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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Sala, Teresa-M. (Teresa Montserrat);

    Sovint resulta dificultós imaginar-se la forma de viure d'èpoques passades, i una de les maneres d'acostar-se a aquest univers de la privacitat por ser mitjançant les imatges reflectides pels artistes o bé a través de les descripcions literàries. No obstant això, una altra possible aproximació als escenaris quotidians es pot donar a partir de l'estudi del mobiliari, el qual sempre ha tingut una funció simbòlica alhora que utilitària. En aquest sentit, el terreny de les arts decoratives -àmbit en què bàsicament centrem les nostres investigacions- és el que més s'acosta als usos i costums d'una societat. Així, el propòsit d'aquestes breus línies és revelar com eren alguns dels mobles i dels interiors que dues famílies destacades de Sabadell, els Gorina i els Turull, van encomanar a la Casa Busquets al llarg del temps, amb l'objectiu d'aportar algunes dades sobre I'estil de vida, els gustos i els costums d'una època.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Revistes Catalanes a...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Revistes Catalanes a...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Campillo Cueva, Jacinto;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Pagador Manero, Alba;

    Aquest treball pretén ser un acostament al que fou la societat víking, comprendre la seva cultura, organització, tradicions i costums i, en especial, entendre com es va gestar l’art víking, el perquè de les seves formes i mostrar grans peces que ho exemplifiquin tot plegat, a més de presentar-ne d’altres amb influències foranies que posin de manifest l’influx que aquests van exercir als pobles amb els quals prengueren contacte i a l’inversa. Per això ha estat dividit en diferents apartats, inicialment ens preguntem qui era el poble víking i atès aquest motiu primerament acotem el concepte de víking parlant del terme en si mateix, de la seva organització social (amb els drets i deures pertinents, la importància de la família i els valors que seguien) i de la seva economia, parant especial atenció als intercanvis comercials amb els pobles estrangers, un dels pilars bàsics d’aquesta i que alhora fou un aspecte decisiu per l’art víking... Treballs Finals de Grau d'Història de l'Art, Facultat de Geografia i Història, Universitat de Barcelona, Curs: 2013-2014, Tutora: Maria Rosa Terés Tomàs

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Moreno Padilla, María Isabel;

    En los últimos años se han llevado a cabo numerosos estudios sobre iconografía vascular en época ibérica que han permitido crear, entre otras cuestiones, diferentes modelos teóricos y metodológicos que inciden en el papel que juega la decoración cerámica en el desarrollo de las prácticas sociales. Partiendo de estos planteamientos, y siendo nuestro objeto de estudio la decoración geométrica y abstracta sobre este mismo soporte, se presenta una revisión historiográfica y bibliográfica de aquellos conceptos que articulan, condicionan y estructuran el diseño decorativo. Para ello, analizaremos diferentes aspectos relacionados con la naturaleza de los programas decorativos o la industria de la pintura alfarera en diferentes regiones de la Cultura Ibérica. In last year there have been numerous studies on pottery iconography in the Iberian period. These studies have created theoretical and methodological models that emphasize the role that the ceramic decoration has in the development of social practices. Our attempt is the analysis of geometrical and abstract decoration and for this reason we introduce a historiography and literature review of those concepts that articulate, determine and structure the decorative design. Through the analysis of various issues related to the nature of the decorative programs or painting pottery industry, we explore the value of decoration in the social use of ceramics in different regions of Iberian Culture.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repositorio de Objet...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repositorio de Objet...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Santaeugènia Geronés, Sílvia;

