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6 Research products (1 rule applied)

  • Digital Humanities and Cultural Heritage
  • Fundação para a Ciência e a Tecnologia, I.P.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Pires, Maria Teresa Avelino;

    UID/HIS/04666/2019 The presented paper aims to evoke the feminine stereotypes based on diverse historical sources research, focusing on their role within Cape Verdean Ancient Regime’s society. At same time, the conducted research aims to give voice to this particular enslaved society back then and their major players, turning visible a period of history that has been voided by older historians. publishersversion published

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repositório da Unive...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repositório da Unive...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Coelho, Maria Helena da Cruz;

    In this work we will study essentially the ecclesiastical members of king João I’s royal chapel. We will begin by presenting a list containing the number and category of the clerics who constituted it, and their respective salaries. We discriminate the functions of its principal members – head chaplain, singers, almoner – and give particular attention to the king’s confessors, recruited among the mendicant friars, who played a fundamental role in the court’s adoption of lines of spirituality and devotion, as well as in the kingdom’s politics, due to their proximity to the king and the royal family. We then take a closer look at the political-religious dimension of this organ, stressing the infl uence exerted by those clergymen on the king – both at the personal level, acquiring assets, positions, benefi ts and privileges, and in their contribution to defi ning and carrying out the kingdom’s policies.A lo largo de estas páginas se estudia a los eclesiásticos al servicio de la Capilla Real de don Juan I de Portugal. En primer lugar, se da a conocer una lista que representa el número y categoría de clérigos que la componían, así como sus respectivos salarios; se detallan las funciones de sus principales miembros, tales como capellán mayor, cantores o limosnero; y se presta especial atención a los confesores del rey reclutados entre los mendicantes, los cuales tenían un papel fundamental tanto en la adopción de las líneas de espiritualidad y devoción de la corte, como también por su proximidad con el rey y la familia real en la política del reino. A continuación, se profundiza en la dimensión político-religiosa de este órgano, poniendo de relieve el peso de estos religiosos próximos al rey, tanto a nivel personal, consiguiendo bienes, cargos, beneficios y privilegios, como en su contribución para la definición y concreción de la política del reino. [gl] Ao longo destas páxinas estúdase os eclesiásticos ao servizo da Capela Real de don Xoán I de Portugal. En primeiro lugar, dáse a coñecer unha lista que representa o número e categoría de clérigos que a compoñían, así como os seus respectivos salarios; detállanse as funcións dos seus principais membros, tales como capelán maior, cantores ou esmoleiro; e préstase especial atención aos confesores do rei recrutados entre os mendicantes, os cales tiñan un papel fundamental tanto na adopción das liñas de espiritualidade e devoción da corte, coma tamén pola súa proximidade co rei e a familia real na política do reino. A continuación, afóndase na dimensión político-relixiosa deste órgano, poñendo de relevo o peso destes relixiosos próximos ao rei, tanto a nivel persoal, conseguindo bens, cargos, beneficios e privilexios, como na súa contribución para a definición e concreción da política do reino.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Cuadernos de Estudio...arrow_drop_down
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    Cuadernos de Estudios Gallegos
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    Cuadernos de Estudios Gallegos
    Article . 2015 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Cuadernos de Estudio...arrow_drop_down
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      Cuadernos de Estudios Gallegos
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      Cuadernos de Estudios Gallegos
      Article . 2015 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ferreira, Luís Gonçalves;

    The Barros family, has, for centuries, administered the morgado of Real, the chapel of Senhora da Graça and a hospital in the city of Braga that harboured poor women. This hospital, named the Hospital de Santiago and the Hospital das Velhas (hospital for elderly women), was founded in the Late Middle Ages and continued to function until the 19th century. The current study analyses how aid to the poor, in an urban context, served as a catalyser of the prestige of the family that administered it. Using manuscript, printed and iconographic sources, processed by a multidisciplinary methodology, this investigation discusses the main patrimonial, social and symbolic coordinates that allowed the survival of the morgado and of the hospital in the long term. Esta publicação tem o apoio do Financiamento Plurianual do Laboratório de Paisagens, Património e Território (Lab2PT), Ref.ª UID/04509/2020, financiado por fundos nacionais (PIDDAC) através da FCT/MCTES. This work was supported by the Foundation for Science and Technology (FCT) under Grant 2020.04746.BD.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ LAReferencia - Red F...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ LAReferencia - Red F...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Gil, Milene; Manso, Marta; Pessanha, Sofia; Manhita, Ana; +7 Authors

    Abstract This paper reports the results of a multi analytical research undertaken on a mural and on a panel painting altarpiece authored by Jose de Escovar in 1603, one of the most productive and controversial painters working for Evora Archiepiscopate at the end of the 16th century and beginning of the 17th century. The two paintings are among his first documented artworks in the region and the only case where both are still in their original architectural location - the Chapel of the Souls in the main church of Vila Nova da Baronia (30 km away from the city of Evora). Jose de Escovar is a well-known mural painter but not much is still known about his other skills. To better define his craftsmanship, comparison of technical features and painting materials employed on both supports and paint layers was carried out using a multi-analytical setup for in situ analyses and laboratory characterization. The analytical campaign comprised technical photography (UVF-Vis-IR), portable EDXRF, OM, XRD, SEM/EDS, µ-Raman, µ-FT-IR and py-GC/MS. The results showed that although Jose de Escovar was considered a minor painter, he was clearly acquainted with both painting techniques and the use of different materials in accordance with the pictorial specifications and traditions at the time in Europe.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Microchemical Journa...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Microchemical Journa...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Campos, Maria Amélia Álvaro de;

