da7dc6e433bd534d355a319d5fd70c&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 2018 FrenchPublisher:HAL CCSD Authors: Gril-Mariotte, Aziza;Gril-Mariotte, Aziza;International audience; Between the 1800’s and the 1840’s the printed textile manufactories in France have seized the theme of monuments representation, often associated to a country or a capital. This fascination for architecture leads emblematic images of countries – China, Egypt, Italia – or large capitals, especially Paris. If these images invite to a travel, imaginary or real, monuments are a way to incarnate a monumentalized history. In the politic context of the end of the Empire and the Restoration’s advent, these patterns feed a vision of France history where nostalgia of old time is a pretext to maintain political ideas. But these fabrics intended to bed’s manufacture have first as purpose to seduce consumers by offering them a travel.; Dès le XVIII e siècle, les motifs d'architecture ont participé à l'élaboration des compositions de « meubles à personnages », c'est-à-dire des toiles figuratives imprimées à la plaque de cuivre en une seule couleur, connues sous le terme éponyme de toile de Jouy 1. Cette technique d'impression, mise au point à partir des procédés de l'estampe et importée d'Angleterre, favorise l'apparition d'un nouvel art textile qui se caractérise par de grands dessins paysagers 2. Dans cette esthétique empruntée à la peinture de paysage, l'architecture sert de décor, parfois elle contribue à situer un espace. Ces motifs restent des éléments secondaires et anecdotiques dans un récit qui privilégie les relations entre les personnages et les situations pittoresques. Des bâtiments dans les jardins ou dans les scènes de vie à la campagne agrémentent ces nouvelles étoffes dans lesquelles la disposition des saynètes participe à la recherche de profondeur sur le fond écru de la toile. Au début du XIX e siècle, les meubles à personnages connaissent un profond renouvellement, passant de scènes bucoliques à des décors néoclassiques. L'évolution des thèmes s'accompagne d'une transformation décorative, le principe des saynètes dans un paysage laisse place à des compositions symétriques sur un fond orné. Le goût à l'antique, la littérature ou les monuments sont des thèmes à la mode. Les dessinateurs accordent une attention nouvelle aux sites historiques et aux vues de villes pour des motifs destinés à orner les murs et à fabriquer des lits. Cette profusion de monuments se manifeste de plusieurs manières, la valeur accordée à l'architecture évolue, entre souvenirs de voyages, références historiques et artistiques ou symboles politiques. Les choix des manufacturiers montrent que ces décors se trouvent investis d'une nouvelle signification, cherchant à séduire un large public. Ce phénomène s'accentue dans les années 1820 lorsque ces étoffes figuratives qui ont séduit la petite bourgeoisie par leurs prix abordables deviennent des produits très bon marché. L'analyse des propositions iconographiques et artistiques des fabricants permet d'appréhender cet engouement pour la représentation de l'architecture dans les toiles imprimées et son évolution durant la première moitié du XIX e siècle.
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For further information contact us at helpdesk@openaire.eu0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od_______212::996a310287a713ec0c610cafcf2359b2&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 2017 FrancePublisher:Institute of Archaeology of the CAS - Prague, v.v.i. Authors: Pioffet, Hélène; Ard, Vincent;Pioffet, Hélène; Ard, Vincent;doi: 10.35686/ar.2017.17
The British Neolithic transition, occurring around 4000 BC, at least one millennium after the continental part of Northwest Europe, is still subject to important debate these days. Various studies suggest that the Neolithic start involved farming immigrants from various parts of the Continent. However, ceramics of the Early Neolithic of Britain became increasingly distinct from their Continental roots, particularly in the Southwest and Southeast of England. We recently completed two important projects, one on Early Neolithic British and Irish pottery and the other on Peterborough Ware, integrating a new way of considering these early productions through a technological approach and the observation of various steps of the chaîne opératoire. This paper is the opportunity to present preliminary results which shed a new light on the evolution of pottery wares during the fourth millennium BC in Southern Britain. It specifically highlights strong connections between Early Neolithic and Middle Neolithic pottery, in terms of style, but above in terms of manufacturing techniques.