    El Pavelló dels Artistes Reunits dins de l’Exposició Internacional de Barcelona de 1929 neix com una resposta d’alguns dels artistes vinculats al Foment de les Arts Decoratives de deslligar-se del plantejament acadèmic del Palau Oficial de les Arts Decoratives i de crear la seva pròpia manifestació, proposant un ideal de la llar moderna. L’edifici arquitectònic és obra de Jaume Mestres i Fossas i el programa organitzatiu del decorador Santiago Marco. Quan es va plantejar l'objecte d'estudi per abordar-lo en forma de tesi de màster, es tenia clar que es volia enfocar cap a l’estudi de les arts decoratives dels anys vint i trenta dins del marc de la corrent art déco a Catalunya i particularitzar en l’anàlisi dels espais interiors déco. Des d’un primer moment érem conscients que la importància del moviment modernista acaba eclipsant sempre el moviment art déco. Igualment, a nivell historiogràfic succeeix el mateix, ja que el modernisme català ha estat abastament estudiat, mentre que pel que fa a l’art déco a Catalunya, tot i que hi ha alguns estudis importants que referenciarem a l'estat de la qüestió, segueixen mancant aportacions que continuïn aprofundint a partir de noves investigacions. Quan hem començat a analitzar l’estudi dels interiors vinculats a l’art déco a Catalunya, ens hem adonat que aquests són pràcticament inexistents. Màster Oficial en Estudis Avançats en Història de l'Art. Facultat de Geografia i Història de la UB. Curs: 2014-2015, Tutora: Mireia Freixa Serra

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Jarrega i Domínguez, Ramón;

    [ES] Presentamos aquí un fragmento inédito de sigillata africana con decoración aplicada hallado en Londres y conservado en el museo británico. Este fragmento nos permite documentar la llegada de este tipo de cerámicas a Gran Bretaña durante la Antigüedad Tardía [EN] We present here an unpublished sherd of African Red Slip Ware with applicated decoration found in London an preserved in the British Museum. This sherd allows us to Know that this kind of pottery reached Britain during the Late Roman Empire. Peer reviewed

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivo Español de A...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    DOAJ
    Article . 1991
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivo Español de A...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Article . 1991
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Lara Íñiguez Berrozpe;

    A continuación presentamos un análisis del aparato pictórico presente en la capilla para culto doméstico, el sacrarium, hallada in situ en la Casa del Larario del yacimiento romano de Bilbilis. Una banal decoración pictórica permitió que la atención del espectador se centrara en la ornamentación figurada realizada en estuco. Así, una serie de personajes mitológicos, transmisores de un lenguaje simbólico totalmente intencionado, interceptan las molduras y cornisas que en su día recorrieron y por tanto decoraron dicha estancia y también el larario que a modo de altar estaba inserto al fondo del ambiente objeto de nuestro estudio. We present an analysis of the pictorial set from the chapel for domestic worship, sacrarium, found in situ at the House of Larario in the Roman site of Bilbilis. A banal pictorial decoration allowed the viewer’s attention to focus on figurative decoration made of stucco. Thus, a series of mythological characters, completely intentional transmitters of symbolic language, intercept moldings and cornices that once roamed and, because of that, they decorated that stay, and also the Larario as an altar that was inserted at the bottom of the environment of our object of study.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivo Español de A...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    DOAJ
    Article . 2016
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    Authors: Caballero Zoreda, Luis; Sáez Lara, Fernando;

    [ES] La estratigrafia aplicada al estudio de los edificios históricos está sentando las bases para una comprensión e interpretación renovadas de la arquitectura y la escultura. La decoración deja de ser un elemento que puede desgajarse de su contexto para analizarse individualmente en busca de cronologías y luego reintegrarlo en el marco arquitectónico. La escultura arquitectónica, cuando se da el caso, conforma sistemas integrados en acciones constructivas estratificadas, pero también puede tener una estratigrafía interna que nos permite saber si decoración y arquitectura son o no coetáneos. Se muestran diferentes ejemplos de edificios altomedievales con importantes aparatos decorativos analizados desde la arqueología de la arquitectura. [EN] The stratigraphic study of historic buildings lays the foundations for a new understanding and interpretation of architecture and sculpture. Decoration is not necessarily a reliable indicator of the date of a building, as decoration does not have to be contemporary with the building but may frequently be remade or reused and derived from many other and various sources. Different examples of decorative elements belonging to early medieval buildings are analyzed archaeologically. in the seventh century or, more likely, in the eighth century, which implies further effects. Peer reviewed

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    Authors: Leticia Bermejo de Rueda;

    Augustus Welby Northmore Pugin (1812-1852), the great pioneer of the Gothic Revival in the 19th century, is known mainly as theorist, critic and architect, and less as designer of Decorative Arts, collector and dealer in antiquities and works of art. He is very popular and well-known in the English-speaking world, however he is less well-known in our country. This article proposes to introduce A. W. N. Pugin as designer of jewellery and, in particular, the parure made for his third wife, Jane Knill (1827-1909), following his letters.