    In 1335, Pedro Domingues, who identified himself as servant and squire of Dona Branca, princess of Portugal, made his will in which founded one chapel to celebrate his soul, the soul of his family and the soul of the princess Dona Branca. This paper presents a case study and it publishes the palaeographic transcription of the original testamentary will. More than the analysis of the behaviour of medieval society towards the dead, we want to question the function of this chapel in the social mobility of one family from the urban oligarchy. For this purpose we will specially question the particularity of the association of the name of the princess to the chapel in analysis. Em 1335, Pero Domingues, que se identifica como criado e escudeiro da Infanta D. Branca, faz o seu testamento, no qual funda uma capela para celebrar a sua alma, a alma dos seus familiares e a alma da infanta D. Branca de Portugal. Este artigo apresenta um estudo de caso e publica o referido testamento. Mais do que a análise da atitude do Homem medieval perante a morte, pretende-se problematizar a função desta capela na projecção social de uma família da aristocracia urbana. Para tal, problematizaremos especialmente a singularidade da associação do nome da infanta portuguesa à celebração da referida capela.

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    Medievalista
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    Medievalista
    Article . 2016 . Peer-reviewed
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    Article . 2016
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    OpenEdition
    Article . 2017
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      Medievalista
      Article . 2016 . Peer-reviewed
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      DOAJ-Articles
      Article . 2016
      Data sources: DOAJ-Articles
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      OpenEdition
      Article . 2017
      Data sources: OpenEdition
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    Authors: Donabédian, Patrick; Porter, Yves;

    International audience; The chapel of Yeghvard was built in the first third of the 14th century. The small local principality was one of the rare areas in Armenia where an artistic activity could continue during the tough period of Mongol domination. The three-storeyed building comprises a chapel-mausoleum, an oratory, and a bell-tower in the shape of a small rotunda, a structure of Antique origin, popular at that period in Armenia. The Yeghvard chapel distinguishes itself by its elegance, the abundance and quality of its sculpted decoration, widely open to contacts with the Muslim world, and by the presence, under its cupola, of a row of Persian tiles dating from the end of the 13th - beginning of the 14th cent. Its architect Shahik was also the author, in 1314, of the mausoleum of Khachen-Dorbatly, built some 200 km to the East, for a Muslim lord.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hortus Artium Mediev...arrow_drop_down
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    Hortus Artium Medievalium
    Article . 2017 . Peer-reviewed
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    Authors: Pires, Maria Teresa Avelino;

    UID/HIS/04666/2019 The presented paper aims to evoke the feminine stereotypes based on diverse historical sources research, focusing on their role within Cape Verdean Ancient Regime’s society. At same time, the conducted research aims to give voice to this particular enslaved society back then and their major players, turning visible a period of history that has been voided by older historians. publishersversion published

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repositório da Unive...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Coelho, Maria Helena da Cruz;

    In this work we will study essentially the ecclesiastical members of king João I’s royal chapel. We will begin by presenting a list containing the number and category of the clerics who constituted it, and their respective salaries. We discriminate the functions of its principal members – head chaplain, singers, almoner – and give particular attention to the king’s confessors, recruited among the mendicant friars, who played a fundamental role in the court’s adoption of lines of spirituality and devotion, as well as in the kingdom’s politics, due to their proximity to the king and the royal family. We then take a closer look at the political-religious dimension of this organ, stressing the infl uence exerted by those clergymen on the king – both at the personal level, acquiring assets, positions, benefi ts and privileges, and in their contribution to defi ning and carrying out the kingdom’s policies.A lo largo de estas páginas se estudia a los eclesiásticos al servicio de la Capilla Real de don Juan I de Portugal. En primer lugar, se da a conocer una lista que representa el número y categoría de clérigos que la componían, así como sus respectivos salarios; se detallan las funciones de sus principales miembros, tales como capellán mayor, cantores o limosnero; y se presta especial atención a los confesores del rey reclutados entre los mendicantes, los cuales tenían un papel fundamental tanto en la adopción de las líneas de espiritualidad y devoción de la corte, como también por su proximidad con el rey y la familia real en la política del reino. A continuación, se profundiza en la dimensión político-religiosa de este órgano, poniendo de relieve el peso de estos religiosos próximos al rey, tanto a nivel personal, consiguiendo bienes, cargos, beneficios y privilegios, como en su contribución para la definición y concreción de la política del reino. [gl] Ao longo destas páxinas estúdase os eclesiásticos ao servizo da Capela Real de don Xoán I de Portugal. En primeiro lugar, dáse a coñecer unha lista que representa o número e categoría de clérigos que a compoñían, así como os seus respectivos salarios; detállanse as funcións dos seus principais membros, tales como capelán maior, cantores ou esmoleiro; e préstase especial atención aos confesores do rei recrutados entre os mendicantes, os cales tiñan un papel fundamental tanto na adopción das liñas de espiritualidade e devoción da corte, coma tamén pola súa proximidade co rei e a familia real na política do reino. A continuación, afóndase na dimensión político-relixiosa deste órgano, poñendo de relevo o peso destes relixiosos próximos ao rei, tanto a nivel persoal, conseguindo bens, cargos, beneficios e privilexios, como na súa contribución para a definición e concreción da política do reino.