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You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.35686/ar.2017.17&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.euAccess Routeshybrid 0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert add ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
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For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 2017 FrancePublisher:OpenEdition Authors: Dumons, Bruno;Dumons, Bruno;doi: 10.4000/cdlm.8554
En choisissant de mettre à l’honneur des citoyens modèles, notamment grâce à la technique des décorations, la Troisième République a recours à une pédagogie par l’exemple pour installer durablement une culture méritocratique dans la société française. Pour cela, elle invente de nouvelles médailles tout en s’appropriant celles qui avaient été créées sous les régimes précédents comme la plus prestigieuse d’entre elles : la Légion d’Honneur (1802). Si l’historiographie des usages symboliques de la République a été rendue solide avec les travaux de Maurice Agulhon sur la Provence, moins connues sont ces « élites de l’honneur » dont les archives publiques ont conservé les traces. En explorant le célèbre « Var rouge », il nous a été permis de cerner le profil de ces élites méditerranéennes que l’État républicain a souhaité honorer entre 1870 et 1940. Parmi celles-ci, se distingue la catégorie des maires, en particulier ces « bons maires » qui œuvrent pour la « républicanisation » de la société. Ce sont quelques-unes de ces personnalités qui seront présentées dans ce chapitre. In designating model citizens through processes like decorations, the French Third Republic set examples to establish a culture of meritocracy in French society. It invented new medals and appropriated existing ones created by former regimes, including the most prestigious of all: the Légion d’Honneur (1802).Although the historiography of the Republic’s symbolic practices has been augmented by Maurice Agulhon’s works on Provence, this “elite of honour” whose trace remained in public archives is not well known. We explored the “Var rouge” (the predominantly left-wing Var département) to study the profiles of this Mediterranean elite which was honoured by the Republican state between 1870 and 1940. These include the category of mayors, in particular the “bons maires” who contributed to the “republicanisation” of society. This chapter presents a few of these personalities.
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For further information contact us at helpdesk@openaire.euAccess Routesgold 0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert add ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.4000/cdlm.8554&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 2021 EnglishPublisher:Türk Arkeoloji ve Kültürel Miras Enstitüsü Authors: Durocher, Maxime;Durocher, Maxime;1370–1410 yılları arasında Dazya’da inşa edilen Lulu bin Abdullah ve Tokat’ta inşa edilen Horozoğlu Ahmed Bey dergahlarının bazı bölümleri, göze çarpan benzerliklere sahip zarif ustuka süslemelerle bezelidir. Bu derlemede, Orta Çağ Anadolusu’nda, günümüzde bile çalışmalarda hak ettiği yeri bulamayan ustuka üretiminin yanı sıra Eretna Beyliği topraklarında, Osmanlı hakimiyetiyle birlikte girilen geçiş dönemi dergah mimarisinde tek tipleşme ele alınmıştır. Orta ve Doğu Karadeniz bölgelerinden bu iki örnek olay incelemesine odaklanan makale, ustuka imalatının köklerinin yerel geleneklere dayandığını savunmaktadır. Buna ek olarak, söz konusu süslemelere Osmanlı’nın ilk yıllarında inşa edilen dergahlarda da rastlanması, bölgesel ölçekte sanatsal etkileşimler ve bilgi alışverişi konularını açıklığa kavuşturarak Orta Anadolu’nun Orta Çağı’nı Osmanlı İmparatorluğu’nun doğuş döneminden keskin bir çizgiyle ayıran tarihi sınırı ortadan kaldırmaktadır. Built between the 1370s and the 1410s, the dervish lodges of Lulu ibn ʿAbdallah in Tazya and of Horozoğlu Ahmed Bey in Tokat are partially ornamented with refined stucco decorations that have remarkable similarities. This corpus illustrates the production of stucco in medieval Anatolia, a material still understudied, as well as the progressive standardization of the architecture of dervish lodges during a transitional period that witnessed the emergence of the Ottomans in the former Eretnid realm. Focusing on these two case studies from the Inner Pontos region, this paper argues that such production is rooted at the local scale. Moreover, the study of such ornamentation also present in early Ottoman dervish lodges sheds new light on the artistic exchanges and circulations at a regional scale, deconstructing the historiographic border isolating central Anatolia from the emerging Ottoman Empire.