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    Authors: Portillo Gómez, Ana;

    Con el paso de los años y el avance en la investigación arqueológica cordobesa, aumentamos progresivamente nuestro conocimiento sobre uno de los edificios más relevantes de la que fuera caput prouinciae de la Baetica, el majestuoso templo colosal que presidía el conocido como forum novum de Colonia Patricia, construido en el primer tercio del siglo I d. C. Durante el estudio sistemático del material arquitectónico relacionado con este templo1, fueron halladas una serie de piezas que respondían estilísticamente, a la primera mitad del siglo II d. C. Entre ellas destaca un gran fragmento de coronamiento de arquitrabe2 que, actualmente, forma parte de una colección particular y que, dadas sus dimensiones y características formales, hemos relacionado con dicha construcción. Las particularidades de su talla y el estilo de sus molduras parecen corresponder a las propias del periodo trajano-adrianeo, planteándose así en este trabajo, la posibilidad de la restauración de este edificio o de una parte del mismo, en un momento impreciso de la primera mitad esta centuria. Knowledge about one of the most important buildings of what it was once the caput prouinciae Baetica, the majestic colossal temple that presided the known as forum novum from Colonia Patricia built from the year 25 AD., has progressively been increased because of the pass of the years and the advancement on archaeological researches in Cordoba. During the systematic study of the architectural material related to this temple, there were found a number of pieces that stylistically responded to the first half of the Second Century AD. Among them we can highlight a large fragment of architrave crowning, currently part of a private collection, which we have related to this construction because of its size and formal characteristics. The particulars of its size and style of their bands seem to correspond to the specific Trajan-Hadrian’s period, posing in this work the possibility of the restoration of this building or a part of it, in an indefinite time of the first half of this Century.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Sala, Teresa-M. (Teresa Montserrat);

    Sovint resulta dificultós imaginar-se la forma de viure d'èpoques passades, i una de les maneres d'acostar-se a aquest univers de la privacitat por ser mitjançant les imatges reflectides pels artistes o bé a través de les descripcions literàries. No obstant això, una altra possible aproximació als escenaris quotidians es pot donar a partir de l'estudi del mobiliari, el qual sempre ha tingut una funció simbòlica alhora que utilitària. En aquest sentit, el terreny de les arts decoratives -àmbit en què bàsicament centrem les nostres investigacions- és el que més s'acosta als usos i costums d'una societat. Així, el propòsit d'aquestes breus línies és revelar com eren alguns dels mobles i dels interiors que dues famílies destacades de Sabadell, els Gorina i els Turull, van encomanar a la Casa Busquets al llarg del temps, amb l'objectiu d'aportar algunes dades sobre I'estil de vida, els gustos i els costums d'una època.

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    Authors: Campillo Cueva, Jacinto;
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    Authors: Pagador Manero, Alba;

    Aquest treball pretén ser un acostament al que fou la societat víking, comprendre la seva cultura, organització, tradicions i costums i, en especial, entendre com es va gestar l’art víking, el perquè de les seves formes i mostrar grans peces que ho exemplifiquin tot plegat, a més de presentar-ne d’altres amb influències foranies que posin de manifest l’influx que aquests van exercir als pobles amb els quals prengueren contacte i a l’inversa. Per això ha estat dividit en diferents apartats, inicialment ens preguntem qui era el poble víking i atès aquest motiu primerament acotem el concepte de víking parlant del terme en si mateix, de la seva organització social (amb els drets i deures pertinents, la importància de la família i els valors que seguien) i de la seva economia, parant especial atenció als intercanvis comercials amb els pobles estrangers, un dels pilars bàsics d’aquesta i que alhora fou un aspecte decisiu per l’art víking... Treballs Finals de Grau d'Història de l'Art, Facultat de Geografia i Història, Universitat de Barcelona, Curs: 2013-2014, Tutora: Maria Rosa Terés Tomàs