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    Cuadernos de Estudios Gallegos
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    Cuadernos de Estudios Gallegos
    Article . 2015 . Peer-reviewed
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      Cuadernos de Estudios Gallegos
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      Cuadernos de Estudios Gallegos
      Article . 2015 . Peer-reviewed
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    Authors: Ferreira, Luís Gonçalves;

    The Barros family, has, for centuries, administered the morgado of Real, the chapel of Senhora da Graça and a hospital in the city of Braga that harboured poor women. This hospital, named the Hospital de Santiago and the Hospital das Velhas (hospital for elderly women), was founded in the Late Middle Ages and continued to function until the 19th century. The current study analyses how aid to the poor, in an urban context, served as a catalyser of the prestige of the family that administered it. Using manuscript, printed and iconographic sources, processed by a multidisciplinary methodology, this investigation discusses the main patrimonial, social and symbolic coordinates that allowed the survival of the morgado and of the hospital in the long term. Esta publicação tem o apoio do Financiamento Plurianual do Laboratório de Paisagens, Património e Território (Lab2PT), Ref.ª UID/04509/2020, financiado por fundos nacionais (PIDDAC) através da FCT/MCTES. This work was supported by the Foundation for Science and Technology (FCT) under Grant 2020.04746.BD.

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    Authors: Gil, Milene; Manso, Marta; Pessanha, Sofia; Manhita, Ana; +7 Authors

    Abstract This paper reports the results of a multi analytical research undertaken on a mural and on a panel painting altarpiece authored by Jose de Escovar in 1603, one of the most productive and controversial painters working for Evora Archiepiscopate at the end of the 16th century and beginning of the 17th century. The two paintings are among his first documented artworks in the region and the only case where both are still in their original architectural location - the Chapel of the Souls in the main church of Vila Nova da Baronia (30 km away from the city of Evora). Jose de Escovar is a well-known mural painter but not much is still known about his other skills. To better define his craftsmanship, comparison of technical features and painting materials employed on both supports and paint layers was carried out using a multi-analytical setup for in situ analyses and laboratory characterization. The analytical campaign comprised technical photography (UVF-Vis-IR), portable EDXRF, OM, XRD, SEM/EDS, µ-Raman, µ-FT-IR and py-GC/MS. The results showed that although Jose de Escovar was considered a minor painter, he was clearly acquainted with both painting techniques and the use of different materials in accordance with the pictorial specifications and traditions at the time in Europe.

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    Authors: Campos, Maria Amélia Álvaro de;

    In 1335, Pedro Domingues, who identified himself as servant and squire of Dona Branca, princess of Portugal, made his will in which founded one chapel to celebrate his soul, the soul of his family and the soul of the princess Dona Branca. This paper presents a case study and it publishes the palaeographic transcription of the original testamentary will. More than the analysis of the behaviour of medieval society towards the dead, we want to question the function of this chapel in the social mobility of one family from the urban oligarchy. For this purpose we will specially question the particularity of the association of the name of the princess to the chapel in analysis. Em 1335, Pero Domingues, que se identifica como criado e escudeiro da Infanta D. Branca, faz o seu testamento, no qual funda uma capela para celebrar a sua alma, a alma dos seus familiares e a alma da infanta D. Branca de Portugal. Este artigo apresenta um estudo de caso e publica o referido testamento. Mais do que a análise da atitude do Homem medieval perante a morte, pretende-se problematizar a função desta capela na projecção social de uma família da aristocracia urbana. Para tal, problematizaremos especialmente a singularidade da associação do nome da infanta portuguesa à celebração da referida capela.

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    Medievalista
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    Authors: Donabédian, Patrick; Porter, Yves;

    International audience; The chapel of Yeghvard was built in the first third of the 14th century. The small local principality was one of the rare areas in Armenia where an artistic activity could continue during the tough period of Mongol domination. The three-storeyed building comprises a chapel-mausoleum, an oratory, and a bell-tower in the shape of a small rotunda, a structure of Antique origin, popular at that period in Armenia. The Yeghvard chapel distinguishes itself by its elegance, the abundance and quality of its sculpted decoration, widely open to contacts with the Muslim world, and by the presence, under its cupola, of a row of Persian tiles dating from the end of the 13th - beginning of the 14th cent. Its architect Shahik was also the author, in 1314, of the mausoleum of Khachen-Dorbatly, built some 200 km to the East, for a Muslim lord.

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    Hortus Artium Medievalium
    Article . 2017 . Peer-reviewed
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