TÜBİTAK ULAKBİM Derg... arrow_drop_down All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=tubitakulakb::a2986ed1176df462d706a10a9af401b7&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eu0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert TÜBİTAK ULAKBİM Derg... arrow_drop_down All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=tubitakulakb::a2986ed1176df462d706a10a9af401b7&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 2018 FrancePublisher:Brill Authors: Porter, Yves;Porter, Yves;Abstract The Shahi ʿIdgah at Rapri (Uttar Pradesh), which dates to 1312, was built by Malik Kafur, the general of the Delhi sultan ʿAlaʾuddin Khalji (1296–1316). The village of Rapri was part of Malik Kafur’s fief and an important station for the army, as it commanded a ford on the Yamuna River. ʿĪdgāhs, sometimes translated as “wall-mosques,” are extra-urban, open prayer spaces for accommodating large congregations during the two main religious festivals (ʿīds). The Rapri ʿīdgāh constitutes a major landmark in the architecture of the Delhi Sultanate, mainly because of its exceptional decoration of turquoise-glazed tiles, the oldest example of its kind still in situ. Although often considered a technique that originated in the Iranian domains, the making of glazed tiles was already known in the Kushan period (first to fourth century CE), and some findings have been excavated from Buddhist contexts in the nearby Mathura region. This study shows the link between the tiles of Rapri and later fourteenth century examples, and with glazed pottery.
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For further information contact us at helpdesk@openaire.euAccess Routesbronze 0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert add ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.1163/22118993_03501p012&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Preprint , Article 2021Publisher:Elsevier BV Authors: Mainak Saha;Mainak Saha;Solute decoration at grain boundaries (GB) leads to a number of phenomenon such as changes in interface structure, mobility, cohesion etc. Recent experimental investigations on interfacial segregation in steels are based on microstructural characterisation using two correlative methodologies, namely, Transmission Electron Microscopy-Atom Probe Tomography (APT) and Electron Backscatter Diffraction-APT. Considering the growing interest in this avenue, the present review is aimed at addressing the common adsorption isotherms used for quantifying interfacial segregation and providing an overview of the present state of experimental research in the area of GB segregation in steels. The areas where an understanding of GB segregation may be utilised have also been highlighted with a focus on the experimental challenges associated with understanding GB segregation in steels.
https://doi.org/10.3... arrow_drop_down arXiv.org e-Print ArchiveOther literature type . Preprint . 2022Data sources: arXiv.org e-Print ArchiveMémoires en Sciences de l'Information et de la CommunicationPreprint . 2022Full-Text: https://hal.science/hal-03643884/documentadd ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
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For further information contact us at helpdesk@openaire.euAccess RoutesGreen hybrid 1 citations 1 popularity Average influence Average impulse Average Powered by BIP!more_vert https://doi.org/10.3... arrow_drop_down arXiv.org e-Print ArchiveOther literature type . Preprint . 2022Data sources: arXiv.org e-Print ArchiveMémoires en Sciences de l'Information et de la CommunicationPreprint . 2022Full-Text: https://hal.science/hal-03643884/documentadd ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
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For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 2019Publisher:OpenEdition Authors: Ludovic Le Saux;Ludovic Le Saux;A few days before the opening of the exhibition on Edward Burne-Jones, Tate Britain released a tantalising trailer for this unique event, as no exhibition devoted to the Victorian artist had been held since 1998 – in his hometown, Birmingham – and for over forty years in London. Featuring three mesmerising tableaux vivants of pictures by Burne-Jones (Laus Veneris, Love among the Ruins, and The Rose Bower), the trailer highlights the approach adopted by Chief Curator Alison Smith, and Assistan...