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    Authors: Moreno Padilla, María Isabel;

    En los últimos años se han llevado a cabo numerosos estudios sobre iconografía vascular en época ibérica que han permitido crear, entre otras cuestiones, diferentes modelos teóricos y metodológicos que inciden en el papel que juega la decoración cerámica en el desarrollo de las prácticas sociales. Partiendo de estos planteamientos, y siendo nuestro objeto de estudio la decoración geométrica y abstracta sobre este mismo soporte, se presenta una revisión historiográfica y bibliográfica de aquellos conceptos que articulan, condicionan y estructuran el diseño decorativo. Para ello, analizaremos diferentes aspectos relacionados con la naturaleza de los programas decorativos o la industria de la pintura alfarera en diferentes regiones de la Cultura Ibérica. In last year there have been numerous studies on pottery iconography in the Iberian period. These studies have created theoretical and methodological models that emphasize the role that the ceramic decoration has in the development of social practices. Our attempt is the analysis of geometrical and abstract decoration and for this reason we introduce a historiography and literature review of those concepts that articulate, determine and structure the decorative design. Through the analysis of various issues related to the nature of the decorative programs or painting pottery industry, we explore the value of decoration in the social use of ceramics in different regions of Iberian Culture.

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    Authors: Santaeugènia Geronés, Sílvia;

    El Pavelló dels Artistes Reunits dins de l’Exposició Internacional de Barcelona de 1929 neix com una resposta d’alguns dels artistes vinculats al Foment de les Arts Decoratives de deslligar-se del plantejament acadèmic del Palau Oficial de les Arts Decoratives i de crear la seva pròpia manifestació, proposant un ideal de la llar moderna. L’edifici arquitectònic és obra de Jaume Mestres i Fossas i el programa organitzatiu del decorador Santiago Marco. Quan es va plantejar l'objecte d'estudi per abordar-lo en forma de tesi de màster, es tenia clar que es volia enfocar cap a l’estudi de les arts decoratives dels anys vint i trenta dins del marc de la corrent art déco a Catalunya i particularitzar en l’anàlisi dels espais interiors déco. Des d’un primer moment érem conscients que la importància del moviment modernista acaba eclipsant sempre el moviment art déco. Igualment, a nivell historiogràfic succeeix el mateix, ja que el modernisme català ha estat abastament estudiat, mentre que pel que fa a l’art déco a Catalunya, tot i que hi ha alguns estudis importants que referenciarem a l'estat de la qüestió, segueixen mancant aportacions que continuïn aprofundint a partir de noves investigacions. Quan hem començat a analitzar l’estudi dels interiors vinculats a l’art déco a Catalunya, ens hem adonat que aquests són pràcticament inexistents. Màster Oficial en Estudis Avançats en Història de l'Art. Facultat de Geografia i Història de la UB. Curs: 2014-2015, Tutora: Mireia Freixa Serra

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    Authors: Jarrega i Domínguez, Ramón;

    [ES] Presentamos aquí un fragmento inédito de sigillata africana con decoración aplicada hallado en Londres y conservado en el museo británico. Este fragmento nos permite documentar la llegada de este tipo de cerámicas a Gran Bretaña durante la Antigüedad Tardía [EN] We present here an unpublished sherd of African Red Slip Ware with applicated decoration found in London an preserved in the British Museum. This sherd allows us to Know that this kind of pottery reached Britain during the Late Roman Empire. Peer reviewed

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    DOAJ
    Article . 1991
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      Article . 1991
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    Authors: Lara Íñiguez Berrozpe;

