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The SSHOC cluster project (Social Sciences and Humanities Open Cloud) is a contribution to the European Open Science Cloud (EOSC). It particularly addresses the requirements of the Social Sciences and Humanities (SSH) research community. An important goal of the project is to deliver the SSH Open Marketplace (https://sshopencloud.eu/ssh-open-marketplace) as discovery portal and comprehensive information hub for the SSH research community comprising tools, services, training materials and other resources. Our involvement in the cluster project helps DARIAH communities to build one of the four pillars of the DARIAH Strategic Plan 2019–2026 by “building the Marketplace as a humanist-friendly component of the European Open Science Cloud”. Since the beginning of the SSHOC project (in January 2019), important steps have been achieved, like the definition of the system specification for the SSH Open Marketplace, and community needs were central concerns in this process. SSHOC follows an agile development approach with user feedback from the very beginning and feedback loops in-between. An alpha release of the portal was released in June 2020 and will be followed by the beta release of a fully-functional SSH Open Marketplace in December 2020. The operational version of the portal will be launched in December 2021. This DARIAH public demonstration is one in a series of events implementing a participatory-design approach and aims at encouraging and enabling valuable feedback for the refinement of the concept and development of the SSH Open Marketplace. The audience of the DARIAH Annual Event – humanities scholars and/or DARIAH Working Group members, NCCs, members of DARIAH Scientific Board – is a perfect multiplier for us to receive feedback from the Arts & Humanities research community at large.

Deliverable D7.1 of the ARIADNE Project, describing Trans-National Access of ISTI CNR.

This text elucidates how we make use of the FAIR data principles.

This animation visualizes the relative percentages of genre distributions in seven of the modernist magazines.

This file provides the relative percentages of genre distribution in each of the 23 avant-garde magazines.

Das Romanistische Kolloquium (organisiert von Elton Priffti, Universität Wien) hat sich im November 2019 als Thema "Digitale Sprachwissenschaft" behandelt: http://romanistisches-kolloquium.de/ . Der Vortrag "Verbindungen zwischen digitaler Sprach- und Literaturwissenschaft am Beispiel der Stilometrie" versucht eine Brücke zwischen beiden Teildisziplinen der Romanistik zu schlagen. Die Romanistik zeichnet sich durch ihre Gesamtbetrachtung der romanischen Sprachen und Literaturen aus, zerfällt aber schon seit vielen Jahren mehr und mehr in die Betrachtung der Einzelsprachen und auch der sprach- und literaturwissenschaftlichen Disziplinen. Die neueren, starken Impulse aus den Digital Humanities dienen nun überraschenderweise als ein erneutes Bindeglied, das sowohl die einzelnen Sprachen, Literaturen aber auch die Methoden der Sprach und -Literaturwissenschaft wieder näher zusammen bringt. Der Beitrag erläutert am Beispiel der Stilometrie aus literaturwissenschaftlicher Perspektive die Bezüge zur Stilistik sowie die Chancen einer neuerlichen Annäherung zwischen romanistischer Sprach- und Literaturwissenschaft auf der Basis gemeinsamer digitaler Methoden. Umgekehrt besteht in den Digital Humanities großer Bedarf, die vor allem an englischsprachigen Korpora erprobten Methoden sprachübergreifend auszuweiten. Hier kann die Romanistik ihre lange Erfahrung im Vergleich verwandter Sprachen und Literaturen einbringen.

This text explicates the criteria which guided the selection criteria applied to construct the corpus.

This DFG-funded research project studied a large corpus of cultural magazines of the Spanish-speaking modern age in Spain and Hispanic America. The research project started in 2017 and lasted until 2020; its project number is 327964298. Two sub-projects, one with an emphasis on Modernismo (1890-1914) and the other one with an emphasis on the avant-garde (1920-1936), were implemented, crossing fields during the transitional phase of the so-called Posmodernismo (about 1910-1920). Both sub-projects were closely connected and were designed to serve the following objectives: 1. Processes of the development of modern literature and its transnational dimension were studied by consistently comparing inter-cultural connections, thus underlining the status of the cultural magazine as a crucial medium of the dynamics of modernization. Within the project continuities and ruptures within these dynamics in Spanish-speaking literatures have been examined, which necessarily could only be partially considered in the prevailing epoch-centered studies on Modernismo and avant-garde so far. The high level of transnational networking, which is characteristic for the "cosmopolitan" Modernismo as well as the "international" avant-garde, was supposed to finally become the object of research, after this phase of studying magazines mostly as part of the national philologies. 2. In conducting this new field of research methods already established and theories on cultural transfer have been used to study modern literature outside the confines of national boundaries, in order to expand their reach to the medium of the cultural magazine. 3. Cultural magazines have been regarded as networks consisting of forms of texts, which do not only connect single contributors, but genres and types of texts as well. To research this aspect of magazines as networks, qualitative analytic parameters that require a close reading of carefully selected parts of the magazines have been used, as well as quantitative methods which are based on the entry of (meta-)data of reviews and their visualization. The dataset submitted here consists of explanatory texts, 16 data sheets comprising about 31,500 datasets, and of several visualizations. The project maintains its own virtual research environment named "Revistas Culturales 2.0", which is available at https://www.revistas-culturales.de/.

This file visualizes an extended dedication network resulting out of the avant-garde magazines.

This text investigates genre distributions across avant-garde magazines and the network of contributions to the category “Fictional Prose” in the avant-garde period.