Miranda: Revue Pluri... arrow_drop_down Miranda: Revue Pluridisciplinaire du Monde AnglophoneArticleLicense: CC BY NC NDData sources: UnpayWallMiranda: Revue Pluridisciplinaire du Monde AnglophoneArticle . 2019 . Peer-reviewedData sources: Crossrefadd ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
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For further information contact us at helpdesk@openaire.euAccess Routesgold 0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert Miranda: Revue Pluri... arrow_drop_down Miranda: Revue Pluridisciplinaire du Monde AnglophoneArticleLicense: CC BY NC NDData sources: UnpayWallMiranda: Revue Pluridisciplinaire du Monde AnglophoneArticle . 2019 . Peer-reviewedData sources: Crossrefadd ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
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For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 2018 FrancePublisher:Brill Authors: Porter, Yves; Castinel, Richard;Porter, Yves; Castinel, Richard;Abstract The Begumpuri or Jamiʿ (Friday) Masjid of Jahanpanah (Delhi) is an impressive monument built during the Tughluq period, circa 1343. Although often credited to Firuz Shah (1351–88), the mosque was probably ordered by Muhammad Shah Tughluq (1325–51), since it was situated next to his royal palace in the heart of his capital (Jahanpanah). The Begumpuri Masjid represents a particular phase in the sequence of Tughluq architecture, both for its plan and elevation, and for its architectural decoration. It has often been described as a “Persianate” four-iwan mosque, although such a designation seems inappropriate. This article explores the probable patronage of the mosque by Muhammad Tughluq and its siting at the center of Jahanpanah. The plan and elevation of the mosque are detailed, with a discussion on the possible models for the building, together with its vernacular characteristics. We then present a study of the architectural decoration, made in stone, stucco, and turquoise glazed tiles. The peculiar features of the Begumpuri Masjid make it a unique monument celebrating the grandeur of Muhammad Tughluq through its huge and void court, as well as in its mulūk khāna (Royal Loggia).
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You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
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For further information contact us at helpdesk@openaire.euAccess Routesbronze 0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert add ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
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description Publicationkeyboard_double_arrow_right Article 2019 France, BelgiumPublisher:Elsevier BV Authors: Groenen, Marc; Groenen, Marie-Christine;Groenen, Marc; Groenen, Marie-Christine;The iconographic, formal and technical analysis of the decoration elements of El Castillo and La Pasiega (Cantabria) highlights a heterogeneous distribution of the main themes, with distribution logics that are very different in each of the caves. In El Castillo, the main themes appear in distinct sectors, each one containing a central area with a high density of motifs and an end that sets its limit. Consequently, the decoration appears as a mosaic formed of small sets of motifs. In contrast, using the same analysis criteria for the cave of La Pasiega shows that, besides motifs of the same type spread in the network space, there are more structured decorated sets. The set of Gallery A shows an increasing number of motifs from the beginning to the end of the sector, with a maximum density at the level of the back areas. In turn, the set of Gallery B comprises animal figures that stood out all the more to the viewers that they were illuminated by natural light. Whereas the decoration of Gallery A is organised in the manner of deep sanctuaries, the ornamentation of the Salle du Mégacéros of Gallery B falls rather in the logic of open-air sanctuaries. info:eu-repo/semantics/published SCOPUS: ar.j
DI-fusion arrow_drop_down Journal of Archaeological Science ReportsArticle . 2019 . Peer-reviewedLicense: Elsevier TDMData sources: CrossrefMémoires en Sciences de l'Information et de la CommunicationArticle . 2019Full-Text: https://hal.science/hal-02612311/documentadd ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
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For further information contact us at helpdesk@openaire.eu2 citations 2 popularity Average influence Average impulse Average Powered by BIP!more_vert DI-fusion arrow_drop_down Journal of Archaeological Science ReportsArticle . 2019 . Peer-reviewedLicense: Elsevier TDMData sources: CrossrefMémoires en Sciences de l'Information et de la CommunicationArticle . 2019Full-Text: https://hal.science/hal-02612311/documentadd ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
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For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 2019 FrenchPublisher:Ministère de la Culture et de la Communication Authors: Bartette, Titien; Rosso, Emmanuelle;Bartette, Titien; Rosso, Emmanuelle;International audience; The Augustan Theatre of the Roman city of Arausio (Orange, France) is the only one in the Roman West to have preserved its entire stage building; however, it is now completely stripped of the rich marble decoration that originally adorned it. While thousands of fragments of this decoration have survived, it is paradoxically difficult to propose a global restitution, due to the conservation conditions, the presence of ancient restorations and the extreme fragmentation of the remains. As a step of the new researches on the theatre undertaken in 2000, the use of digital imaging to study the figurative set has made it possible to overcome some of these obstacles: the digitisation and gathering of