    A continuación presentamos un análisis del aparato pictórico presente en la capilla para culto doméstico, el sacrarium, hallada in situ en la Casa del Larario del yacimiento romano de Bilbilis. Una banal decoración pictórica permitió que la atención del espectador se centrara en la ornamentación figurada realizada en estuco. Así, una serie de personajes mitológicos, transmisores de un lenguaje simbólico totalmente intencionado, interceptan las molduras y cornisas que en su día recorrieron y por tanto decoraron dicha estancia y también el larario que a modo de altar estaba inserto al fondo del ambiente objeto de nuestro estudio. We present an analysis of the pictorial set from the chapel for domestic worship, sacrarium, found in situ at the House of Larario in the Roman site of Bilbilis. A banal pictorial decoration allowed the viewer’s attention to focus on figurative decoration made of stucco. Thus, a series of mythological characters, completely intentional transmitters of symbolic language, intercept moldings and cornices that once roamed and, because of that, they decorated that stay, and also the Larario as an altar that was inserted at the bottom of the environment of our object of study.

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    Article . 2016
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    Authors: Caballero Zoreda, Luis; Sáez Lara, Fernando;

    [ES] La estratigrafia aplicada al estudio de los edificios históricos está sentando las bases para una comprensión e interpretación renovadas de la arquitectura y la escultura. La decoración deja de ser un elemento que puede desgajarse de su contexto para analizarse individualmente en busca de cronologías y luego reintegrarlo en el marco arquitectónico. La escultura arquitectónica, cuando se da el caso, conforma sistemas integrados en acciones constructivas estratificadas, pero también puede tener una estratigrafía interna que nos permite saber si decoración y arquitectura son o no coetáneos. Se muestran diferentes ejemplos de edificios altomedievales con importantes aparatos decorativos analizados desde la arqueología de la arquitectura. [EN] The stratigraphic study of historic buildings lays the foundations for a new understanding and interpretation of architecture and sculpture. Decoration is not necessarily a reliable indicator of the date of a building, as decoration does not have to be contemporary with the building but may frequently be remade or reused and derived from many other and various sources. Different examples of decorative elements belonging to early medieval buildings are analyzed archaeologically. in the seventh century or, more likely, in the eighth century, which implies further effects. Peer reviewed

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    Authors: Leticia Bermejo de Rueda;

    Augustus Welby Northmore Pugin (1812-1852), the great pioneer of the Gothic Revival in the 19th century, is known mainly as theorist, critic and architect, and less as designer of Decorative Arts, collector and dealer in antiquities and works of art. He is very popular and well-known in the English-speaking world, however he is less well-known in our country. This article proposes to introduce A. W. N. Pugin as designer of jewellery and, in particular, the parure made for his third wife, Jane Knill (1827-1909), following his letters.

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    Authors: Portillo Gómez, Ana;

    Con el paso de los años y el avance en la investigación arqueológica cordobesa, aumentamos progresivamente nuestro conocimiento sobre uno de los edificios más relevantes de la que fuera caput prouinciae de la Baetica, el majestuoso templo colosal que presidía el conocido como forum novum de Colonia Patricia, construido en el primer tercio del siglo I d. C. Durante el estudio sistemático del material arquitectónico relacionado con este templo1, fueron halladas una serie de piezas que respondían estilísticamente, a la primera mitad del siglo II d. C. Entre ellas destaca un gran fragmento de coronamiento de arquitrabe2 que, actualmente, forma parte de una colección particular y que, dadas sus dimensiones y características formales, hemos relacionado con dicha construcción. Las particularidades de su talla y el estilo de sus molduras parecen corresponder a las propias del periodo trajano-adrianeo, planteándose así en este trabajo, la posibilidad de la restauración de este edificio o de una parte del mismo, en un momento impreciso de la primera mitad esta centuria. Knowledge about one of the most important buildings of what it was once the caput prouinciae Baetica, the majestic colossal temple that presided the known as forum novum from Colonia Patricia built from the year 25 AD., has progressively been increased because of the pass of the years and the advancement on archaeological researches in Cordoba. During the systematic study of the architectural material related to this temple, there were found a number of pieces that stylistically responded to the first half of the Second Century AD. Among them we can highlight a large fragment of architrave crowning, currently part of a private collection, which we have related to this construction because of its size and formal characteristics. The particulars of its size and style of their bands seem to correspond to the specific Trajan-Hadrian’s period, posing in this work the possibility of the restoration of this building or a part of it, in an indefinite time of the first half of this Century.

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