fragments of certain friezes in the same virtual space thanks to the development of a dedicated software tool has considerably facilitated observations, comparisons and restitution proposals. In a second step, the integration of these friezes into the orders of the scaenae fronscould be considered. Whether based on technical criteria (tool traces, fixing mortices, etc.), iconographic or stylistic criteria (determination of characteristic rhythms, volumetric comparisons, restoration of figurative sequences, etc.), the application of these technologies has not only provided an unparalleled visualization tool to date, but also allowed the multiplication of restitution hypotheses and their validation.; Le théâtre augustéen d’Orange est le seul dans l’Occident romain à avoir conservé l’intégralité de son bâtiment de scène ; il est cependant aujourd’hui entièrement dépouillé du riche décor de marbre qui le parait à l’origine. Alors que des milliers de fragments de cette parure nous sont parvenus, il est paradoxalement difficile d’en proposer une restitution complète, du fait des conditions de conservation, de la présence de restaurations anciennes et de l’état de fragmentation extrême des vestiges. Dans la continuité de la nouvelle étude du théâtre entreprise en 2000, le recours à l’imagerie numérique pour l’étude du décor figuré a permis de dépasser une partie de ces obstacles : la numérisation et la réunion des fragments de certaines frises dans un même espace virtuel grâce à la mise au point d’un outil logiciel dédié a facilité considérablement observations, comparaisons, rapprochements et propositions de restitution. Dans un second temps, l’intégration de ces frises aux ordres du mur de scène a pu être envisagée. Qu’elle se soit fondée sur des critères techniques (relevé des traces d’outil, des mortaises de fixation, etc.), iconographiques ou stylistiques (détermination de rythmes et d’alternances caractéristiques, comparaisons volumétriques, restaurations de séquences figuratives, etc.), l’application de ces technologies aura non seulement fourni un outil de visualisation sans équivalent jusqu’à présent, mais aussi permis la multiplication des hypothèses de restitution et leur validation sans avoir à manipuler ou à déplacer les fragments.
OpenEdition; In Situ... arrow_drop_down All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=doajarticles::03da7dc6e433bd534d355a319d5fd70c&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eu0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert OpenEdition; In Situ... arrow_drop_down All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=doajarticles::03da7dc6e433bd534d355a319d5fd70c&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 2018 FrenchPublisher:HAL CCSD Authors: Gril-Mariotte, Aziza;Gril-Mariotte, Aziza;International audience; Between the 1800’s and the 1840’s the printed textile manufactories in France have seized the theme of monuments representation, often associated to a country or a capital. This fascination for architecture leads emblematic images of countries – China, Egypt, Italia – or large capitals, especially Paris. If these images invite to a travel, imaginary or real, monuments are a way to incarnate a monumentalized history. In the politic context of the end of the Empire and the Restoration’s advent, these patterns feed a vision of France history where nostalgia of old time is a pretext to maintain political ideas. But these fabrics intended to bed’s manufacture have first as purpose to seduce consumers by offering them a travel.; Dès le XVIII e siècle, les motifs d'architecture ont participé à l'élaboration des compositions de « meubles à personnages », c'est-à-dire des toiles figuratives imprimées à la plaque de cuivre en une seule couleur, connues sous le terme éponyme de toile de Jouy 1. Cette technique d'impression, mise au point à partir des procédés de l'estampe et importée d'Angleterre, favorise l'apparition d'un nouvel art textile qui se caractérise par de grands dessins paysagers 2. Dans cette esthétique empruntée à la peinture de paysage, l'architecture sert de décor, parfois elle contribue à situer un espace. Ces motifs restent des éléments secondaires et anecdotiques dans un récit qui privilégie les relations entre les personnages et les situations pittoresques. Des bâtiments dans les jardins ou dans les scènes de vie à la campagne agrémentent ces nouvelles étoffes dans lesquelles la disposition des saynètes participe à la recherche de profondeur sur le fond écru de la toile. Au début du XIX e siècle, les meubles à personnages connaissent un profond renouvellement, passant de scènes bucoliques à des décors néoclassiques. L'évolution des thèmes s'accompagne d'une transformation décorative, le principe des saynètes dans un paysage laisse place à des compositions symétriques sur un fond orné. Le goût à l'antique, la littérature ou les monuments sont des thèmes à la mode. Les dessinateurs accordent une attention nouvelle aux sites historiques et aux vues de villes pour des motifs destinés à orner les murs et à fabriquer des lits. Cette profusion de monuments se manifeste de plusieurs manières, la valeur accordée à l'architecture évolue, entre souvenirs de voyages, références historiques et artistiques ou symboles politiques. Les choix des manufacturiers montrent que ces décors se trouvent investis d'une nouvelle signification, cherchant à séduire un large public. Ce phénomène s'accentue dans les années 1820 lorsque ces étoffes figuratives qui ont séduit la petite bourgeoisie par leurs prix abordables deviennent des produits très bon marché. L'analyse des propositions iconographiques et artistiques des fabricants permet d'appréhender cet engouement pour la représentation de l'architecture dans les toiles imprimées et son évolution durant la première moitié du XIX e siècle.
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For further information contact us at helpdesk@openaire.eu0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=od_______212::996a310287a713ec0c610cafcf2359b2&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 2017 FrancePublisher:Institute of Archaeology of the CAS - Prague, v.v.i. Authors: Pioffet, Hélène; Ard, Vincent;Pioffet, Hélène; Ard, Vincent;doi: 10.35686/ar.2017.17
The British Neolithic transition, occurring around 4000 BC, at least one millennium after the continental part of Northwest Europe, is still subject to important debate these days. Various studies suggest that the Neolithic start involved farming immigrants from various parts of the Continent. However, ceramics of the Early Neolithic of Britain became increasingly distinct from their Continental roots, particularly in the Southwest and Southeast of England. We recently completed two important projects, one on Early Neolithic British and Irish pottery and the other on Peterborough Ware, integrating a new way of considering these early productions through a technological approach and the observation of various steps of the chaîne opératoire. This paper is the opportunity to present preliminary results which shed a new light on the evolution of pottery wares during the fourth millennium BC in Southern Britain. It specifically highlights strong connections between Early Neolithic and Middle Neolithic pottery, in terms of style, but above in terms of manufacturing techniques.
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You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.35686/ar.2017.17&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.euAccess Routeshybrid 0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert add ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.35686/ar.2017.17&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 2017 FrancePublisher:OpenEdition Authors: Dumons, Bruno;Dumons, Bruno;doi: 10.4000/cdlm.8554
En choisissant de mettre à l’honneur des citoyens modèles, notamment grâce à la technique des décorations, la Troisième République a recours à une pédagogie par l’exemple pour installer durablement une culture méritocratique dans la société française. Pour cela, elle invente de nouvelles médailles tout en s’appropriant celles qui avaient été créées sous les régimes précédents comme la plus prestigieuse d’entre elles : la Légion d’Honneur (1802). Si l’historiographie des usages symboliques de la République a été rendue solide avec les travaux de Maurice Agulhon sur la Provence, moins connues sont ces « élites de l’honneur » dont les archives publiques ont conservé les traces. En explorant le célèbre « Var rouge », il nous a été permis de cerner le profil de ces élites méditerranéennes que l’État républicain a souhaité honorer entre 1870 et 1940. Parmi celles-ci, se distingue la catégorie des maires, en particulier ces « bons maires » qui œuvrent pour la « républicanisation » de la société. Ce sont quelques-unes de ces personnalités qui seront présentées dans ce chapitre. In designating model citizens through processes like decorations, the French Third Republic set examples to establish a culture of meritocracy in French society. It invented new medals and appropriated existing ones created by former regimes, including the most prestigious of all: the Légion d’Honneur (1802).Although the historiography of the Republic’s symbolic practices has been augmented by Maurice Agulhon’s works on Provence, this “elite of honour” whose trace remained in public archives is not well known. We explored the “Var rouge” (the predominantly left-wing Var département) to study the profiles of this Mediterranean elite which was honoured by the Republican state between 1870 and 1940. These include the category of mayors, in particular the “bons maires” who contributed to the “republicanisation” of society. This chapter presents a few of these personalities.
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For further information contact us at helpdesk@openaire.euAccess Routesgold 0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert add ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.4000/cdlm.8554&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 2021 EnglishPublisher:Türk Arkeoloji ve Kültürel Miras Enstitüsü Authors: Durocher, Maxime;Durocher, Maxime;1370–1410 yılları arasında Dazya’da inşa edilen Lulu bin Abdullah ve Tokat’ta inşa edilen Horozoğlu Ahmed Bey dergahlarının bazı bölümleri, göze çarpan benzerliklere sahip zarif ustuka süslemelerle bezelidir. Bu derlemede, Orta Çağ Anadolusu’nda, günümüzde bile çalışmalarda hak ettiği yeri bulamayan ustuka üretiminin yanı sıra Eretna Beyliği topraklarında, Osmanlı hakimiyetiyle birlikte girilen geçiş dönemi dergah mimarisinde tek tipleşme ele alınmıştır. Orta ve Doğu Karadeniz bölgelerinden bu iki örnek olay incelemesine odaklanan makale, ustuka imalatının köklerinin yerel geleneklere dayandığını savunmaktadır. Buna ek olarak, söz konusu süslemelere Osmanlı’nın ilk yıllarında inşa edilen dergahlarda da rastlanması, bölgesel ölçekte sanatsal etkileşimler ve bilgi alışverişi konularını açıklığa kavuşturarak Orta Anadolu’nun Orta Çağı’nı Osmanlı İmparatorluğu’nun doğuş döneminden keskin bir çizgiyle ayıran tarihi sınırı ortadan kaldırmaktadır. Built between the 1370s and the 1410s, the dervish lodges of Lulu ibn ʿAbdallah in Tazya and of Horozoğlu Ahmed Bey in Tokat are partially ornamented with refined stucco decorations that have remarkable similarities. This corpus illustrates the production of stucco in medieval Anatolia, a material still understudied, as well as the progressive standardization of the architecture of dervish lodges during a transitional period that witnessed the emergence of the Ottomans in the former Eretnid realm. Focusing on these two case studies from the Inner Pontos region, this paper argues that such production is rooted at the local scale. Moreover, the study of such ornamentation also present in early Ottoman dervish lodges sheds new light on the artistic exchanges and circulations at a regional scale, deconstructing the historiographic border isolating central Anatolia from the emerging Ottoman Empire.
TÜBİTAK ULAKBİM Derg... arrow_drop_down All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=tubitakulakb::a2986ed1176df462d706a10a9af401b7&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eu0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert TÜBİTAK ULAKBİM Derg... arrow_drop_down All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=tubitakulakb::a2986ed1176df462d706a10a9af401b7&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 2018 FrancePublisher:Brill Authors: Porter, Yves;Porter, Yves;Abstract The Shahi ʿIdgah at Rapri (Uttar Pradesh), which dates to 1312, was built by Malik Kafur, the general of the Delhi sultan ʿAlaʾuddin Khalji (1296–1316). The village of Rapri was part of Malik Kafur’s fief and an important station for the army, as it commanded a ford on the Yamuna River. ʿĪdgāhs, sometimes translated as “wall-mosques,” are extra-urban, open prayer spaces for accommodating large congregations during the two main religious festivals (ʿīds). The Rapri ʿīdgāh constitutes a major landmark in the architecture of the Delhi Sultanate, mainly because of its exceptional decoration of turquoise-glazed tiles, the oldest example of its kind still in situ. Although often considered a technique that originated in the Iranian domains, the making of glazed tiles was already known in the Kushan period (first to fourth century CE), and some findings have been excavated from Buddhist contexts in the nearby Mathura region. This study shows the link between the tiles of Rapri and later fourteenth century examples, and with glazed pottery.
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You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.1163/22118993_03501p012&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.euAccess Routesbronze 0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert add ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.1163/22118993_03501p012&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Preprint , Article 2021Publisher:Elsevier BV Authors: Mainak Saha;Mainak Saha;Solute decoration at grain boundaries (GB) leads to a number of phenomenon such as changes in interface structure, mobility, cohesion etc. Recent experimental investigations on interfacial segregation in steels are based on microstructural characterisation using two correlative methodologies, namely, Transmission Electron Microscopy-Atom Probe Tomography (APT) and Electron Backscatter Diffraction-APT. Considering the growing interest in this avenue, the present review is aimed at addressing the common adsorption isotherms used for quantifying interfacial segregation and providing an overview of the present state of experimental research in the area of GB segregation in steels. The areas where an understanding of GB segregation may be utilised have also been highlighted with a focus on the experimental challenges associated with understanding GB segregation in steels.
https://doi.org/10.3... arrow_drop_down arXiv.org e-Print ArchiveOther literature type . Preprint . 2022Data sources: arXiv.org e-Print ArchiveMémoires en Sciences de l'Information et de la CommunicationPreprint . 2022Full-Text: https://hal.science/hal-03643884/documentadd ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.2139/ssrn.4067249&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.euAccess RoutesGreen hybrid 1 citations 1 popularity Average influence Average impulse Average Powered by BIP!more_vert https://doi.org/10.3... arrow_drop_down arXiv.org e-Print ArchiveOther literature type . Preprint . 2022Data sources: arXiv.org e-Print ArchiveMémoires en Sciences de l'Information et de la CommunicationPreprint . 2022Full-Text: https://hal.science/hal-03643884/documentadd ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.2139/ssrn.4067249&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 2019Publisher:OpenEdition Authors: Ludovic Le Saux;Ludovic Le Saux;A few days before the opening of the exhibition on Edward Burne-Jones, Tate Britain released a tantalising trailer for this unique event, as no exhibition devoted to the Victorian artist had been held since 1998 – in his hometown, Birmingham – and for over forty years in London. Featuring three mesmerising tableaux vivants of pictures by Burne-Jones (Laus Veneris, Love among the Ruins, and The Rose Bower), the trailer highlights the approach adopted by Chief Curator Alison Smith, and Assistan...
Miranda: Revue Pluri... arrow_drop_down Miranda: Revue Pluridisciplinaire du Monde AnglophoneArticleLicense: CC BY NC NDData sources: UnpayWallMiranda: Revue Pluridisciplinaire du Monde AnglophoneArticle . 2019 . Peer-reviewedData sources: Crossrefadd ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.4000/miranda.19509&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.euAccess Routesgold 0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert Miranda: Revue Pluri... arrow_drop_down Miranda: Revue Pluridisciplinaire du Monde AnglophoneArticleLicense: CC BY NC NDData sources: UnpayWallMiranda: Revue Pluridisciplinaire du Monde AnglophoneArticle . 2019 . Peer-reviewedData sources: Crossrefadd ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.4000/miranda.19509&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eudescription Publicationkeyboard_double_arrow_right Article 2018 FrancePublisher:Brill Authors: Porter, Yves; Castinel, Richard;Porter, Yves; Castinel, Richard;Abstract The Begumpuri or Jamiʿ (Friday) Masjid of Jahanpanah (Delhi) is an impressive monument built during the Tughluq period, circa 1343. Although often credited to Firuz Shah (1351–88), the mosque was probably ordered by Muhammad Shah Tughluq (1325–51), since it was situated next to his royal palace in the heart of his capital (Jahanpanah). The Begumpuri Masjid represents a particular phase in the sequence of Tughluq architecture, both for its plan and elevation, and for its architectural decoration. It has often been described as a “Persianate” four-iwan mosque, although such a designation seems inappropriate. This article explores the probable patronage of the mosque by Muhammad Tughluq and its siting at the center of Jahanpanah. The plan and elevation of the mosque are detailed, with a discussion on the possible models for the building, together with its vernacular characteristics. We then present a study of the architectural decoration, made in stone, stucco, and turquoise glazed tiles. The peculiar features of the Begumpuri Masjid make it a unique monument celebrating the grandeur of Muhammad Tughluq through its huge and void court, as well as in its mulūk khāna (Royal Loggia).
add ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.1163/22118993_03501p005&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.euAccess Routesbronze 0 citations 0 popularity Average influence Average impulse Average Powered by BIP!more_vert add ClaimPlease grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.This Research product is the result of merged Research products in OpenAIRE.
You have already added works in your ORCID record related to the merged Research product.All Research productsarrow_drop_down <script type="text/javascript"> <!-- document.write('<div id="oa_widget"></div>'); document.write('<script type="text/javascript" src="https://www.openaire.eu/index.php?option=com_openaire&view=widget&format=raw&projectId=10.1163/22118993_03501p005&type=result"></script>'); --> </script>
For further information contact us at helpdesk@openaire.eu